Le fils de la panthère rose

This following to Closeau series is a new attempt to maintain the slapstick franchise in spite of Peter Sellers death by means the substituting in Italian actor Roberto Benigni . This eight installment is a passable and average comedy because the formula is run out ; it stars Robert Benigni replacing Peter Sellers as one man show accompanied by an excessive Herbert Lom . After making life intolerable for clumsy Inspector Closeau , previous Chief Inspector Charles Dreifuss (Herbert Lom) encounters Jacques Gambrelli (Robert Benigni), who reminds him painfully to Inspector Clouseau , the man who drove him nutty and got insane . With good reason: Gambrelli is Clouseau's son . While a princess (Debrah Farentino) is in France to accompany her daddy (Oliver Cotton), a king from far Orient on a diplomatic mission . She is abducted by some delinquents (Robert Davi , Jennifer Edwards )who obligate her father to abdicate , which he will not do even for her. And since her nation has such close ties to France the Police Prefect instructs commissioner Dreyfuss to go where the princess was abducted and directing the investigation. On the way he runs into the kidnappers and were to be shot when a Gendarme stumbles into them and saves Dreyfuss. Dreyfuss oversees that there is something familiar about this patrolman. When he goes to the local police chief and says him that he will be handling the investigation and asks for his best man, he assigns him Gambrelli, who just happens to be the Gendarme he met earlier . And having another meeting with Gambrelli, he goes to his home to encounter his mummy Maria (Claudia Cardinale), and is shocked to discover that results to be Closeau's son .

¨The revenge of the Pink Panther ¨ release was the fifth part of series of Inspector Clouseau from French Surete and the last entry by the late Peter Sellers though he would follow playing but with outtakes in films as ¨Trail of the Pink Panther¨. After that , it was continued by ¨The curse of the Pinnk Panther¨ that turned to be another flop and starred by Ted Wass . ¨The son of the Pink Panther ¨ is the eight part of Closeau series and a light comedy starred by the great Roberto Benigni as the inept and bungler Inspector of the French Surete . The movie gets entertaining and hilarious moments here and there. This slapstick picture contains amusing , funny scenes , fresh and diverting moments but also flaws and gaps . Herbert Lom steals the show parodying his classic character including his ordinary faces , grimaces and gestures . Appears as secondaries the usual series as Burt Kwouk , Grahame Stark and of course a mature Claudia Cardinale . The actors seem to enjoy themselves immensely but they are supposedly amusing holidays . Lively and atmospheric music by habitual Henry Mancini with songs arranged by Bobby MacFerrin ; furthermore ,magnificent opening and ending cartoon titles by Chris Hummel . Colorful and glimmer cinematography by Dick Bush . The film is regularly penned and directed,as always,by Blake Edwards. Several chuckles and gags , the result of which is one acceptable entry from series but inferior to precedent outings as the original ¨The Pink Panther¨, ¨A shot in dark¨, ¨Return of pink panther,¨Revenge of pink panther¨. Director Blake Edwards although gets some inspired bits penned by him however he attempts to alive his classic personage with no much success . The flick will appeal to Pink Panther series buffs and Roberto Benigni fans. This is arguably one of most mediocre of the series about the botcher and bungling Inspector .

The "Pink Panther" franchise has spawned a number of movies. The last one in the series is "Son of the Pink Panther." It stars Roberto Benigni as the original Inspector Jacques Clouseau's son. He does a good job stumbling and bumbling his way through the story. It's easy to picture Benigni as a Clouseau-type stumblebum. And a number of characters appear that, although they did not appear in "The Pink Panther," have become familiar in other "Panther" movies. But the last in the line differs somewhat from the original. Its tone isn't quite as lighthearted as the first. It has a lot of violence that seems to taint the movie. Although there are a few good scenes, this movie reminds us all how sorely Peter Sellers is missed.

