Voiture 54, où êtes-vous?

Officer Toody gets assigned a new partner in technology freak Officer Muldoon. They spend much of the film getting to know each other before being assigned to protect federal witness Hebert Hortz from mobster Don Motti's hitmen. When they lose the witness both Toody and Muldoon must work together to save him.

The story here isn't really important as their isn't really one to speak of. The majority of the film is a whole pile of set pieces where Toody and Muldoon don't get on etc. Then with 30 minutes left they get assigned to protect Hortz, lose him and then have to get him back - it's as if the film suddenly realised that it has to do something while being onscreen. It all relies on the comedy rather than the plot, however there's barely a funny line in it - I half-laughed once when the two hitmen were talking ("I often considered plumbing as a vocation", "nah - I take the kids down to Florida"), and that was it for me, not another laugh in the whole damn thing. Even the scenes that play out over the credits are rubbish - I assume that they thought no one would be left by then.

The main problem with the film is the performances - especially Johansen. It's impossible to enjoy any scene that he's in because of his horrible voice and irritating OTT facial expressions. In this he really does have a face that you want to just keep kicking! McGinley is not as bad but when he's on screen you can't help but feel disappointed - he's had so many good support roles in good films but yet this is his reward. Likewise with Jeremy Piven - not a big star but always does good work in support. Here his gay witness is terrible - witness his rapping with black prisoners to see the depths he has sank. He did a gay character in Rush Hour 2 which was very funny and not totally OTT as it is here. Daniel Baldwin is hampered by a terrible character and at times you can almost see him thinking that he should have put a few more years in on "Homicide: LOTS". Rosie O'Donnell is awful and is almost as annoying as Johansen. One clever bit of casting is Barbara Hamilton as Toody's first partner - clever because of the Munster's connection with the original series, but he's not a great actor (his most recent work being novelty walk-ons in porn). Nipsey Russell really should have known better and should never have agreed to spoil the film's tag line by adding the f-word to it. Gore magicians Penn and Teller just add to the tacky novelty feel of the whole thing.

This should have treated the source material with more respect and it might have been better. However it's a real shambles. No plot, roundly terrible performances and not a laugh in the place. Many of the "jokes" are embarrassing - don't miss the opening scene where Johansen "sings" with a rapping cartoon bird. In fact the rapping thing bothers me because this is full of ethnic stereotypes and constantly uses black culture for comedy effect (like Piven rapping - to general applause!).

Overall it's not the worst thing I've ever seen but it is certainly one big unfunny embarrassment from start to finish.

Oh my god! This has to be the worst f-----ing movie I've ever seen! I saw this when I was 10 years old and this gave me a stomache ache.... honestly! I'm not kidding. That's how bad it is. Serious. I'm a fan of John C. McGinley, but what the hell was he thinking?! Aaaah! This movie forever tarnished my image of Rosie O Donnell. I mean, she's obnoxious enough without watching this movie! Ech! AAh! I think this is the worst movie ever made!

I've sat through some dreadful films in my time, but this one may well be the all-time winner. I watched the whole thing with my mouth hanging open in stunned disbelief that it could be as bad as it was.

I was extremely interested in seeing the film around the time it came out. This was back when Nick@Nite was showing reruns of the old Car 54 TV show, and I was one of the many who was first exposed to it there and fell in love with it. My understanding was that it was this renaissance of cult interest in the show that motivated the making of a movie. So I was looking forward to seeing said movie.

The thing about this movie was, it seemed extremely evident that NOBODY associated with the making of this movie HAD EVER actually *seen* the original TV show upon which it is (supposedly) based. That the main characters are named Toody and Mulldoon seems almost a coincidence; they aren't even *remotely* like the original characters, except in so far as being cops. The original Car 54 TV show had a delightful, wacky sense of humor. This abomination of a film has NO sense of humor. I didn't not laugh once, not one single time. The original TV show had an amusing, catchy theme song. This thing had some monstrosity of a rap. What I will never, ever fathom is how *anybody* ever signed off on this thing at any stage in its development. I want to know who looked at the script for this and say "Yeah! That's great!" and what drugs they were on.

I remain in everlasting awe that they were able to propose, write, film, edit, and release a Car 54 film that had absolutely NOTHING to do with the great old TV show, Car 54, Where Are You. When you factor in the disappointment factor over what it could have been, I think this could well be the worst ever. There was just *no good reason* for it to have been this bad.

I rented this movie as part of a local video stores "five films for five nights" deal and I needed a fifth film to get the deal. It took me five nights to watch it because I could literally only stand fifteen minutes of it at a time. I tortured myself on the last night and endured eighteen minutes of it. I truly admire anyone who was able to sit through this in a theater without leaving.

One of the worst movies I've ever seen..kept flipping back and forth to another show. I watched it because I love Fran Drescher. I thought she was funny as 'let me feel you badge Velma' and Rosie O'Donnell was okay..but David Johanson was soooooo annoying with his voice. John C McGuinley cracks me up on Scrubs but not in this movie. Horrible horrible horrible. A rated R movie that ends with a mob guy yelling 'I want my mommy' is just the worst of the worst because thats a clichéd line from most PG movies. It provides no laughs for adults. Fran Drescher mustve done this before The Nanny got on the air because TN debuted the year before and anyone with their own sitcom wouldn't offer to do this piece of garbage. Anyone who glances at the script can tell its a bad movie..no one could've thought it would be a hit.