Homicide: Life on the Street

The reason this fine show was canceled was due to much of the public. Most people were unable to properly digest the great substance of this show. There is an extreme difference in reading a book of substance such as "In Cold Blood", by Truman Capote, and reading a frivolous, coffee table book such as "Sex" by Madonna. Likewise, there is a difference between watching a program like "Homicide" and watching a program like "The A-Team". The show was so deep, people didn't watch.

The characters were outstanding. It's always good to watch excellent drama in which characters have strengths and weaknesses. Their weaknesses were were emphasized greatly to show realism. Naturally, the stories were great.

Another thing I miss was the crossover between "Homicide" and "Law and Order". These shows retained their individual styles while bringing the characters together so nicely.

It's too bad that it's gone.

Simply, the most rewarding dramatic broadcast television show I have ever seen. HLOTS was consistently character driven, well written and beautifully shot and edited. The acting stands alone as a singular achievement in broadcast TV. An across the board gifted ensemble speaking emotionally provocative, unflinchingly honest and challenging words.

Two things kept this show from legendary status: First, for most of it's run, it suffered from a terrible schedule spot, Friday. Second, it was a challenging show. In no way is that a denigration, in fact, the opposite. The levels of meaning presented in the writing and reinforced by the camera style and acting required a level of attention that people normally bring with them to watch the theatre.

Regarding it's lack of very many Emmy's, it was produced outside of Hollywood, yet was made with substantive quality and artistic integrity. My guess is that it therefore lacked clout and engendered jealousy at the same time.

It's cliché, but HLOTS was ahead of it's time. Many shows on today echo much of the style and substance HLOTS pioneered. Look no farther than THE SHIELD, NIP TUCK or THE SOPRANOS for dramatic quality similar to what HLOTS was doing 10+ years ago.

There are other good dramas on TV today, but HLOTS connected so consistently on an emotional and aesthetically fulfilling level that I felt like I had lost a friend when it finished it's run. I can't say that about anything I've seen before or since.

Like everybody before me told, this is THE best police story ever made.

The photography, the personages, the direction and last but not least the music. It's the first series where I noticed that a song was completely played, while all the actors kept moving, doing what they have to do, but without dialogues. If you are a scriptwriter it's a dream when you can accomplish this. The action counts. But then, as a cherry on a pie, the dialogues are perfect too.

Too bad we get this only once a week and then at a past midnight hour.

I was very surprised to learn this series originated from a book. Got that information from this web-site. I'm still full of praise but on the go for the Amazon book store. :-)

As an aspiring writer, and a longtime local of Maryland, this series has continuously touched me and will probably always be in my memories.

Not much more can be said about "Homicide: Life on the Street" that hasn't already been said. Excellent writing, gripping messages, memorable characters...this is an example of the epitome of drama, this is a study of human behavior, and like the book that inspired it, this is a tribute to the brave men and women who strive to see that justice is served in real life.

In case you don't know the general idea, it's about a believable group of individuals tracking down killers--who are often portrayed as disturbed individuals themselves, not brawlers. The heart of the stories primarily takes place in two settings: The box, and the street--with humorous, often thought provoking intervals happening in the station and during car scenes.

The best season: Six, in my opinion. This season combined the series' great writing (stories like "Blood Ties", "The Subway", "Abduction", "Finnegan's Wake", "Fallen Heroes", etc.) with some general excitement throughout almost the entire run of episodes. Also, every character present has something interesting or likable about them (the poster for "Homicide: The Movie" features mostly the collective image of season six). "Homicide" didn't often focus on intimate relationships, but the main one towards the story's end was developed in a clever, truly romantic way.

Overall, as you've probably heard before, this is one of the best shows ever to air on television. It will always be regarded as such.

Homicide was the best show of any genre to be made for television. It honestly gave the most detailed and truthful accounts about how criminal investigations really happen. It also touched on the personal lives of how many police officers live and how they deal with the daily grind of the job. I say this because I've been in law enforcement for 7 years and I know how things really happen. Homicide puts the truth in crime TV....all crimes don't get solved overnight or at all sometimes. Homicide touched on that very point in different episodes. It was a show that TV executives should have just let it run it's natural course. It was taken off the air well before it's time!!!