ÉVALUATION IMDb
6,4/10
6,2 k
MA NOTE
Ajouter une intrigue dans votre langueTwo Cuban brothers bring a new music to the 1950s USA. They are as different as the problems that await them.Two Cuban brothers bring a new music to the 1950s USA. They are as different as the problems that await them.Two Cuban brothers bring a new music to the 1950s USA. They are as different as the problems that await them.
- Director
- Writers
- Stars
- Nommé pour 1 oscar
- 6 nominations au total
James Medina
- Manny - The Mambo Kings Band
- (as Jimmy Medina)
Avis en vedette
Two brothers flee Cuba in the early 50s in search of the American Dream playing mambo music. The older sibling, Cesar, is a natural showman and businessman (Armand Assante) whereas the younger brother, Nestor, is a reserved composer (Antonio Banderas). The women in their lives are played by curvy Cathy Moriarty and Maruschka Detmers.
"The Mambo Kings" (1992) is reminiscent of "The Cotton Club" (1984) mixed with the later "Pollock" (2000) and maybe a little "Dirty Dancing" (1987). While not quite as good as those, it's still worth checking out, especially if you like mambo or energetic Latin music in general, not to mention the setting of 50's America.
Assante is convincing, performing with charisma and gusto, while Banderas is effective as the sensitive and sincere younger sibling, although he's a far cry from the brooding Brando. This was Banderas' first English-speaking role; he learned his lines phonetically and worked with a dialect coach throughout pre-production and filming.
Too much of the movie takes place in clubs or apartments with people smoking, drinking and emoting for my tastes. But the story perks up in the third act with a notable sequence featuring Desi Arnaz, Jr. (I don't want to say more because I don't want to give anything away).
The film runs 1 hour, 44 minutes, and was shot in Los Angeles.
GRADE: B-
"The Mambo Kings" (1992) is reminiscent of "The Cotton Club" (1984) mixed with the later "Pollock" (2000) and maybe a little "Dirty Dancing" (1987). While not quite as good as those, it's still worth checking out, especially if you like mambo or energetic Latin music in general, not to mention the setting of 50's America.
Assante is convincing, performing with charisma and gusto, while Banderas is effective as the sensitive and sincere younger sibling, although he's a far cry from the brooding Brando. This was Banderas' first English-speaking role; he learned his lines phonetically and worked with a dialect coach throughout pre-production and filming.
Too much of the movie takes place in clubs or apartments with people smoking, drinking and emoting for my tastes. But the story perks up in the third act with a notable sequence featuring Desi Arnaz, Jr. (I don't want to say more because I don't want to give anything away).
The film runs 1 hour, 44 minutes, and was shot in Los Angeles.
GRADE: B-
I didn't expect to like this film, but I thought it was quite good. Latin music really isn't my cup of tea, but it was good here, set the tone just right. Armand Assante was great as Cesar Castillo. I haven't seen too much of his work, but I was very impressed. Antonio Banderas was pretty good here, not great. However, if it's really true that he couldn't speak English then, and learned his lines phonetically, then you'd have to compliment him on that. You really couldn't tell. Maruschka Detmers was also very good in a low-key role. I've been a fan of hers since "Hanna's War" Check that out if you haven't seen it. The ending was just a little off, but overall this movie was very entertaining.
10jimi99
Regarding the recent death of Latin superstar Celia Cruz, I was surprised by the lack of mention of her role in this film in the various obituaries and tributes I read. I don't know if she made movies in Cuba, but she was not only a powerful positive musical presence in "The Mambo Kings" but her character acting was outstanding and very charming. If you don't know anything about her and want to get an idea of who Celia Cruz was, see this movie.
And that is far from the only reason to do so. This is one of my favorite romantic films for adults, as opposed to the juvenile and/or formulaic fare that passes for romance in American cinema. Armand Assante should have been at least nominated for best actor that year, he is so strong and yet vulnerable and lovable as the big brother with a powerful code of honor to his art and his family. The other kid, who has gone on to bigger and not necessarily better things, is also fine, considering his well-publicized effort to deliver his lines phonetically, since he did not speak English at the time. (No, I'm not forgetting his earlier fine contributions to several Almodovar films.)
OK, Roscoe Lee Browne and Cathy Moriarty were a bit miscast, but what about the stroke of genius to have Desi Arnaz Jr play his father? The whole "I Love Lucy" segment of the film, while somewhat contrived in its importance to the story, is funny, well-done, and helps to bring the whole Cuban-American experience in New York into sharper focus, with the portrayal of Arnaz as both a superstar idol and a man very close to his roots.
The music is fabulous, both the use of classic Cuban tracks and new music recorded for the film. Among the latter, "Sweet Maria of my Soul," the theme song performed by both Antonio Banderas in the film and Los Lobos over the end credits, was nominated for Best Song but was beat out by some plastic Disney tune. It is so organic, so romantic and soulful, it should be a classic movie song for the ages. Well, it will be for me...
