L'inspecteur Morse a l'oreille musicale, un goût pour la bière et du flair pour le crime. Il part avec le sergent Lewis pour résoudre chaque affaire intrigante.L'inspecteur Morse a l'oreille musicale, un goût pour la bière et du flair pour le crime. Il part avec le sergent Lewis pour résoudre chaque affaire intrigante.L'inspecteur Morse a l'oreille musicale, un goût pour la bière et du flair pour le crime. Il part avec le sergent Lewis pour résoudre chaque affaire intrigante.
- A remporté le prix 6 BAFTA Awards
- 9 victoires et 12 nominations au total
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It is not without reason that Morse is held up as one of the finest television series ever made. It is therefore no wonder that after the tragic death of John Thaw efforts were made to keep the spirit of the show alive through Lewis and then Endeavour. Every single part of this show was perfection itself, the writing, production, music, and of course the impeccable performances of John Thaw and Kevin Whateley.
That quality began in The Dead of Jericho and ended in The Remorseful Day. Reading through the reviews it's great to see how different people love different episodes. Highest point for me was Masonic Mysteries, and I long for the day where de Vries turns up in Endeavour, an incredible episode, other highlights include driven to distraction and Death of the self. The quality is that high generally that you could almost pick any.
There aren't enough superlatives I can throw at this show, how wonderful that the elements, including John Thaw and the iconic Jaguar paved the way for a continuation of Endeavour's story.
Will we ever have such glorious viewing again?
Virtually perfect. 10/10
That quality began in The Dead of Jericho and ended in The Remorseful Day. Reading through the reviews it's great to see how different people love different episodes. Highest point for me was Masonic Mysteries, and I long for the day where de Vries turns up in Endeavour, an incredible episode, other highlights include driven to distraction and Death of the self. The quality is that high generally that you could almost pick any.
There aren't enough superlatives I can throw at this show, how wonderful that the elements, including John Thaw and the iconic Jaguar paved the way for a continuation of Endeavour's story.
Will we ever have such glorious viewing again?
Virtually perfect. 10/10
I have all 33 episodes and all the books, and I think this crime drama is without question the best show that ever came on our screens. Each episode has a reason for watching it. They did change the character of Morse completely, but I don't care. I prefer John Thaw's Morse, he is somewhat more likable. The late John Thaw was an outstanding actor, and Inspector Morse is his best role. He is just phenomenal, as is Kevin Whately as Lewis. Morse is a sensitive character here, when he is listening to his classical music with the camera looking into these mysterious blue eyes, it is just extraordinary. The music is just amazing with that clever haunting theme tune, and the recurring excerpts of Mozart and Wagner. Inspector Morse also benefits from consistently superb camera work and exceptionally written scripts. It has also boasted stars such as Clive Swift, Roger Lloyd Pack, Zoe Wannamaker and Paul Freeman. Favourite episode? Has to be Masonic Mysteries, the victim's scream actually made my heart go in my mouth. The final episode is heart-rending, and I couldn't bear to finish the book, because it was so sad. Great stuff! 10/10. Bethany Cox
John Thaw will never have a better part than that of the crusty copper , Morse. Fans of the crime genre will love this as it usually is a great whodunnit every time with no car chases or fights and as such is always refreshingly different from the usual cop show. Just add in that Morse is a total loser with the ladies, likes a drink, enjoys listening to recordings of tragic operas. Great way to solve murders, sitting in the pub downing a beer in the middle of the day. It beats chasing armed assailants up back alleys or staking out clubs hiding in garbage cans any day.The only criticism of the show is that Oxford is portrayed as the murder capital of Europe when in real life it is probably one of the least criminal places in the world with parking offences probably being its most common crime.
This is one of the truly great British mystery series. Colin Dexter's novels for me are a bit like Shakespeare's plays - better to see them played out in a dramatic fashion than try to wade through all the details on the pages. Dexter obviously likes words, so naturally his famous detective will be a lover of crosswords and puzzles. A cultured, educated man who none the less loves fast cars (his trademark red Jaguar is as well-known an icon as Magnum's red Ferrari), whisky, women (although he doesn't seem very lucky with them), and of course, a good pint of REAL beer.
While a bit too old to do something along the lines of Regan in "The Sweeney", Thaw still brought enormous energy and presence to the Morse role.
