L'avocat

The quirkiness that another reviewer objects to is part of this movie's charm. The opening scene, a hanging, where one of the co-participants (a donkey) in an unnatural act is freed upon petition of the townspeople, is simply wonderful and sets the tone for what follows.

Not pointed out by any reviewers yet is that the director seems to have reproduced scenes out of European paintings (Flemish, I believe) - the deer in the inn, the man from the inquisition seated in the tavern, the innkeeper's wife and staff gathered to meet the lawyer when he arrives at the in, and more. The lighting, colors, and scene arrangement are faithfully reproduced. This is just one example of the charms of this movie, which is virtually unknown to the public.

And one of the most delicious parts is the witch's blessing. Whenever I lend or give away a copy of this, I pointedly give it with my own blessing.

I caught this movie after reading an interview in the Washington Post with the writer/director---I *love* movies where the strangest parts are all actually true. I'm very surprised it's not more popular (though it's interesting the video box never even mentions that it's set in Medieval France!). A hidden gem.

I'm surprised this movie is so unknown! From the beginning, prepare to be impressed with the accurate visual detailing of mid fifteenth century France. I was wowed by the costumes, sets, and extras (who appear plucked straight from a period painting). The dialogue can be slightly convoluted at times, and a few of the characterizations felt slightly strained, but these are minor complaints. The movie, besides featuring a great understated performance by Colin Firth, also showcases a talented supporting cast. Ian Holm, who played Bilbo in the Lord of the Rings, is great as the knowledgeable priest. Jim Carter, as Firth's right hand man, is a wonderful and versatile actor (check him out in Downton Abbey). And finally Nicol Williamson as the nobleman, who has many opportunities for over-acting, but instead crafts a believable character and carries off his role with brilliant understatement. The premise, that all the trials presented in the film are based on actual 'crimes', generates much interest in the plot and makes this movie more than worth watching!

Just watched this film again on video (purchased off Ebay), and this film is simply magical.

I love films of all kinds from fantasy - Holes, Chocolat, Batman, through drama and thrillers, but what I love best is the telling of a story, and the way it's phrased. Hour of the Pig is just that, an excellent story developed in layers, that takes its time, because it does a fantastic job of developing the characters, mostly through the dying art of great dialogue, and some of the best British actors around.

Colin Firth and Ian Holm underpin an excellent cast, rich in dialogue, with a fantastic story. And there's the rub, you have to like stories, as there's very little action, just a fascinating twist through medieval France.

Films like this remind me why I go to the cinema which is where I first saw it over 10 years ago. It's a crime this doesn't have a DVD release.

It never goes for less than £10 secondhand, and often tops £15, for a secondhand VIDEO. Come on, whoever owns the rights to this, and get it out on DVD.

Firstly, this movie is based on true legal cases during the 15th century which makes it intriguing from the get go. It is based on Richard Cortois, played by Colin Firth, an Advocate who leaves a practice in Paris, to seek the simple country life in a village named Abbeville. What he finds is a quite different story. Country law applies to both man and beast and that is where much of the fun unfolds. The story centers mainly around the case against a pig accused of killing a Jewish child. Courtois, at first, finds the case a bit ridiculous, but finds that as the defense Advocate, he must represent the pig. He is also solicited by the pig's owner to try the case "as the pig is everything to them". As the story unfolds, it becomes evident that there is more here than meets the eye. The case becomes a symbol of maintaining order in the little country town. Courtois attempts to get to the bottom of the mystery and finds that other children have similiarly gone missing over the last year. He is provided a hint by a client tried for witchery saying "Look to the boy, Maitre". It is a great film on many levels and provides quite a bit of comic relief during the many trial sequences. Ian Holm, as the priest who has his own defination of good-which includes trysts with many of his lady parishoners, gives a worthy performance as does Nicole Williamson as the corrupt Seigneur. It is Colin Firth who shines in his wonderful portrayal of Richard Cortois, the one driving force of nobility and honor in the town rotten to the core with evil.