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Body Bags is a horror anthology film that was intended as a pilot for a Tales from the Crypt knock-off TV series. Thankfully, that series never came to pass. Now it serves as a curiosity for fans of the two big directors attached, John Carpenter and Tobe Hooper. Both Carpenter and Hooper were past their primes by the time this film aired, though Carpenter had substantially more gas left in the tank than Hooper. Body Bags provides further proof of this fact. It features three stories; the first two directed by Carpenter, the last directed by Hooper.

Right from the start, the obvious attempt to mimic Tales from the Crypt is evident as we are greeted by a ghoulish-looking coroner who presents the film's stories. The coroner is played by John Carpenter himself, who tries his cackling best to emulate the Cryptkeeper from Tales. Carpenter's acting here is atrocious and it would come as no surprise to me if the TV execs who watched this pilot turned it off within minutes due to this opening.

"The Gas Station" is about a new attendant (Alex Datcher) on the night shift at a gas station who is stalked by a escaped killer. The second story, "Hair," is about a man (Stacy Keach) obsessed with his thinning hair. So obsessed he is willing to try an experimental treatment. It works too well, however, as his hair won't stop growing. The last story is called "Eye." It's about a baseball player (Mark Hamill) who loses his eye in a car accident. He's given a new eye in an experimental surgery and, you guessed it, the eye belonged to a murderer. And what's this? Now the killer's spirit is taking over his whole body and making him want to kill! This was such an original story....in the 1920s or '30s. The film ends but not before Carpenter does some more schtick as the coroner character, including a bad twist.

The first story is easily the best and has touches of classic Carpenter. The second story is passable despite the lame twist ending that is telegraphed early on. The third story is another derivative Hands of Orlac story. It was done many times before 1993 and at least a few times since. Hooper seems more concerned with shock scenes and gore than building any kind of suspense. Truly a mess. The movie's only merits are in the Carpenter segments. Good score, tense direction, fun cameos from the likes of Wes Craven. The best I can say about the Hooper segment is that Mark Hamill did a decent job. Overall, it's a mixed bag film that gets worse as it goes along.

Three stories courtesy of John Carpenter and Tobe Hooper, sounds like it can't miss, right? The results are mixed, but pretty interesting all the same.

The Gas Station is vintage Carpenter. Here he maximizes the effect from a truly simple premise and creates a genuinely scary story. It's simple, but the final minutes are riddled with tension and general uneasiness. The best of the bunch.

Hair is a truly funny story with a terrific performance by Stacy Keach. It goes way over the top towards the end, but still, it's highly amusing for the most part.

Eye, the weakest of the three, due to it's complete and utter predictability and complete failure of generating any real chills. It's fun to see Hamill and it's pretty gory but that's about it.

One terrific story, one pretty good and one pretty bad, all in all, it's worth watching but it's nothing spectacular.

The first segment "The Gas Station" is the only frightening story in this trilogy. Set at night, apparently in the middle of nowhere, it has a plausibilty that the others lack (similarly to Hitchcock's "Psycho", it is scary because it's not completely beyond the realms of possibility). Plenty of atmosphere, a little gore and enough sudden shocks and suspense to make it worthwhile. The second segment is at times funny, but not at all scary. The third is an improvement on the second, but more fantastical than the first and therefore not as frightening.

The scenes with the man in the morgue, between the segments, are pretty weird. Lots of jokes about corpses. Fine, if you like that sort of thing.

In this early-90s, Tales From The Crypt-style, made-for-TV anthology from masters of horror John Carpenter and Tobe Hooper, creepy morgue attendee The Coroner (played by Carpenter, whose acting is nowhere near as good as his directing) unzips three tales of the macabre…

Tale number one, The Gas Station, is directed by Carpenter, and stars Alex Datcher as Anne, whose first night as a gas station attendant doesn't go quite as planned when she is targeted by a serial killer. Operating well within his comfort zone, Carpenter returns to the same bag of tricks he used years earlier for his seminal blockbuster Halloween, delivering a tense, atmospheric piece that, while not exactly groundbreaking thematically or visually (one shot, in particular, is lifted directly from Halloween), still proves to be a lot of fun. Datcher makes for a likable scream queen, there's quite a bit of enjoyment to be had from guessing which of the station's patrons might be the killer, and we get a few welcome cameos from some well-known horror luminaries.

Hair, Carpenter's second offering, also sees the director visiting familiar territory: a They Live-style story of aliens operating undercover on Earth, it sees desperate, balding, middle-aged man Richard Coberts (Stacy Keach) visiting an experimental hair clinic that guarantees overnight results. Unfortunately for Richard, his new lustrous locks are actually minute parasitic extraterrestrials that intend to feed on his brain!!! With such a patently silly concept, Carpenter has no option but to play this one for laughs, and amazingly, it works, with the balding Keach proving that he has quite the sense of humour. Hair also features decent turns from David Warner as sinister Dr. Lock, Debbie Harry as his kooky nurse, and Sheena Easton as Cobert's sexy girlfriend Megan.

In contrast to the light-hearted nature of Hair, the third and final segment, Eye, is a much darker affair. Directed by Tobe Hooper, it tells of up and coming baseball player Brent Matthews (Mark Hamill), whose career looks to be over when he crashes his car, losing his right eye as a result (a shard of glass piercing the organ). However, thanks to a revolutionary eye-transplant procedure, he regains full vision, but at a cost: his new eyeball causes him to have horrific visions and gradually alters his personality. Yet another scary story to borrow heavily from horror classic The Hands of Orlac, this is extremely derivative stuff, but thanks to solid direction from Hooper, some cool gore, a surprisingly strong central performance from Hamill, and a neat downbeat ending, Eye proves to be a delightfully twisted and thoroughly enjoyable way to wrap up this fun little flick.

Three short stories in the horror genre: The first about a serial killer. The second about a hair transplant going wrong. The third about a base ball player who receives a questionable eye transplant.

The sad truth is that giving this film as high a rating as I did really comes down to one thing: the endless supply of guest stars from the horror genre (and beyond). Who can dislike a film with Wes Craven, Sam Raimi, John Carpenter, Tobe Hooper and more? That is incredible.

As for the film itself, it is about average. The acting and directing are fine, and the gore really starts to add up in the third segment. But the script was really nothing special, and I am not shocked that Showtime declined to turn this into a regular series (any given episode of "Masters of Horror" is better).

The disc from Scream Factory makes this average film a little something more, with plenty of insight from Stacy Keach, John Carpenter and producer Sandy King. Horror fans may think the movie is average, but you are bound to learn a few things from the commentary.