Fraise et chocolat

The comment from the viewer in Norway who had to be forced to watch this lovely film is in dire need of just more than learning to speak Spanish. This film is not about two gay men, as one character is gay, the other is straight. It is a movie about how two people who seem to be very different are really very similar. Both love their country and they learn that love of man (or of woman) and of country can be expressed differently and still be valued and respected. It is a wonderful, charming, endearing and thoroughly well acted movie. It is extremely realistic and gives and shows a snapshot of Cuba we are not able to see or partake of. I thoroughly enjoyed this movie. It is funny, well acted and well written and directed. The two male leads are superior as is the female character. I have seen this movie many times and never tire of it. I most highly recommend it. It is not a gay film, so don't think of it that way or you will be very disappointed.

A beautiful movie for the heart. One of the most wonderful stories of friendship ever told.

Jorge Perugorría as Diego is amazing. (I'd well like to see some of his other work.) It is most astonishing to see how his character develops from the limp-wristed cliché gay at the beginning to a fascinating man who gets in conflict with the regime because he is different on every level from what the system requires him to be: he is an independent spirit, a person with a genuine love for the arts, for literature, for music, he is disappointed by communist ideals - and he is also gay, by the way.

Vladimir Cruz is also very fine as the young and naive David who discovers things through his friendship with Diego he'd never ever thought of: like discovering the beauty of things, of life, of poetry and music... And also being committed to another person, even though this person may seem very 'different' from oneself at first glance.

The development of David's and Diego's friendship is fascinating (I wouldn't interpret anything more into it, not even in the final scene). This is also a "coming of age" tale, in a way: by his friendship with Diego, David begins to think, develops a maturity of spirit - and is also, at last, able to develop a loving and mature relationship with a woman. It is very sweet when he tells Diego: "No-one will hurt her. She is with me."

A true gem of a film. I recommend it to everyone.

This film isn't just an "odd couple" story, as it can appear at a first glance. This is a landmark Cuban film about the plight of homosexual artists in Communist Cuba. Being homosexual in Cuba in the 60's and 70's, maybe even the 80's, could mean incarceration or being sent to "colonies", often hard labour camps. What makes this film extraordinary is that it was made by a Cuban director who had been himself part of the Communist intelligenzia at the beginning, but could still be objective and therefore critical of the intolerance of real socialism. What also makes the film extraordinary is that the film itself was a box office success in Cuba and helped change attitudes towards homosexuality. Tomás Gutiérrez Alea, or Titón, as he was known in Cuba, is the greatest and best loved Cuban filmmaker, with a trademark black humour, best exemplified in his outstanding films Memorias del subdesarrollo (Memories of Underdevelopment) (1968) and La Muerte de un burócrata (Death of a Bureaucrat) (1966). His last film, Guantanamera (1994), which he made when ill with cancer, is a black comedy of "funeral" errors and criticism of Cuban bureaucracy. This is his legacy, the way he wanted his public to remember him, laughing at death.

Strawberry and Chocolate -- Wow this was a wonderful surprise and one of the better movies I've seen of late. Set in 90's Havana, this is a very real, believable story of a young homophobes first friendship with a gay man. I found the movie touching and funny and it reminded so much of many men I knew during my years in El Paso.

Diego, played wonderfully by Cuban actor Jorge Perugorria, is very attractive and yet easily the queeniest guy I've seen on film in years. I really enjoyed how comfortable he seemed in the role paying in between the male and female gender roles. This man has a passion for life that he expresses while being outside the mainstream. He does an excellent job of pulling off the crush in a believable way.

He has a horrible crush on David, a young Communist party member who is lured to Diego's apartment with the promise of some photos of Diego took of him while David was acting. No pictures materialized and the two develop a solid, respectful, platonic relationship.

This movie shows that gay and straight men can be friends. It also reminded me of many good times I had by making friends with people I normally wouldn't associate with. Queens are usually not my type...but then again, its a reminder to judge people by the content of their character rather than superficial appearances.

The film also explores Cuban's acceptance of Communism and the country's desire to remain outside the influence of American commercialism. I was very interested to see where Diego's anti-government rhetoric would get him and if the movie would have a moralistic 'gotcha' message at the end.

In reading about this movie it's pleasing to know that the director is a well-known and respected Cuban director (thus making it a bit easier to trust the movie) and the movie was well received in Cuba. Word is it helped to remove the stigma attached to homosexuality in Cuba.

I heartily recommend this film in a way I so rarely do. Easily in the same class as Priscilla for humanity and believability. This one is absolutely worth whatever it takes to find it.

Rating: 9 out of 10.

I agree with all the positive things already so well put forth by other reviewers and say that I liked this film a lot. Jorge Perugorria is incredible as the slightly "queenie" gay man. I have seen him in other films where is so different, as a very macho truck driver, for instance. Here he is the art and book lover and appreciator of good food and drink, as well as attractive young men. His "education" of the stern young Cuban Communist (an excellent Vladimir Cruz), a very straight man with intense emotional animosity toward gays, becomes a study in the resolution of human relationships triumphing over social and political obstacles.The comradely embrace of the two men , symbolizing their understanding and acceptance of each other despite superficial differences, was a masterstroke at the end of this fine film.