Dark Tower

THE DARK TOWER is an obscure movie that had a lot of potential but squandered the whole interesting idea of an evil building due to some really weak acting, a listless script, totally unfocused direction, and a cast that's seemingly above the age of 40! It's always great to see Jenny Agutter in anything but she deserved a better project than this. The direction is truly bizarre. I'm sure the fact that the great Freddie Francis was replaced by another director has contributed to the weirdness of the film but I wonder what they were attempting to do. It's as if they tried to make the building into a character, and at a certain point, they actually succeeded, not because of some great feat of direction but because the human characters are so weak and messed up that the building looked positively sturdy and 3 dimensional compared to them.

And speaking of humans, I've never seen such an old looking cast. Yes, Jenny was in her late 30s when she made the movie but because practically everyone is above a certain age, this gave the movie a sorta poky feel to it, which was the last thing THE DARK TOWER needed.

But the thing that kills this bizarre quasi-mess is the ending, or the resolution of the mystery/story. It was more funny than scary. One has to see it to believe it.

A real curio of a movie worth seeing for fans of bizarre films.

A newly built office building in Spain is plagued by a series of fatal accidents seemingly caused by a murderous presence. British legend Freddie Francis was the original director on this film, but problems led to 'Shock Waves' director, Ken Weiderhorn, taking over. Neither wound up taking credit.

Larry Cohen regular, Michael Moriarty, stars as a company man investigating the deaths and Jenny Agutter is on hand as the building's chief architect. The once ravishing Carol Lynley has a nothing part as Agutter's assistant, and Kevin McCarthy shows up briefly. The most entertaining character is that of a paranormal investigator who Moriarty contacts midway through. Theodore Bikel livens up the dull precedings with a quirky portrayal of a man so desperate to make contact with something supernatural that he winds up talking to an air conditioner at one point.

Indeed, this is a dull effort overall. With directors and a cast like that, I was expecting something much better and far less pedestrian. The story doesn't have a lot of meat to it, but that doesn't mean they couldn't have done something special with what they did have. Alas, I guess the inspiration just wasn't there this time around.

The big reveal behind the haunting is as predictable as they come, and the climax feels like it would be more at home in a 'Tales from the Crypt' episode. 'Dark Tower' isn't an unwatchable mess, but it's something you could easily skip without feeling as if you missed out.

It's a bit of a shame that the IMDb hasn't got a cover image of "Dark Tower" published yet. As usual, the VHS cover is much cooler than the movie actually is and it shows a crowd of people gathering around a skyscraper, shaped like an enormous coffin. The movie itself is painfully disappointing, especially if you take a closer look at the people who were involved in making it. The directors-duo Freddie Francis and Ken Wiedernhorn both have much better films on their repertoire. Francis made some great British horror classics in the 70's, like "The Creeping Flesh" and "Tales that Witness Madness", while Wiederhorn single-handedly was responsible for the only recommendable 'underwater-Nazi-zombie' flick ever made: the unique "Shock Waves". Some of the cast-members too have delivered better films. The male lead Michael Moriarty frequently works with Larry Cohen ("Q – the winged Serpent", "The Stuff") and Jenny Agutter will always be remembered for her starring in "American Werewolf in Londen". I avoid talking about the film's plot simply because there isn't much to say... It's pretty much a reworking of "Poltergeist" (which I didn't like, neither) in a skyscraper, with the restless spirit of a murdered person avenging himself on anyone who enters the building. Agutter plays the brilliant architect who seems to be the ghost's main target and Moriarty is the clairvoyant police officer who looks after her. The opening sequence is promising, with a guy falling 17 storeys down and crushing an extra pedestrian along the way! Unfortunately, the screenplay then turns into a boring mess without tension or surprises. Moriarty teams up with a couple of other paranormal investigators and they uncover some dark secrets. There's practically no gore, no humor and no feeling with the characters. Moriarty gives his lousiest performance ever and even Agutter's gorgeous eyes can't save this mediocre movie.

Weak film that the director disowned doesn't work despite a good cast. A skyscraper is plagued by a series of gruesome accidents and a cop is sent in to investigate. He eventually comes to conclude that the building is haunted and the ghost is responsible for all the accidents. No scares, sloppy editing, and poor effects are some of its other problems.

Rated R; Violence and Profanity.

Like most the time. Cool poster artwork (striking enough to draw you in), but a so-so feature. Oh the disappointment. However it wasn't just the cover that caught my attention, but the cast was another draw-card featuring the likes of Jenny Agutter, Michael Moriarty and Kevin McCarthy. The trio managed to bring some dependable class to something of a predictably mundane and clinical ghost story of a haunted skyscraper. The classy Agutter elegantly glows and a laid-back Moriarty has that magnetic presence that I could be entertained by a film about him painting a fence. Character actor McCarthy is a delight as a washed-up physic, even though his role in quite small.

Architect Carolyn Page heads to office for some quiet time, but instead witness the unusual death of a window cleaner being slammed against her window and then plummeting to his death. Security officer Dennis Randall looks into it thinking that it was an accident, but then the deaths continue within the building. He comes to the conclusion that there's something unnatural going on and it has somewhat to do with Carolyn. So he seeks the help from a professor of paranormal field to uncover the building's dark secret.

It's low-grade handling shows and there's a real lack of imagination in its workman-like execution, despite the presence of director Freddie Francis (who would be replaced half-way through by co-writer/producer Ken Wiederhorn --- who was behind such films as "Shock Waves" and "Return of the Living Dead Part 2"). Nonetheless the Barcelona locations are beautifully projected, the high rise building does bestow some effectively moody moments and Stacy Widelitz's music score is alarmingly eerie. The opening death is quite well done and rather creepy, but the pacing from then onwards is too sluggish concentrating on its constant mystery / investigative elements before breaking loose in its dying stages with some haunting imagery. Nothing wrong with that, but being all build-up it's not all that hard to figure out how it's going to end. There's a lot of talk and too little shocks or atmospheric tension being sustained. It felt more like an extended episode out of "Tales from the Crypt", but it did have that old-fashion, guilt-ridden, slow-burn Gothic feel that could have been better implemented. There's limited FX on show, but commendably used. The rest of the performances; Theodore Bikel hams it up as the Doctor of the physic field and there's able support by Carol Lynley and Anne Lockhart.

"Dark Tower" is a grim, but blotchy little forgotten b-grade horror offering