And that is far from the only reason to do so. This is one of my favorite romantic films for adults, as opposed to the juvenile and/or formulaic fare that passes for romance in American cinema. Armand Assante should have been at least nominated for best actor that year, he is so strong and yet vulnerable and lovable as the big brother with a powerful code of honor to his art and his family. The other kid, who has gone on to bigger and not necessarily better things, is also fine, considering his well-publicized effort to deliver his lines phonetically, since he did not speak English at the time. (No, I'm not forgetting his earlier fine contributions to several Almodovar films.)
OK, Roscoe Lee Browne and Cathy Moriarty were a bit miscast, but what about the stroke of genius to have Desi Arnaz Jr play his father? The whole "I Love Lucy" segment of the film, while somewhat contrived in its importance to the story, is funny, well-done, and helps to bring the whole Cuban-American experience in New York into sharper focus, with the portrayal of Arnaz as both a superstar idol and a man very close to his roots.
The music is fabulous, both the use of classic Cuban tracks and new music recorded for the film. Among the latter, "Sweet Maria of my Soul," the theme song performed by both Antonio Banderas in the film and Los Lobos over the end credits, was nominated for Best Song but was beat out by some plastic Disney tune. It is so organic, so romantic and soulful, it should be a classic movie song for the ages. Well, it will be for me...
Excellent "mambo" music and colorful characters made me rate this a "9" after the first viewing. After several looks, the novelty - how many mambo movies are there? - wore off and it settled in as an "8 stars" film but I don't regret seeing this several times. It's fun to watch.
Armand Assante was particularly good in here and I was intrigued with Maruschka Detmers, a new face which at times looked striking. Since she resides in France and hasn't made many, if any, English-speaking films, we here in North America haven't really seen her since this film. Assante and Antonio Bandaras are the two leads, however, sharing the spotlight with the music. Both actors are excellent, maybe the best roles of their careers.
The story moves best the first 40 minutes with a lot of that "hot" music but then gets a little melodramatic afterward. However, I found it interesting all the way through with a nice tale of brotherly love and devotion.
For all you "Ricky Ricardo" fans of "I Love Lucy" television: if you want a real feel of Latin Americans-in America during the 1950s, check this film out.
Armand Assante was particularly good in here and I was intrigued with Maruschka Detmers, a new face which at times looked striking. Since she resides in France and hasn't made many, if any, English-speaking films, we here in North America haven't really seen her since this film. Assante and Antonio Bandaras are the two leads, however, sharing the spotlight with the music. Both actors are excellent, maybe the best roles of their careers.
The story moves best the first 40 minutes with a lot of that "hot" music but then gets a little melodramatic afterward. However, I found it interesting all the way through with a nice tale of brotherly love and devotion.
For all you "Ricky Ricardo" fans of "I Love Lucy" television: if you want a real feel of Latin Americans-in America during the 1950s, check this film out.
It's 1952 Havana, Cuba. Cesar (Armand Assante) moves to NYC taking younger brother Nestor Castillo (Antonio Banderas) after getting into a dispute over Maria (Talisa Soto). The brothers are amazed at the nightlife and Tito Puente. Cesar falls for brash cigarette girl Lanna Lake (Cathy Moriarty) while Nestor is still in love with Maria. The brothers work odd jobs and play in the clubs at night. Nestor falls for shy Delores (Maruschka Detmers). His song "Beautiful Maria of My Soul" catches Desi Arnaz who elevates the brothers to fame. However it is fleeting as they encounter tragedy.
It's a relatively good historical drama. The music is happening. The two actors are terrific. Assante is all energy and Banderas is charming. However the drama isn't that compelling. The story is without surprises. Arne Glimcher is limited as a director. Quite frankly, he has access to great music but he doesn't use it in an interesting way. Moriarty matches Assante's energy but Detmers is a hollow beauty. This a functional music pic but it could be more.
It's a relatively good historical drama. The music is happening. The two actors are terrific. Assante is all energy and Banderas is charming. However the drama isn't that compelling. The story is without surprises. Arne Glimcher is limited as a director. Quite frankly, he has access to great music but he doesn't use it in an interesting way. Moriarty matches Assante's energy but Detmers is a hollow beauty. This a functional music pic but it could be more.
Le saviez-vous
- AnecdotesAntonio Banderas couldn't speak English when this movie was filmed, and thus performed all his lines phonetically. Armand Assante couldn't speak Spanish and also performed all his lines phonetically.
- GaffesWhen the Castillo brothers first approach New York City in the early 1950s, the World Trade Center towers are visible in the skyline; they weren't built until the early 1970s.
- Citations
Cesar Castillo: In the name of the Mambo, the Rumba, and the Cha cha cha.
- Autres versionsThe DVD plastered the Warner Bros. Pictures logo with the 2003 logo.
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- How long is The Mambo Kings?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- The Mambo Kings
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 15 500 000 $ US (estimation)
- Brut – États-Unis et Canada
- 6 742 168 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 319 793 $ US
- 1 mars 1992
- Brut – à l'échelle mondiale
- 6 742 168 $ US
- Durée1 heure 44 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Les rois du mambo (1992) officially released in India in English?
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