Ça restera entre nous

Writer-director Allan Burns seems to have patched together two different scripts about sisterhood and infidelity/betrayal. Christine Lahti plays a crass, cynical TV news reporter who makes friends with aerobics instructor Mary Tyler Moore; soon, she's having dinner with her new friend's family, only to discover Moore's husband is Lahti's married lover. Burns has a strange, stop-and-start rhythm to his dialogue which is neither realistic nor effective (just increasingly annoying, because nothing important seems to get said). Rail-thin Mary, looking alarmingly frail in her leotard, has a radiant smile but doesn't convince as Ted Danson's wife (and he's stuck with a paltry, thankless role, merely present as the cad). The movie attempts to cover all its bases in a classic case of overreaching (a woman's role in the workplace, the TV news-biz, the cheating family man, the working wife and mother who wants more, a woman's need for female friendships, et al), but nothing substantial comes of these ideas since Burns only half-heartedly examines the issues. As a writer, Burns is surprisingly free of punchlines; however, his script is uncertain of its purpose, and the heavy plotting just gets all fouled up. *1/2 from ****

This movie has the unlikely premise of two woman becoming friends all the while unaware that they're in love with the same man. Mary Tyler Moore is Holly, the wife. Christine Lahti is Sandy the girlfriend. Ted Danson (ugly as ever) is Chip. This movie wants you to believe that a woman who is career driven, has a foul mouth, lives on junk food, chain smokes, wears funky (a.k.a. ugly) clothes & has big hair she's automatically "interesting" (Sandy). If she's married & loves her husband, lives a healthy lifestyle, has two teenage kids & a beautiful home, doesn't work outside that home, & is a kind person she's "boring" (Holly). The message is pretty twisted. This movie is loaded with clichés, is unrealistic & has a TV movie feel to it even though it was released in theaters. Despite it's flaws, the soap opera plot does keep you interested, but the storyline drags on at times.

The director allows his film to run on well after it has made it's point but it's punchy and immediate in a sitcom kind of way. Cast is great, especially the incomparable Lahti as a no nonsense tv reporter. Biting script has its moments. When asked by her grandmother to sing with the choir, Chip's daughter complains that she's atheist. "So? You can hum" replies grandma. The scene where the two illicit lovers accidently meet at a family dinner is a priceless gem, especially Danson being so distracted he puts the milk in the cupboard. A touching near fable on the need for forgiveness.

While I enjoyed the movie, it is clear Mary Tyler Moore's character is supposed to be around 10 years younger than the actress actually was at the time of filming. In the film she spoke of having another child and at 50 (As she was when this was filmed), that wasn't likely at the time. Christine Lahti and Sam Waterston shined as supporting characters. Definitely worth the watch.

Written and directed by allan burns. Was nominated for a little romance. Burns had worked with mary moore on her own show, as well as the spinoffs, rhoda, phyllis, and about half the tv series ever made. When holly (mtm) brings home a friend and tries to play matchmaker with a friend of her husband (danson), it backfires. There are complications that holly didn't know about. And they are simmering, bubbling, just waiting to pop open. Co-stars sam waterson (hopscotch, grace and frankie) and christine lahti (oscar winner and nominee!). And then more stuff happens. Good stuff. And bad stuff. Funny and typical conversation between holly and her own mom. Mtm was nominated for her role in ordinary people. And of course, she made change of habit with elvis! Shows on epix streaming. It's good. Some sadness. But a good look at relationships, marriages, friendships.