Une dissimulation et une chasse aux sorcières se produisent après qu'un politicien ait accidentellement tué sa maîtresse.Une dissimulation et une chasse aux sorcières se produisent après qu'un politicien ait accidentellement tué sa maîtresse.Une dissimulation et une chasse aux sorcières se produisent après qu'un politicien ait accidentellement tué sa maîtresse.
- Prix
- 2 nominations au total
- Marshall
- (as Fred Dalton Thompson)
- Lt. John Chadway
- (as John DiAquino)
Avis en vedette
For a very basic overview, "No Way Out" tells the story of Tom Farrell (Kevin Costner), a naval officer who is romancing Susan Atwell (Sean Young). The problem? Tom's boss--Secretary of Defense David Brice (Gene Hackman)--is also "involved" with Ms. Atwell and responsible for her death. This sets off a cat-and-mouse coverup scheme as Farrell and Brice both try to resolve the situation.
As previously mentioned, there are quite a few plot machinations that get thrown at "No Way Out" viewers. If they are all truly scrutinized, they don't hold up to much--if any--logic. As such, this film was never going to be any sort of all-time classic. That being said, there are three aspects that director Roger Donaldson and writers Kenneth Fearing & Robert Garland have going for them here...
First, the combination of Costner (in between his Bull Durham & Field of Dreams roles), Hoosiers-era Hackman, and an almost impossibly young Will Patton could make just about anything watchable. The chemistry between those three stalwarts (plus a vivacious Young) alone is worth the price of admission.
Secondly, "No Way Out" is sort of a "ticking clock" of suspense and tension. It seems as if everything is a race to grab some piece of information or individual before someone else gets to him/her, which makes it so that the proceedings are never dull or bland. It also features technology that, while laughably out-of-date now, was cutting edge in the late-80s.
Finally, a whopper of a surprise ending is completely and utterly ludicrous, yet so out-of-left-field that it actually works well amidst all the other pulp in "No Way Out". One of those situations where you sort of know the ending is ridiculous, yet it doesn't rankle because that is largely the name of the game all the way through.
Overall, watching "No Way Out" is a bit of a wild experience no matter how you slice it. I'd never give it a cent over 7/10 stars, but if you can turn the plot-based, analytical part of your brain off and just ride the rollercoaster--while enjoying some actors at the top or beginning of their games--it can be enjoyed.
This is worth your time. I definitely recommend it for fans of military suspense or cold war movies.
What was less fun to watch was about the first 30 minutes or more of the film. This movie takes its time in setting things up, and exploring the romance between Kevin Costner and Sean Young. This kind of graphic detail isn't necessary for me, and I was starting to wonder if I was watching the right movie since it felt more like a romantic drama. There are certainly moments throughout all this courting that are important because they come back as things that might reveal the truth about Costner, but I didn't need the amount of time they spent detailing the romance just for those few small pieces of information. Once the inciting incident occurred, and the actual story got rolling, I had some good fun with No Way Out, I only wish they got us there sooner. No Way Out is still a decent movie, and one I might watch again to see how the story is changed by knowing how it ends.
Le saviez-vous
- AnecdotesThe dialogue in the limo in which Tom asks the driver to raise the sliding partition was improvised and initiated by Kevin Costner. As the other actors' reactions seemed more natural than the scripted version, it was kept in the final print.
- GaffesFarrell is awarded the Navy Cross for saving a sailor during a storm. The Navy Cross is only awarded for gallantry in combat.
- Citations
[last lines]
Schiller: [speaks Russian] We thought we'd never see you again.
Tom Farrell: [speaks Russian as well] So did I.
Schiller: Couldn't you have manage this better?
Tom Farrell: Not so fast, it's difficult for me to follow in Russian.
[switches back to English]
Tom Farrell: It's been very long for me.
Schiller: How thirsty you must be for the sound of our language.
[switches to English]
Schiller: Evgeny Alexeivich, wouldn't you love to hear Russian again? Imagine Pushkin, Lermontov, Tolstoy...
Tom Farrell: ...Solzhenitsyn, Aksyonov.
Schiller: [chuckles] Even them, always the sense of humor. In the Philippines, when you passed a bag of underwear, Moscow wasn't amused. I should've acted then. In any case, it's no longer possible for to remain United States. This bizarre incident has given them their Yuri. Evgeny, think. THINK! You're a hero of the Soviet Union.
Tom Farrell: [darkly] I'm not a hero.
Schiller: Be that as it may, you must return!
Tom Farrell: [annoyed] I came here! I thought I owed you that - but you can't make me go back.
[Tom leaves until the two men cock their guns]
Schiller: No! Let him go.
[Tom resumes in leaving]
Schiller: He'll come back. Where else can he go?
- Générique farfeluThe opening credits appear in orange and then disappear, similar to the reconstruction process for the incriminating photograph of Tom.
- Bandes originalesNo Way Out
Words & Music by Paul Anka and Michael McDonald
Performed by Julia Migenes and Paul Anka
Produced by Denny Diante
Arranged by Robbie Buchanan
Courtesy of CBS / Columbia Records
Published by Paulanne Music, Inc. and Genevieve Music
Meilleurs choix
- How long is No Way Out?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Sens unique
- Lieux de tournage
- Hotel Washington, 515 15th Street, NW, Washington, District de Columbia, États-Unis(Rooftop meeting between Pritchard and Bryce)
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 15 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 35 509 515 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 4 259 460 $ US
- 16 août 1987
- Brut – à l'échelle mondiale
- 35 509 515 $ US
- Durée
- 1h 54m(114 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1