Ten years after the flop that was Curse of the Pink Panther, director Blake Edwards once again tried to revive his iconic series without the late star Peter Sellers. In Curse, there was some wonder among Dreyfus and Francois if Clifton Sleigh was related to Clouseau. Here, it's confirmed that Gendarme Jacques Gambrelli (Roberto Benigni) is indeed Clouseau's son by his mother, Maria Gambrelli (returning Claudia Cardinale, previously Princess Dala in The original Pink Panther. She replaced Elke Sommer of A Shot in the Dark). It's also confirmed that it's been ten years since Clouseau's death (perhaps a little after the events of Curse, perhaps?). Besides the always welcome return of Herbert Lom as Commissioner-once again!-Charles Dreyfus, we also get again Burt Kwouk as Cato, Liz Smith as Marta Balls (she previously appeared in Trail of the Pink Panther in outtakes from The Pink Panther Strikes Again as well as Curse), and, back as her husband, Professor Auguste Balls, the always versatile Graham Stark (though Harvey Korman played him in Smith's previous entries). With Andre Maranne seemingly unavailable, Dermot Crowley takes over his role of Seargent Francois Duval here. Also new to the cast is Debrah Farentino as Princess Yasmin who falls for Gambrelli, Robert Davi as the villain Hans Zabra, and Edwards' daughter Jennifer as Yussa. All are good in their roles. Incidentally, the director's son Geoffrey Edwards, who previously was co-writer on Trail as well as Curse, is second unit director here as well as the director of the live-action section of the title sequence. Okay, I liked Curse despite the ending so I wondered how I'd feel about this one after what happened there. I was very glad no mention was made of Clouseau's going over to the other side so I half wondered if that was conveniently forgotten or what. Anyway, Benigni was fine mixing his and Sellers' characterizations in making us believe he really was Jacques Clouseau's son and his scenes with Lom are pure gold. Kwouk as Cato is also nicely done compared to his over-the-top attacks on Curse. In fact, I liked his disguise as a Jewish man and his surprise attacks on the villains though I half wondered if he'd die when one of them kicked him back in the refrigerator. Not every set piece was laugh-your-head-off funny but I was pretty entertained from beginning to end. Oh, and there's a cameo by Benigni's wife, Nicoletta Braschi, involving another twist that I won't reveal here. And the beginning live-action/animated title sequence by Desert Music Pictures/Kroyer Films, Inc., respectively, marked a new kind of hilarity as conductor Pink Panther (who is passed the baton from Henry Mancini in a nice cameo) tries to stop the animated Benigni from wreaking havoc in the music/film projector studio as we see Bobby McFerrin use his unique mouth to warble his own version of Mancini's Pink Panther theme. So with this series entry, we say goodbye to the cast and crew of the previous nine (including this one) Pink Panther movies especially Mancini as he'd die not long after. This also turned out to be Edwards' last feature film as once again, Son of the Pink Panther flopped. So in a way, this was indeed the end of the ORIGINAL Pink Panther series. However, someone decided to reboot the series thirteen years later. Next up, The Pink Panther (2006)...

No pun intended - obviously Peter Sellers was no more by that time. But you have a lot of people involved who were there at the conception of the series (and what a story that is - check it out if you can, how the character came to be) ... and yet you can feel that the most important ingredient is missing. Even Steve Martin couldn't step into the (big) shoes ... not easy to fill.

Same is true for Roberto Begnini ... he has done some ... wonderful movies (see what I did there?), but this is not one of them. At least I wouldn't call it that. We have a love interest, we have again players you could be familiar with if you have seen the other movies ... and yet ... there is a big hole .. there is Sellers missing.

On the other hand, if you are able to just go with the flow ... just accept the silliness this serves you ... a good example is the Son dressed as a doctor "examining" the bad guy ... this is beyond ridiculous ... you'll either find it super funny or be super annoyed by it ... this informs how you feel about the rest of it.

The beginning of the movie with the chase scene is the same .... funny or not - your choice ... I've seen worse of course ... but also way better.

While riding the subway eight years ago, I saw the billboards for "Son of the Pink Panther" and I really didn't think much about it then. I had yet to become a fan of Blake Edwards' work, and I really hadn't seen any of the previous Panther films.

Flash forward to 1999. Turner Classic Movies had shown the first six entries in the Panther series and I had watched them in chronological order, which I think is a good idea for anyone to do. I had seen "Curse" on tape and I decided to check out "Son of the Pink Panther" just out of curiosity. I had read some reviews, which were pretty dismal. So I had no reason to expect anything great.

Imagine my surprise when I found myself laughing a lot during the 95 minute running time of "Son". This was a clever, funny and very original entry in the long-running "Panther" series. Blake Edwards' instinct was right on the money when he cast Italian comedian Roberto Benigni in the role of Clouseau's illegitimate son. Benigni displays all the traits that made Peter Sellers such a great talent. He plays the comic scenes very straight which sells it so much better than if he had played it slyly. And the films he has made since ("The Monster", "Night on Earth" and "Life Is Beautiful", which was sort of his own "Being There") just confirms my initial reaction. And of course, what is a Panther film without Dreyfus, played as always by Herbert Lom, who works well with Benigni in many memorable sequences.

If I have a complaint about "Son", it is that it tends to get too preoccupied with the plot. The best Panther films didn't depend on plot as much as characterization and "Son" suffers because of it as did Edwards' previous disappointment "Switch". But "Son" has a manic comic energy and polish that "Switch" lacked and the payoffs work as in "Switch" they did not.

"Son of the Pink Panther" is a better film than "Curse", "Revenge" and the original film, but not "Strikes Again", "Return" and "A Shot in the Dark" (of which this film has its roots in) Sadly, Edwards retired from theatrical features after this although he still works in TV. He showed so much vigor and life in "Son" that makes me want to see him make another Panther film, especially with Roberto Benigni. I'm still waiting.

***1/2 out of 4 stars