Le flic de l'enfer 3

In New York city , Policewoman is gunned down, staying in coma , and being accused of use excessive force by the nasty delinquents . Then the grossly disfigured police Robert D'Zar returning from his grave to wreak futher vendetta yet again, as he emerges to exact gory revenge as the good guys attempt to get rid of him once and for all . As the huge maniac cop goes on his vengeance, why never matters .

Run-of-the mill and routine sequel with usual elements as noisy action , thrills , chills , car pursuits , shootouts , grisly violence , high body-count and lots of blood and gore. As it is, despite abundant action and involving a fistful of murders , the overall effects is sluggish . A medium-budget slasher/thriller that too often saga, but it has more action than the previous entries , outstanding the final scenes when our starring Robert Davi and a nurse are mercilessly chased by the psycho killer , maniac cop throughtout the railway . Blood and guts fly as any plot shortcomings are intelligently masked by an array of lethal , sadistic and violent deaths . This is third of the William Lusting's Maniac cop trilogy about the cop goes beyond the realm of sanity and turns vigilante, being formed by the following ones : "Maniac Cop" 1988 with Tom Atkins , Bruce Campbell, Laurene Landon , Richard Roundtree , William Smith , Shree North , Sam Raimi. "Maniac Cop II" with Robert Davi, Claudia Christian , Michael Lerner , Bruce Campbell , Clarence Williams III, Leo Rossi, James Dixon . An this "Maniac Cop III Badge of Silence" with Robert Davi , Paul Gleason , Doug Savant , Jackie Earle Haley , Robert Forster and of course Robert D'Zar as the zombiefied cop Matt Cordell . All of them were written by Larry Cohen and middlingly but professionally made.

The picture was regularly directed by William Lusting , who here used the frequent pseudonym Alan Smithee , giving a passable filck in which interpretations , occasional bizarre details and camerawork are solid enough , but both cutting and filmmaking are flabby and formulary. This craftsman filmmaker has made various films with plenty of violence , action and terror , such as : "Uncle Sam" , "Relentless" , "The Hit list" , "Vigilante" and "Maniac" . Rating : 5/10 . Average but passable and acceptable .

With Maniac Cop 2, director William Lustig and screenwriter Larry Cohen imagined a mixture of bloody slasher and crime thriller The French Connection, and delivered just about the most satisfying sequel imaginable to an original that was hardly great. It delivered on car chases, action set-pieces and slasher mayhem, backed with a witty, sharp script and an impressive cast. It also delivered a full-body- burn climax that was as exciting as it was technically impressive. While part two looked at William Friedkin's classic thriller for inspiration, just where Maniac Cop 3: Badge of Silence found inspiration is anyone's guess, other than perhaps the sort of drivel you used to find buried on the bottom shelf of the video store. Lustig and Cohen have both disowned the movie since its release, and it isn't difficult to see why.

Citing studio interference, Lustig walked from the set half-way through filming for the movie to be picked up by inexperienced producer Joel Soisson, who is uncredited. The resulting film is less than a half-baked idea: a lumbering mess of a film, primarily made up of filler that is, at times, downright unwatchable. Having clear Matt Cordell's name and buried him with honours in tact, Detective Sean McKinney (Robert Davi) had hoped to have seen the last of the 'Maniac Cop'. His close father-daughter-like relationship with young police officer Katie Sullivan (Gretchen Becker) is ground to a halt when she is gunned down and placed into a coma by junkie Frank (Jackie Earle Haley), only for two 'nightcrawler' cameramen to smear her name with some edited footage. After being resurrected by a Voodoo priest, Cordell sees Sullivan as an equally tortured and unfairly disgraced soul, and sets about claiming her for his own.

It's hard to know where to start with Maniac Cop 3, as the film is so lacking in ideas and structure that it barely has a beginning, middle and end. When it hits a wall, it looks to its predecessor for ideas. So we are treated to another convenience store shootout, another high speed chase, and another finale involving a full body burn. In its defence, the climax mixes both a high speed chase and a full body burn, and while it goes on for a little too long, you have to appreciate the complexity of such an intricate set-piece. Cordell, again played by Robert Z'Dar, is relegated to little more than a glorified cameo in his own movie, appearing ever now and then to carry out a bloody deed seemingly for Voodoo priest Houngan (Julius Harris), whose motives are still unclear when the credits roll. As a fan of the first two Maniac Cop movies, it's easy to feel as cheated as Lustig did as he stormed off set.

