À la manière de Carlito

There was a time when I really wasn't into movies very much. I happened to be flipping channels on my TV one night when I came across "Carlito's Way". Immediately, I was drawn into the film. By the time the credits rolled by, I knew I had just witnessed the greatest film I had ever seen.

What makes "Carlito's Way" such a great film is the fact that even though you know what is going to happen at the end, the movie makes you want to know how this character, Carlito Brigante, ends up where he does. And what a ride it is.

Al Pacino is simply astonishing as Carlito Brigante, a reformed criminal who wants nothing more than to leave his old life behind and start anew. Sean Penn proves once again that he is one of the most effective actors working today in a role that not only sees him keeping pace with Pacino, but should have netted him a Best Supporting Actor Oscar. John Leguizamo and Viggo Mortensen also deliver solid performances.

"Carlito's Way" is filled with scene after incredible scene, and line after incredible line; all of which lead up to one of the greatest finales in motion picture history. If you haven't seen it yet, run out and rent it immediately. This is the film that turned me into a movie lover. Sure, I have seen better films since then (not many, mind you), but "Carlito's Way" will forever remain my all time favourite.

Carlito's Way is an extrememely underated Al Pacino movie. This film is probubly the best crime story ive seen, next to Goodfellas(1990), Pacino gives another superb performance as well as the rest of the cast. The story in Carlito's Way is extremely compelling and can be very sad at times. Unlike Pacino's similar film Scarface(1983), Carlito's Way is not just a blood bath without much of a story. I dont know why this film fizzled at the box office and failed to recieve any academy award nominations because it sure deserved to. 9 out of 10.

Carlito's Way (1993), is a brilliant cinematic work. Pacino's performance as Carlito Berganzi displays the duplicity and subsequent torment between his reformed spirit, and the endless seduction of the street, embodied more specifically as his reputation,legacy,those who know him, of him, and those whom he allows in his innermost circle. Sean Penn is phenomenal as the lawyer representing Carlito, his metamorphosis into character is testament to his depth of talent. Penelope Ann Miller, as the long-suffering love of Carlito's life is dramatically and visually enchanting. The casting is perfect. The supporting cast superb, perfectly augmenting the film. The script is alive with literary devices, the story line(s), characters, dialogue, themes, sub-texts,etc., make this an almost endlessly watchable film. Of this genre, Its all there, action, suspense, violence, confrontations, chases, prerequisite street and wise guy character profiling with the right dialogue to make it work. Directed, executed and rendered a cinema great. Carlito's Way is atypical of the gangster genre, although it adheres to certain basics. It is also a love story, not boy meets girl, ad nauseum, but real, destined soul mates, wrenched apart and thrown back together five years later by some abberation of fate. As one experiences spiritual,moral disintegration, the other the anti-thesis. Carlito's Way is a mix of genre's veiled with diligent artistic discretion. I even see certain thematic similarities to Casablanca. Watching Carlito's Way I had the feeling that De Palma wanted to resurrect and redeem poor old Tony Montana, Scarface (1983). Perhaps it was self-redemption, or a means to a great film with a second view or maybe the fun of bringing back that great ensemble of talent, based on a similar theme. A sequel of sorts, not to diminish either film in anyway. Released exactly ten years after Scarface, the comparisons are more than obvious. Ten years later, De Palma and Pacino. Oliver Stone missing, but another great script. In Carlito's Way, Pacino again plays a Hispanic drug lord. Now Puerto Rican in New York City, before Cuban in Miami. Now drug lord repentant, whereas in Scarface, drug lord vehemently unrepentant and devoid of remorse, from beginning to surrealistic end. Instead of classic gangster genre prerequisites employed in Scarface, such as, coming from the bottom, rising in status, trust and favour in the eyes of the mob boss, eventually killing him, and gaining his empire his woman(Michelle Pfeiffer). Love? Its not in the equation- Carlito only wants to unite with his TRUE LOVE. To redeem himself in her eyes, after causing her the heartbreak of losing him forever.(Which it would have been, if not for the quirk of intervention by Carlito's coke addicted, sociopathic lawyer). Carlito seeks solely to prove to his love that he is truly changed, honest, sincere, and even has a plan whereupon they can live happily ever after. Carlito and his girl are likeable. Upon viewing this film one is compelled to empathy, wanting them to escape insurmountable odds (the almost onmniprescent serpent-like "street"), finding and deserving of happiness as long as they may live. However, it is though The Angel of Death has been hidden somewhere in every frame of De Palma's film, casting a shadow, waiting patiently to put his hand upon...

