Mistakenly credited to Zalman King, the film does not identify any filmmaker or show any "directed by" credit in the opening or ending credits. King is credited only as an executive producer. An investigation carried out by the Brazilian blog Filmes para Doidos found that this movie is actually a "Frankenstein film" assembled with scenes from the Brazilian production Boca de Ouro (1990), directed by Walter Avancini, interspersed with some new scenes shot in Brazil featuring International actors such as Rae Dawn Chong, Martin Kemp, and Martin Sheen. These additional English scenes were directed by French filmmaker René Manzor, who at the same time was working with Zalman King on the cable TV series L'Escarpin rouge (1992).
Final film of Norma Suely.
Brazilian actor Tarcísio Meira works as the only link between the old scenes from Boca de Ouro (1990) (here reused as "flashbacks") and the new scenes. Tarcísio repeats the role he had played in the 1990 film, this time speaking English and interacting with foreign actors.
Some scenes from the documentary A Guerra dos Meninos (1991), by Sandra Werneck, were also used in the editing, making Sandra the third uncredited filmmaker whose work appear in the final cut of the feature.
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