Dans une Amérique dystopique, un policier injustement condamné obtient une chance d'être libéré lorsqu'il doit participer de force à un jeu télévisé où des condamnés, des coureurs, doivent c... Tout lireDans une Amérique dystopique, un policier injustement condamné obtient une chance d'être libéré lorsqu'il doit participer de force à un jeu télévisé où des condamnés, des coureurs, doivent combattre des tueurs pour leur liberté.Dans une Amérique dystopique, un policier injustement condamné obtient une chance d'être libéré lorsqu'il doit participer de force à un jeu télévisé où des condamnés, des coureurs, doivent combattre des tueurs pour leur liberté.
- Director
- Writers
- Stars
- Prix
- 1 victoire et 3 nominations au total
Erland van Lidth
- Dynamo
- (as Erland Van Lidth)
Sven-Ole Thorsen
- Sven
- (as Sven Thorsen)
Edward Bunker
- Lenny
- (as Eddie Bunker)
Anthony Pena
- Valdez
- (as Anthony Penya)
Sommaire
Reviewers say 'The Running Man' is an action-packed, satirical film exploring reality TV and media manipulation. It highlights dangers of media control and societal obsession with violence. Schwarzenegger's performance and one-liners are praised, though some critique his acting. The dystopian setting and prophetic elements are appreciated, but the film is criticized for prioritizing action over story, clunky dialogue, and unrealistic plot points. Despite flaws, it's seen as entertaining and a cult classic.
Avis en vedette
Of all Arnold's mid-'80s movies who would have thought that most relevant today would be The Running Man. A chilling and surprisingly realistic tale of reality TV gone mad. It may have been far-fetched back then but not so now. Not when you think about it. Currently, Reality TV shows are either scraping the bottom of the barrel or desperate to raise the bar. If the next one isn't more controversial as the last, it's a dud. How long will it be before we really do see shows like The Running Man? How long before we have 'court-appointed theatrical attorneys' or the entertainment division of the Justice Department? There is so much satire and intelligence in this movie that may have been missed back in 1987 that is desperate to be seen again considering the current state of TV shows.
The biggest message of all is 'You are being lied to'. It's no secret that the Government and the media work in cahoots. And the masses believe what the media tells them to believe. It's a very scary state of affairs and unless more accurate representations of the truth emerge we may easily accept a brutal show like the Running Man in the near future. It's no secret that Reality TV is not very realistic. It's edited and reshaped before being aired and it's only what the networks want you to see. Usually it's far from the real truth.
Although rather different than Stephen King's book (the ending is completely changed) the script does conform to the typical Arnie formula. Yes, he does have numerous and very corny one-liners and he does say 'I'll be back' (which he never REALLY said that often anyway, when you think about it) in the most ironic situation yet but he's still a zillion times better in the role then Christopher Reeve or Dolph Lundgren would have been (these two were considered BEFORE Arnie believe it or not).
The director is none other than Dave Starsky himself (Paul Michael Glaser). It may not be artistic but it is still strong enough to generate excitement and his use of neon and flourescent colors gives each individual set a pretty cool look. Andrew Davis (not a director I particularly like) was attached before Glaser, though no matter who directs, the film is still marred by a very heavy 80's feel.
First of all, Harold Faltermeyer's score (remember him?) is incredibly dated and robs the action scenes of any timeless integrity. And the fashion sense of the movie is far too excessive to be convincingly set in the future. Apart from the dated feel, the only other thing that bugs me is the poorly staged shoot-out that passes as the climax.
This new DVD is a zillion times better than the original release. Gone is the horrid letterbox picture. In its place is a brand new hi-definition 1.85:1 anamorphic transfer. The colors sparkle and literally pop from the screen. The new Dolby 5.1 EX and DTS ES soundtrack are also amazing. There constant use of the surround channels to great effect and the bass is strong and powerful. Definitely one of the best re-masters I've seen so far. Two intriguing documentaries, a trailer and a 'Meet the Stalkers' gimmick are included in this 2-disc set that comes in a rather neat slip case.
The biggest message of all is 'You are being lied to'. It's no secret that the Government and the media work in cahoots. And the masses believe what the media tells them to believe. It's a very scary state of affairs and unless more accurate representations of the truth emerge we may easily accept a brutal show like the Running Man in the near future. It's no secret that Reality TV is not very realistic. It's edited and reshaped before being aired and it's only what the networks want you to see. Usually it's far from the real truth.