Even the ancillary characters from Scarface are brought back in legions for Carlito's Way. Carlito's Way is Scarface with "feelings". Which is another similarity in the two films, "feelings" is the Achille's Heel of both Carlito Berganzi and Tony Montana. I also believe both films were vastly underrated and overlooked by the mainstream media, but upon populist vote, they are both widely esteemed as "classic". I'd give Carlito's Way (1993) nine out of ten. If I saw a ten, it would be a life changing event.

What can I say about such a movie? Simply brilliant. I make a point of watching this movie each year and every time I watch it I simply fall in love with it even more. The direction is brilliant as is Pacino's superb on-time acting. Al deserves an Oscar for this flick. As human beings, we love story telling. It's in out nature, and this story is excellent. As mentioned before in a previous review, Carlito's way is Scarface with feeling. Simply involving. I would dare say it does leave you on the edge of your chair with great anticipation, probably due to Pacino's on screen presence and experienced acting mannerisms. Penn, once again is brilliant and shines through as the high-classed, cocaine addicted Kleinfeld. If you have not seen this movie, do yourself a favour. Rent it out, dim the lights, snuggle up tight with your loved one and enjoy one of the greatest movies of all time. 9 out of 10.

"Scarface" was a great operatic film rooted in Greek tragedy, primarily the downfall of its protagonist related to his own hubris and pride. Its over-the-top theatrics and scenery-chewing acting complemented the absurdist tone of the film; some carping critics complained it was "too violent," but it was silly violence...and it worked.

"Carlito's Way" is considered by many to be a companion piece of sorts to "Scarface" - but in its own ways it is vastly different. As "GoodFellas" differed a great deal from "Casino" in its narrative methods, "Carlito's Way" isn't as broad and theatrical as "Scarface." Of course, it's still a DePalma film, and that means we get some beautiful set pieces - but for the most part DePalma avoids his excessive visuals and instead opts for a balanced mixture of both storyline and directorial flair. It is not a sequel to "Scarface" - it is an expansion, and it seems entirely apt that its narrative is more mature, considering that Carlito Brigante (the main character) is wiser than Tony Montana from "Scarface." Carlito is a Puerto Rican ex-con who gets out of a thirty-year jail sentence based on a technicality after serving a mere five years of sentence. Faced with a new life and fresh horizons, he decides to heed the lessons he learned in jail and embark on a new and honest lifestyle.

"Scarface" was Greek tragedy insofar as Tony Montana was doomed to a downfall based on his own egotism and stubbornness. Like Oedipus in Sophocles' classic story, Montana was too bull-headed to take the advice of his wife and friends and was entirely responsible for his own emotional (and, in "Scarface's" case, physical) demise.

"Carlito's Way" is the flip side of the coin. It's still Greek tragedy, but it offers a new perspective. This time, the protagonist tries to change his fate, but his life is doomed to its inevitable conclusion. Carlito tries to change his ways, but - to paraphrase a character from another film - there is only one guarantee...Carlito Brigante will never see heaven. That's the fundamental truth of this movie, and DePalma's less showy camera-work, and the more mature characterizations by the actors, and the believable script, ensure that "Carlito's Way" is an entirely human experience - far more so than "Scarface." (Which is still a great film based on its own goals.)