Une femme vit une histoire exclusivement charnelle avec un homme dont elle connaît à peine la vie, seulement le goût pour les jeux sexuels. Leur relation va vite se compliquer.Une femme vit une histoire exclusivement charnelle avec un homme dont elle connaît à peine la vie, seulement le goût pour les jeux sexuels. Leur relation va vite se compliquer.Une femme vit une histoire exclusivement charnelle avec un homme dont elle connaît à peine la vie, seulement le goût pour les jeux sexuels. Leur relation va vite se compliquer.
- Prix
- 4 nominations au total
Avis en vedette
I find it interesting that people can get so many different feelings and experiences from one movie, but then; this is exactly the type of movie that would cause such disparity. The question really is, are you watching the movie for entertainment, or to critique it? There are wondrous scenes of erotic intimacy here (unfortunately not as fully developed as they could be) - and glimpses into just what two people "in lust" will allow themselves to be led into... The sensuousness of the relationship is the key - not the believability of the surroundings or the rest of the 'plot'. Is it believable? It certainly is conceivable... Liz (Kim Basinger) studying slides at work, so distracted by her thoughts of intimacy with a man she hardly knows that she can't keep her hands off herself... John so taken with her that he will spend exorbitantly for a gift - to give a woman he doesn't know - but feels that he must meet. The passion and need for these two lonely people that lets them open doors to their inner selves and allow another in BEFORE thinking of the consequences (there are ALWAYS consequences, in film and life; for opening "those" doors). Is it believable that they would win the fight with the street thugs? No. Is it believable that the adrenaline rush, the release of the flight impulse and fear, the closeness found in 'defeating a common enemy'; could possibly lead to the intensity of sexual closeness and climax in a semi-secluded spot (under falling water at that)? Yes. Are the other scenes believable? It's entertainment, not a psychology class... They are conceivable, certainly. Ever been really mad at your partner, and that anger leads to words then breaking dishes then apologies then hugging then closeness then sex? How about anger leading directly to sex? It can happen, and it does. It is not so much a rape as it is a purging of desire. The scene with Liz blindfolded, and the whore coming in to the room - you share the tenseness Liz feels. Will she be stimulated? Of course. Will she let John know it turns her on? He already knows it does. He wants HER to know that he knows it will.
This movie is a glimpse of what manipulators people are. The efforts made to manipulate another person into 'making them want what you want'. So much so, that it becomes their desire, not yours. So much so that the desire is to see if you can manipulate the other becomes more consuming than the original goal. Seeing if she WILL crawl across the floor becomes more important than seeing her actually doing so. And her feeling the depth of her self in what she will do - and finding she is doing it because SHE wants to, not because he wants it. Liz takes her pleasure from John, too. What appears to be a "rape in progress" as John pushes Liz back on the table, ends with her crying because she was excited enough by it to climax. That is perhaps the 'real' rape; her discovery that even if she is initially violated, in her mind she realizes it arouses her enough to let it continue; and as it continues she finds herself clutching at her 'attacker'; and attaining orgasm. The rape as much of her mind as it is her body. It is her discovery of what she learns of herself. When she finally leaves the relationship, he finds he can't live without her. Who manipulated who?
This movie, dated as it is, is still fresh because it is enough like life to be real. No, we may not be that rich or that attractive or that selfish or that spoiled. But we also may wish at times that we were...
This movie is a glimpse of what manipulators people are. The efforts made to manipulate another person into 'making them want what you want'. So much so, that it becomes their desire, not yours. So much so that the desire is to see if you can manipulate the other becomes more consuming than the original goal. Seeing if she WILL crawl across the floor becomes more important than seeing her actually doing so. And her feeling the depth of her self in what she will do - and finding she is doing it because SHE wants to, not because he wants it. Liz takes her pleasure from John, too. What appears to be a "rape in progress" as John pushes Liz back on the table, ends with her crying because she was excited enough by it to climax. That is perhaps the 'real' rape; her discovery that even if she is initially violated, in her mind she realizes it arouses her enough to let it continue; and as it continues she finds herself clutching at her 'attacker'; and attaining orgasm. The rape as much of her mind as it is her body. It is her discovery of what she learns of herself. When she finally leaves the relationship, he finds he can't live without her. Who manipulated who?
This movie, dated as it is, is still fresh because it is enough like life to be real. No, we may not be that rich or that attractive or that selfish or that spoiled. But we also may wish at times that we were...
"9 1/2 Weeks", while containing a few sequences of sex and nudity, is nowhere near as shocking as it might once have been considered. Kim Basinger plays Liz, an art gallery employee who meets Wall Street trader John, played by Mickey Rourke. While their romance is at first sweet and romantic, things begin to quickly change. John initiate a series of kinky sexual trysts involving food, a hooker, and an enticing striptease performed by Liz. But the time comes for Liz to question the nature of the relationship and ask herself, Is this really healthy? The movie is very, very slow, and in parts, very boring. If your watching this for the much hyped sex and nudity, don't bother, besides the occasional glimpse of Basinger's breasts and butt, there isn't much here to see. See it, just don't expect too much.