Although rather different than Stephen King's book (the ending is completely changed) the script does conform to the typical Arnie formula. Yes, he does have numerous and very corny one-liners and he does say 'I'll be back' (which he never REALLY said that often anyway, when you think about it) in the most ironic situation yet but he's still a zillion times better in the role then Christopher Reeve or Dolph Lundgren would have been (these two were considered BEFORE Arnie believe it or not).
The director is none other than Dave Starsky himself (Paul Michael Glaser). It may not be artistic but it is still strong enough to generate excitement and his use of neon and flourescent colors gives each individual set a pretty cool look. Andrew Davis (not a director I particularly like) was attached before Glaser, though no matter who directs, the film is still marred by a very heavy 80's feel.
First of all, Harold Faltermeyer's score (remember him?) is incredibly dated and robs the action scenes of any timeless integrity. And the fashion sense of the movie is far too excessive to be convincingly set in the future. Apart from the dated feel, the only other thing that bugs me is the poorly staged shoot-out that passes as the climax.
This new DVD is a zillion times better than the original release. Gone is the horrid letterbox picture. In its place is a brand new hi-definition 1.85:1 anamorphic transfer. The colors sparkle and literally pop from the screen. The new Dolby 5.1 EX and DTS ES soundtrack are also amazing. There constant use of the surround channels to great effect and the bass is strong and powerful. Definitely one of the best re-masters I've seen so far. Two intriguing documentaries, a trailer and a 'Meet the Stalkers' gimmick are included in this 2-disc set that comes in a rather neat slip case.
"The Running Man" is based on a story by Richard Bachman, a.k.a. Stephen King writing under pseudonym.
It takes place in the near future, where everything is run by the media and the government. Kind of like right now. In the future, there isn't much selection on television. All there is is "The Running Man"--hosted by Damon Killian (Richard Dawson, host of "Family Fortune" in real life)--a show that features convicts, or "runners" being chased by madmen, or "stalkers." It's a bit like a futuristic gladiator sport. No one ever, ever wins the show. But Schwarzenegger has yet to play. Arnold Schwarzenegger plays Ben Richards, also known as The Butcher of Bakersfield, for firing upon a crowd of humans in a food strike. Only one problem. He's been framed--he never shot anyone. After Arnie escapes from jail, Damon Killian wants his hands on him for the show--so they hunt him down and bring him in. Damon offers Ben a deal--if he goes on the show, he'll let his friends from jail go free. But if he doesn't...he puts his friends on. So Richards agrees to play the game, only to find that Damon has put his friends-from-jail in the show anyway. Right before being launched in the arena, Ben Richards says to Damon, "Hey, Damon. I'll be back." There is a pause. "Only in a rerun," Damon says. Yeah, right.
This movie is about as action-packed and adrenaline-punched an action movie you're going to see in a while. We see an excuse for Schwarzenegger being thrown into an arena with killers, where he must use his brains, strategy, and most of all muscles, to kill the stalkers. But the thing is, the excuse for throwing Schwarzenegger in the arena is a good one. They didn't completely ignore the plot; they don't even throw him in the arena until at least a half hour into the film. They set up the plot first, which is nice.
Arnold proves his acting talent is not just in his muscles once again. Too many people make fun of Schwarzenegger's acting skills, but to tell you the truth, I prefer him over Bruce Willis and Sylvester Stallone any day. Bruce and Sly are mumblers, in my opinion. Anyway, I like Arnold in this movie, because unlike in "The Terminator" where he is an indestructible cyborg, he is a vincible human with emotions in this film. We see a different side to Schwarzenegger, and it's pretty nice.
Richard Dawson is surprisingly good as Damon. I love his charisma on screen. Of course he's good at playing a gameshow host--he himself was one--but he also has a very good acting talent. Check out the scene where he offers Arnold a deal for going on the show. Look how smug he is in that scene, and how well he delivers his lines. He envelops his character very well. An underrated actor if ever I saw one. He comes off slightly creepy and slightly likable.
This movie is good fun no matter how you slice and dice it. I've often noticed it has a bit of a weird vibe to it, but then I realized that's just the sci-fi/futuristic vibe of the film. I've felt it before when watching sci-fi films. There's something about them. When I watch a film, or a certain genre, I get different vibes. Sci-fi gives me a weird vibe that is undescribable. This film gives that vibe to me. It sounds weird, but I think a lot of people get "vibes" and don't realize it.
I recently viewed this movie twice in less than a day; once at night and once in the morning. It just goes to show how easy it is to watch. It is strictly a fun, action film with lots of imagination and charisma. Easy to watch with a high re-watch factor.