His "sidekick", Sgt Lewis, is the perfect counterpart to Morse's sometimes-overly-intellectual approach to policing. In the books, Lewis comes off as rather thick, and at times a bit servile, and Morse seems to treat him accordingly; Kevin Whatley transformed Lewis into more of a sort of "everyman's genius", someone with whom Morse could actually collaborate. "Promised Land", in which the pair travel to Australia, is one of the better ones for seeing how the two relate to each other. The series sometimes amused the real-life police of the Thames Valley, for it raised Oxford's murder rate to ridiculously high levels. Some of the earlier shows moved at the pace of the books... a little sluggish, which when combined with odd camera angles - e.g. through distorting glass objects - sometimes made the viewer feel drowsy. Always a mistake to nod off, though. Morse is usually so overconfident in his suspicions that the real killer goes uncaught, and where Morse goes, murder almost certainly follows.
My favorite episode? "Masonic Mysteries", a real spine-tingler where a man Morse put away years ago comes back to haunt him, and lands the detective in jail for murder. Ian McDiarmid (Star Wars' Emperor) is simply... spooky.
A fantastic series. If you have doubts, watch that episode.
While a bit too old to do something along the lines of Regan in "The Sweeney", Thaw still brought enormous energy and presence to the Morse role.
His "sidekick", Sgt Lewis, is the perfect counterpart to Morse's sometimes-overly-intellectual approach to policing. In the books, Lewis comes off as rather thick, and at times a bit servile, and Morse seems to treat him accordingly; Kevin Whatley transformed Lewis into more of a sort of "everyman's genius", someone with whom Morse could actually collaborate. "Promised Land", in which the pair travel to Australia, is one of the better ones for seeing how the two relate to each other. The series sometimes amused the real-life police of the Thames Valley, for it raised Oxford's murder rate to ridiculously high levels. Some of the earlier shows moved at the pace of the books... a little sluggish, which when combined with odd camera angles - e.g. through distorting glass objects - sometimes made the viewer feel drowsy. Always a mistake to nod off, though. Morse is usually so overconfident in his suspicions that the real killer goes uncaught, and where Morse goes, murder almost certainly follows.
My favorite episode? "Masonic Mysteries", a real spine-tingler where a man Morse put away years ago comes back to haunt him, and lands the detective in jail for murder. Ian McDiarmid (Star Wars' Emperor) is simply... spooky.
A fantastic series. If you have doubts, watch that episode.
Based on average crime novels by Colin Dexter, this is truly one of the times that the television version actually surpasses the novels in quality and makes the stories come alive and touch the heart and the mind. What makes this series so compelling, like the Duchess of Duke Street, Rumpole and Foyle's War, is the main character and the actor who created this marvelous,complex and compelling character. John Thaw and the producers/writers who worked with him made this a timeless series in the only way possible: make the lead character charismatic and intriguing (and extraordinarily well acted). It is virtually impossible for a series to last beyond several episodes based only on plots (I know, many will argue with this, but I stand my ground). The series has to be character driven to maintain its brilliance, episode after episode--in this case 33 episodes. That is not to say that the plots are unimportant, but only that they are clearly secondary to Morse and his relationships with those around him--especially his sergeant and his superior. But most important are his relationship with life and his values and the way he chooses to live his life; these are especially enthralling for a t.v. series (or movie or play or novel for that matter). I highly recommend this show--even for those not normally inclined to watch mysteries. This transcends the genre spectacularly. By the way, I greatly enjoy the Midsomer Murder series, but they are merely entertaining. The Morse episodes not only entertain, but can considered to be art.
Le saviez-vous
- Générique farfeluThe opening notes of the theme music are based on the word "Morse" in Morse code, altered for musical purposes. The same notes are also included at the end and in places within the theme music. In the 1995 documentary "The Mystery of Morse: The Making of Morse", the composer stated that the theme sometimes spells the name of the murderer, a cryptic version of the name, or, as a red herring, an innocent character. However, there is nothing documented on the Internet for any specific name or episode. Morse code experts say that, aside from the code for "Morse", any other Morse code-like notes in the theme are complete gibberish, probably because the code was modified greatly for musical purposes.
- ConnexionsEdited into Inspector Morse: Rest in Peace (2000)
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