"9 1/2 Weeks" is Unrated for strong sensuality and nudity, and for some adult language.
NOTE: "9 1/2 Weeks" is available R-Rated or Unrated, which is one minute longer than the R version. But the Unrated version is no more graphic than a regular R-Rated movie.
"9 1/2 Weeks" is Unrated for strong sensuality and nudity, and for some adult language.
NOTE: "9 1/2 Weeks" is available R-Rated or Unrated, which is one minute longer than the R version. But the Unrated version is no more graphic than a regular R-Rated movie.
Two successful, but lonely yuppies embark on a sexual odessey for 9 and a 1/2 weeks. All people seem to talk about when it comes to this movie is about the sex scenes and the nudity in the film. This film is not about sex and nudity in my opinion. It is about control and power. I found this film to be intelligent and stylishly done and yes very erotic. Rourke and Basinger make a steamy couple and the ending and the events that unfolded in the film lingered with me long afterwards and left me thinking for a while. This is one film that actually seems to have gotten better with time.
I have seen this movie many times. I find it to be, not a sexual movie. It does have depth and symbolism if you are able to get passed the simple sex scenes. My favorite part is when Elizabeth goes to visit Fransworth, the artist.If you really think about it just as he is at the gallery opening of his show, so is she "a fish out of water".It can't survive and in the end neither can she.I love the way this film was shot.This movie is more about stepping out side your comfort zone. You know about her family and life, but you don't learn about his until it is to late.People need to get passed the sex scenes and realize this movie is about human limits.All of us feel this inside, but are afraid, like Elizabeth to try it.
Don't know why I didn't see this movie until recently, as I am a big Adrian Lyne fan. Maybe because Mickey Rourke has become so repulsive in recent years. However, I found this to be a thoroughly entertaining film, with fascinating performances and all the 80's accoutrements - music, fashion, set decoration, etc. I don't know how anyone could call it boring, but we all see different things when we watch a movie.
I thought the much-vaunted "sex" scenes were pretty tame, actually, but really, really fun to watch! Kim Basinger never looked more beautiful, and Rourke looked great, too. I disagree that there was no character development. I think there were depths to both characters that didn't come out until the end of the movie, which I found very poignant. Yes, I think it was more about power than sex, and when the moment of truth came for the balance of power to shift - as the Rourke character had planned for it to do - he had scared off his true love. Sad, and a true sequel could have been fun.
I give it 8/10 and plan to add it to my video collection ASAP.
I thought the much-vaunted "sex" scenes were pretty tame, actually, but really, really fun to watch! Kim Basinger never looked more beautiful, and Rourke looked great, too. I disagree that there was no character development. I think there were depths to both characters that didn't come out until the end of the movie, which I found very poignant. Yes, I think it was more about power than sex, and when the moment of truth came for the balance of power to shift - as the Rourke character had planned for it to do - he had scared off his true love. Sad, and a true sequel could have been fun.
I give it 8/10 and plan to add it to my video collection ASAP.
Le saviez-vous
- AnecdotesDirector Adrian Lyne used emotionally manipulative tactics on Kim Basinger during the shooting to elicit the performance he wanted from the somewhat new actress, which Basinger later criticized harshly. For example, Lyne did not allow Mickey Rourke and Basinger to talk to each other off-set. The two were kept isolated from each other and Lyne would tell Basinger rumors about how Rourke intended to make her like or dislike him so that she would carry that attitude into the scene. Lyne would also offer Rourke performance notes, but Basinger none, in order to unnerve her. In a very unusual and expensive move along these lines, Lyne shot the film sequentially, so that Basinger's actual emotional breakdown over time would be effectively translated to the screen.
- GaffesWhen John turns on his stereo to play Joe Cocker's "You Can Keep Your Hat On" for Elizabeth's striptease, the speaker switch on the power amplifier is in the off position.
- Autres versions117 minute uncut and unrated European version is available on DVD.
- ConnexionsEdited into Die Geschichte des erotischen Films (2004)
- Bandes originalesThe Best Is Yet To Come
Performed by Luba
Written by Graham Lyle and Terry Britten
Courtesy of Capitol Records, Inc.
Produced by Narada Michael Walden for Perfection Light Productions
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- 9 1/2 semaines
- Lieux de tournage
- 101 Spring Street, Ville de New York, New York, États-Unis("Spring Street Gallery")
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 17 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 6 735 922 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 328 804 $ US
- 23 févr. 1986
- Brut – à l'échelle mondiale
- 6 740 470 $ US
- Durée1 heure 57 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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