Le foto di Gioia

And I do mean EVERYTHING else.

A great looking film in all aspects.

Brilliant camera work. Excellent use of color. The cinematography and art direction were Oscar worthy and everybody in it looked great. The majority of them proving it by getting naked.

Beautiful models get bumped off by a killer whose face becomes a giant eye before the kill. The sudden rush of colors signifies that a murder is coming. Said models work for a magazine that our heroine (A former model herself) runs.

Of course now she thinks she's the final target. Is she? If you can find this gem, see it.

I found this in a used video box in Tokyo and was sucked in but the cover art. Seeing Bava's name helped too.

It's a bit dated now, it reminds one of an 80's music video at times. But the mystery element is great and never lets up.

This is a better than average Giallo and is packed with solid actors. There are scenes that you will remember from this one. George Eastman has a small part in this so don't go in expecting a large amount of him in this one. If you are a fan of this style of film or even just a fan of Serena Grandi you must see this film. George Eastman and Serena Grandi get along way better in this film than in Grim Reaper. ;-)The killer is plagued with delusions and these are worth seeing. There is a nightmarish feel too the film. The pacing is very well done. Look for one of the lead actors of Demons to have a prominent part in this film. Lamberto Bava did a great job with this one. See the Shriek Show DVD version of this one.

It's all about director Lamberto Bavas' style in this decent Giallo with a merely okay story but lots of sex and violence. Beautiful Serena Grandi (known as the "Dolly Parton of Italy") stars as Gioia (Gloria in the English language version), a former model who now owns and operates an adults only magazine. Her models begin to be slaughtered by a psycho admirer of hers, who arranges their dead bodies in front of a photo of her. Naturally, this leads her to believe that she will eventually become the killers' ultimate victim.

The lighting and camera work are exemplary. Certainly if Lambertos' father Mario had seen this one, he likely would have been proud. There is also some effective suspense at times. Simon Boswell supplies a score that alternates between pounding rock 'n' roll and more conventional arrangements. (One climactic chase scene would have done better to do away with the rock score.) The screenplay by Gianfranco Clerici & Daniele Stroppa does at least succeed in keeping fans of this genre interested in determining which of the possible suspects will eventually be unmasked as the real culprit. The most original touch is when things are shown from the killers' warped perspective, and it's too bad that we don't see a little more of this throughout.

The performances are adequate enough for the material. Nothing award worthy, but entertaining. Grandi is well supported by Daria Nicolodi, Vanni Corbellini, David Brandon, Karl Zinny (who'd acted for Lamberto in "Demons", and who here plays a horny, sleazy, surly, wheelchair bound kid), and the most welcome of all, Italian cult & exploitation icon George Eastman, playing Gioias' ex fiancée, an actor. There are several very attractive female cast members and numerous breast shots for those who are interested. Veteran sex symbol Capucine appears as Gioias' bitter business rival.

If you enjoy the genre or the films of Bava Jr., this should be an agreeable hour and a half exercise in style and sleaze.

Seven out of 10.

Lamberto Bava may not be as great as his father; master director Mario Bava, but you can always count on a good time when it comes to his movies - and while Delirium is certainly no masterpiece; Giallo fans will be satisfied with this sleazy story of murder and naked women! Italy's answer to Dolly Parton, Serena Grandi, stars as Gioia (the Italian answer to 'Gloria'), the owner of a porn magazine known as 'Pussycat'. The porn industry attracts a lot of attention for it's stars, and Pussycat magazine is no exception. One of Gloria's admirers is a wheelchair bound young man who spies on here from the sanctity of bedroom, and another 'admirer' is someone a little more psycho - someone that likes to kill Gloria's models, and then send her pictures of their mutilated corpses in front of a six foot picture of herself! Obviously, this leads our leading lady to assume that she's the next victim; as more and more of her models are killed, who could be the killer?

And what could possibly be their reason for slicing up such fine looking ladies? Lamberto Bava seems to know what audiences like - and this is shown by the way that Grandi's breasts are shown often. I have no problem with this; and I doubt anyone else with a will to see this film will either. The Giallo is a sub-genre soaked in sleaze, and Bava does a good job of implementing that style into this film by way of lots of nudity, and some graphic murders. The murders are a big part of any Giallo - and this one features the likes of murder by pitchfork, and the (apparently) famous bee murder scene! Really, the murders aren't the best ever seen in a Giallo; but they do the job. The acting is typically trashy, and it's always obvious how Serena Grandi won her role (clue: it wasn't acting talent). The cast is made up of unknowns (Giallo standard), with the exception of Daria Nicoladi. Dario Argento's frequent collaborator lights up the support cast, and gives the film an extra little bit of cult class. Lamberto Bava's films are often rated poorly by critics (both professional and amateur), but as usual; Delirium isn't all that bad. No masterpiece; but well worth seeing for the Giallo fan.

This has just enough of the giallo about it to be considered a late entry in the genre and whilst it is far from outstanding is perfectly watchable. It is bright, fast moving and colourful but at the same time rather brash with an uninvolving story and the usual crashing 80s score. Serena Grandi may not be the greatest actress in the world but she is outstanding in one (or is that two?!) respects. Another large busted performer, Sabrina plays herself and between them the two girls manage to display a considerable amount of flesh amidst the murderous shenanigans. George Eastman makes an appearance and it is regrettable that his part could not have been enlarged in place of some of the silliness going on around. Daria Nicolodi is a welcome participant and again enlarging her part might have been a good idea. Altogether there is too much time spent on the young guys and creating red herrings when the script is really not up to being taken seriously.