La maison aux esprits

This movie is based on the novel of the same title by Isabel Allende. It tells the story of the Trueba family over a span of 50 years. Jeremy Irons plays the passionate yet harsh patriarch of the family. He is a man of contradictions-in public and with his family, he is proper. Behind closed doors, he has many secrets-affairs, brothels, and a bastard son whom he utterly neglects. Time and fate make him confront these demons and he ultimately learns the blessing of forgiveness. Meryl Streep plays his psychically touched wife like an angel-she is so ethereal she seems of the spirit world. Glenn Close plays her love-starved sister-in-law;she conveys her desperation so adeptly. Meryl Streep treats her as a real sister and showers sisterly affection on this poor creature. It is a spellbinding tale and one that has relevance to all families.

I've never been a fan of Bille August, and this film has only furthered my opinion of his work. I found the directing, as well as the editing, choppy and incoherent. Mr. August tried too hard to be mystical and discreet in his telling of the tale--to the point of being annoyingly aloof and superficial.

The take-home message is, however, refreshing in its complexity and layers. The events all seem to come full circle and continue through the generations of the family, as Clara verbalized in her diaries, "the relationships between events." Lende's message was that evil begets evil, and nothing good came from malice. Such is sadly noted upon reflection that many misfortunes stemmed from poor judgment, and unacknowledged or unrectified wrongdoings in the past.

I thought the characters Farula and Esteban were the best-written and the best-acted, by far. Glenn Close exuded every bit of the torn and love-deprived spinster sister, her very gaze a window to her harsh and barren life. Jeremy Irons' portrayal of the dark and contradictory Esteban was brazen yet vulnerable, between his political persona and love for his wife.

The book was fabulous and remains one of my favorites. The movie, for some reason reminded me of "The Thorn Birds"--I guess because I felt so much was left out, and it would have been better as a mini-series.

The book evokes a much more magical, mythical, and "Spirit"-ual feeling that reflects the special flavor of life in South America, especially with Clara having green hair, and more powers in the book. A lot of that feeling is left out of the movie.

However, the movie mostly makes up for this lack in the extremely vivid presentation of the characters' emotions.

This is the story Esteban, a man who gain land and fortune through hard work. He only wishes for a loving family that have what he did not when he was a child. His conservative ways adds to that struggle and creates conflict with his family. This conflict grows when one of his low-class workers falls in love with his daughter. The military coup of 1973 to bring communism down in Chile is shown.

This film represents what it is to live in Chile. I have never seen any film that tells the culture and the people of the southern South-America better. Most people makes the mistake to think that people in Chile and Argentina are not white. The whole cast represents EXACTLY what chileans look like and the difference between the higher and lower class. You can learn a lot from this film.

This movie is 110% recommended. It may have some differences with the book but it is respectful to it. Excellent camera and direction work at a spectacular location.

I just do not get very inspired in this treatment of Isabel Allende's novel. The worst thing is that I cannot even identify exactly what it is that does not succeed in really drawing me into the story. Evidently the film is well made, beautiful filming, and the cast is really extraordinary, with some magnificent interpretations. The make-up department did excellent work on the aging process of the players. This is the second time I have seen this film, but the story's continuity did not get me really sympathising with and feeling for the characters. There is something missing: however, no way can either Meryl Streep or Jeremy Irons, among the other leading actors, be blamed for this. There is something abstract here which I cannot explain. It may be arguable that this film is better than `Missing' (1982) (qv), however `Missing' pulled me much more into the story.

Certainly, in no way should you pass up this film if you get a chance to see it: there are very good interpretations, at times even wondrous, combining with very intelligent photography and Hans Zimmer doing some of his best work.