What would you rather do with 90 minutes of your life on a Friday night then watch Arnold Schwarzenegger get to knock some skulls together in a gladiator arena? Exactly.
4/5 stars -
It takes place in the near future, where everything is run by the media and the government. Kind of like right now. In the future, there isn't much selection on television. All there is is "The Running Man"--hosted by Damon Killian (Richard Dawson, host of "Family Fortune" in real life)--a show that features convicts, or "runners" being chased by madmen, or "stalkers." It's a bit like a futuristic gladiator sport. No one ever, ever wins the show. But Schwarzenegger has yet to play. Arnold Schwarzenegger plays Ben Richards, also known as The Butcher of Bakersfield, for firing upon a crowd of humans in a food strike. Only one problem. He's been framed--he never shot anyone. After Arnie escapes from jail, Damon Killian wants his hands on him for the show--so they hunt him down and bring him in. Damon offers Ben a deal--if he goes on the show, he'll let his friends from jail go free. But if he doesn't...he puts his friends on. So Richards agrees to play the game, only to find that Damon has put his friends-from-jail in the show anyway. Right before being launched in the arena, Ben Richards says to Damon, "Hey, Damon. I'll be back." There is a pause. "Only in a rerun," Damon says. Yeah, right.
This movie is about as action-packed and adrenaline-punched an action movie you're going to see in a while. We see an excuse for Schwarzenegger being thrown into an arena with killers, where he must use his brains, strategy, and most of all muscles, to kill the stalkers. But the thing is, the excuse for throwing Schwarzenegger in the arena is a good one. They didn't completely ignore the plot; they don't even throw him in the arena until at least a half hour into the film. They set up the plot first, which is nice.
Arnold proves his acting talent is not just in his muscles once again. Too many people make fun of Schwarzenegger's acting skills, but to tell you the truth, I prefer him over Bruce Willis and Sylvester Stallone any day. Bruce and Sly are mumblers, in my opinion. Anyway, I like Arnold in this movie, because unlike in "The Terminator" where he is an indestructible cyborg, he is a vincible human with emotions in this film. We see a different side to Schwarzenegger, and it's pretty nice.
Richard Dawson is surprisingly good as Damon. I love his charisma on screen. Of course he's good at playing a gameshow host--he himself was one--but he also has a very good acting talent. Check out the scene where he offers Arnold a deal for going on the show. Look how smug he is in that scene, and how well he delivers his lines. He envelops his character very well. An underrated actor if ever I saw one. He comes off slightly creepy and slightly likable.
This movie is good fun no matter how you slice and dice it. I've often noticed it has a bit of a weird vibe to it, but then I realized that's just the sci-fi/futuristic vibe of the film. I've felt it before when watching sci-fi films. There's something about them. When I watch a film, or a certain genre, I get different vibes. Sci-fi gives me a weird vibe that is undescribable. This film gives that vibe to me. It sounds weird, but I think a lot of people get "vibes" and don't realize it.
I recently viewed this movie twice in less than a day; once at night and once in the morning. It just goes to show how easy it is to watch. It is strictly a fun, action film with lots of imagination and charisma. Easy to watch with a high re-watch factor.
What would you rather do with 90 minutes of your life on a Friday night then watch Arnold Schwarzenegger get to knock some skulls together in a gladiator arena? Exactly.
4/5 stars -
This Arnie veichle made in his 80's heyday is one of his better ones, It's a movie based on a Stephen King book of the same name. It stars Arnie as a convicted killer (framed of course!)in the near future - Where TV is everything, He's forced to take part in a sadistic game show called 'The Running man' with an equally sadistic host played by real life game show host Richard Dawson in which convicted killers are chased by 'Stalkers' with Chainsaw's and flametorches who aim to kill the bad guys on National Live TV with the audience going wild and choosing which stalker will make their next kill to win board games and other crap, Stalkers have NEVER been killed on the show - Will Arnie & CO in their silly lycra pants kick the crap outta them? Of course they will
All in all a likeable if dated 80's Arnie Flick
My Rating 8/10
All in all a likeable if dated 80's Arnie Flick
My Rating 8/10
I hadn't seen "The Running Man" since it was released on VHS more than twenty-five years ago, and I decided to give it another look when I found it in my local library's DVD collection. Seeing it again, it struck me how dated it had become. Now, there are still a few good things about the movie. It's never boring, there are a few funny one- liners and gags, and there is a great performance by Richard Dawson. However, more than twenty-five years later it's surprising how much the movie resembles a 1990s direct-to-video futuristic actioner. There are precious few "wide" shots, with the camera more often than not crammed close to the actors. That's probably because much of the movie was filmed on vacant lots and abandoned warehouses with little redressing, and the few sets that were built look incredibly cheap and cheesy. And the movie is quite jokey in tone, maybe in an attempt to get the audience to laugh with (instead of at) the various going-ons. Still, I have to admit that I often have a fondness for direct-to-video movies, so all this stuff didn't concern me that much, and I found the movie entertaining. Your opinion of the movie will depend on if you find cinematic cheesiness tasty or not. If you don't, look for another movie.