Officer Matt Cordell (Robert D'Zar) returns yet again in this, the apparent final sequel to William Lustwigs 1988 original movie.

Far from being laid to everlasting rest after having his name cleared in the previous entry, our undead psycho slayer is resurrected here once more, this time by a voodoo priest (for reasons that are never actually explained) However it seems that beneath all that rotting flesh is a lonely heart as evidenced when he takes an amorous interest in a female police officer after she is gunned down during a drug store robbery. It seems that our misunderstood anti-hero wants her to join him in his un-death, again to be achieved by voodoo machinations. Before this, he resolves to bring about the violent dissolution of all those people who contributed to her comatose state and in addition those who would aggravate it (including in the later category the always excellent Robert Forster!)

Returning once more is the welcome face of Robert Davi who ironically shares a similar agenda to Cordell i.e. to punish those responsible, but who is none too compliant with the undead marriage plans.

It has to be said straight out that the film in question is not a patch on its two predecessors in terms of either story, script, action scenes or gore content. However, having said this and despite the hokey plot, the film does contain a few great set pieces including a cool scene where Davi rolls down a hospital corridor on a bed towards the bad guys and jumps out from under the covers with guns blazing.

Overall then, for fans of the series this is well worth a watch. Maybe with some luck we'll yet see Matt Cordell rise from the grave once more hopefully sometime soon for a fourth entry in the series….

Former killer cop, officer Cordell is resurrected to take care of some unfinished business and exact revenge on those who have disgraced a policewoman shot in the line of duty.

Despite being made in 1993 Badge of Silence reeks of the 80s farmore than Cordells rotten flesh, basically it's part slasher flick, part cop shoot 'em up. There's stunt doubles, car chases and cops on the edge. To its credit Larry Cohen's Maniac Cop 3 story touches on some topical issues, problems with gun crime, the TV/press manipulation and corrupt officials.

With a hint of the Bride of Frankenstein and a more blatant supernatural overtone Robert Z'Dar is reduced to a zombie with a bigger chin than Bruce Campbell as wronged cop Matt Cordell. It feels like Z'Dar has less to do this time around and through no fault of his own his character is a shade of grey with his motivations as murky as cities officials.

The casting is above par for this kind of flick. Robert Davi is on form as usual, returning as Det. Sean McKinney and pretty much owns each scene with a Dirty Harry grimace. Top character actors Robert Forster and Paul Gleason have welcomed bit parts with Ted Raimi putting in cameo.

Where as part one shocked because of its daylight surprise setting, two because of its dark tone, grit and seediness, part three is most notable for being the darkest looking instalment lacking it's own identity - it feels like an episode of the Equalizer starring The Terminator in places. However, where the aforementioned parts were low budget with a big budget results, edgy and delivered shocks, three falls short feeling rushed and underdeveloped retreading the antagonists past and redemption. Nevertheless, to director William Lustig's credit and writer Cohen part 3 manages to mix a voodoo element on the gritty police backdrop successfully unlike for example Halloween 6 which followed two years later.

Overall, while not as entertaining nor as well executed as its predecessor it's worth seeing if only for Caitlin Dulany and Davi's performances and also to hear Joel Goldsmith overlooked score.

Out of all the "Maniac Cop" series, this one was a letdown. However, out of due respect, I've always liked the character no matter what. This time, he tends to a policewoman who was gunned down during a stand-off. And Matt Cordell(Robert D'Zar) is enforced to "protect and serve". Since none of the other officers would help her, Det. Sean Kenny(Robert Davi) and Cordell are on the same page. Cordell takes on the usual trash crooked cops to be exact. I liked the part where he puts on guy under several exposures of X-rays. Then there's the scene where Kenny tells Cordell that she's been cleared of all wrongdoing. Somehow, underneath his hulking and ravaged exterior belies a interior that's anything but supernatural, it's human. Both went with the explosion, and covered in white. To me, it goes to show that love never dies, especially when Cordell touches the dead woman's hand from the sheets. I mean good grief, let her be. This version got a little sappy, yet will he continue the fight against crime, or will he settle down? This one got me baffled! 2 out of 5 stars!