If the film were remade today, it would have a little more resonance for a modern audience, especially with the amount of reality based television that is so prolific today.
A straight adaptation from Stephen King's original novel (under the pen name Richard Bachman) would have been much more suitable, especially with the rise of shows like Cops and World's Scariest Police Chases. Placing the entire game within an actual arena isn't quite like how the future turned out. However, they may have to modify the ending (the ending of a novel involves a large airplane crashing into a building).
Considering all the remakes and sequels that have been made as of late, it's surprising that they haven't remade this one, even though it's a bit more relevant to today's audience than it was back in 1987. Shoot the whole thing on digital video (a la "Series 7: The Contenders") and throw in a lot more dark comedy, and you'd have yourself a nice little independent flick and a cult classic in the making. No need for something with an overbloated budget.
A straight adaptation from Stephen King's original novel (under the pen name Richard Bachman) would have been much more suitable, especially with the rise of shows like Cops and World's Scariest Police Chases. Placing the entire game within an actual arena isn't quite like how the future turned out. However, they may have to modify the ending (the ending of a novel involves a large airplane crashing into a building).
Considering all the remakes and sequels that have been made as of late, it's surprising that they haven't remade this one, even though it's a bit more relevant to today's audience than it was back in 1987. Shoot the whole thing on digital video (a la "Series 7: The Contenders") and throw in a lot more dark comedy, and you'd have yourself a nice little independent flick and a cult classic in the making. No need for something with an overbloated budget.
Stephen King Movies Ranked by IMDb Rating
Stephen King Movies Ranked by IMDb Rating
See how IMDb users rank the feature films based on the work of Stephen King.
Le saviez-vous
- AnecdotesWhen Rob Cohen purchased the rights to the Richard Bachman novel "The Running Man," he had no idea that Bachman was actually a pseudonym for Stephen King.
- GaffesWhen Killian is at the entrance to the control room, the gate opens before Sven has finished entering the security code.
- Citations
Ben Richards: Killian, here is Subzero! Now, plain zero!
- Générique farfeluAnnouncer's voiceover: "The Running Man has been brought to you by: Breakaway Paramilitary Uniforms, Orthopure Pure Procreation Pills, and Cadre Cola - it hits the spot. Promotional considerations paid for by Kelton Flame Throwers, Wainwright Electrical Launchers, and Hammond & Gage Chain Saws. Damon Killian's wardrobe by Chez Antoine, 19th-century craftsmanship for the 21st-century man. Cadre trooper and studio guard's sidearms provided by Colchester, the pistol of patriots. Remember, tickets for the ICS studio tour are always available for class A citizens in good standing. If you'd like to be a contestant on The Running Man, send a self-addressed, stamped envelope to ICS Talent Hunt, care of your local affiliate, and then go out and do something really despicable! I'm Phil Hilton. Good night and take care!"
- Autres versionsAn edited version was produced for network TV broadcast in which extreme violence was removed, and certain dialogue was redubbed by the original actors (eg. an expletive Barbera Lux uses at the end of the movie was changed to "Bullsquat").
- ConnexionsEdited from King Kong (1976)
- Bandes originalesRunning Away with You
Music & Lyrics by Harold Faltermeyer and John Parr
Published by Kilauea Music U.S. Publishing, Taft/Barish Music, Bogus Global Music, Inc.
Performed by John Parr
Courtesy of Atlantic Records
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The Amazing Arnold
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- The Running Man
- Lieux de tournage
- Sony Pictures Plaza, 10000 Washington Blvd, Culver City, Californie, États-Unis(Killian arrives at the TV Centre in a red car)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 27 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 38 122 105 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 8 117 465 $ US
- 15 nov. 1987
- Brut – à l'échelle mondiale
- 38 123 906 $ US
- Durée1 heure 41 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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