Ajouter une intrigue dans votre langueCaptain EO and his space crew are on a mission to save the world from the evil queen by giving her a song and dance.Captain EO and his space crew are on a mission to save the world from the evil queen by giving her a song and dance.Captain EO and his space crew are on a mission to save the world from the evil queen by giving her a song and dance.
- Director
- Writers
- Stars
Debbie Lee Carrington
- Idee
- (as Debbie Carrington)
Bruno Falcon
- Dancer
- (as Bruno Falcon III)
Eric D. Henderson
- Dancer
- (as Eric Henderson)
Evelyne Jezek
- Dancer
- (as Evelyn Jezek)
Mary Ann Hermansen
- Dancer
- (as Mary Oedy)
Avis en vedette
I think this is an excellent movie, especially that George Lucas was part of it, I enjoy his work such as Star Wars. The music was great especially when the song "We Are here to Change The World" the best part I liked was the funky slap bass thing the reason is because I play bass and I'm learning that :) Too bad Captain EO isn't playing in Disneyland anymore oh well I have it on tape when it was on MTV :)
10djlucas
Captain EO was the greatest attraction I'd seen in my life up to that time. As a matter of fact, it's still the greatest.
I love theme parks and I've seen a lot of attractions. Spiderman at Universal comes close.
I was in my twenties when EO was released and the film made me feel like a big kid. I wasn't too concerned about the plot and the acting as much as the effects, music and dancing. I got everything I bargained for and then some. I was sad to see it go. If they ever brought it back, I'd be first in line to see it!
All I know is it was an attraction that I could feel. Captain EO was a trend setter. It ran as a 3D attraction, but it was more like a 4D. There was smoke and lasers to go with the 3D effects. I experienced Captain EO at least 20 times and every single time, there was roaring applause at the end.
Great!
I love theme parks and I've seen a lot of attractions. Spiderman at Universal comes close.
I was in my twenties when EO was released and the film made me feel like a big kid. I wasn't too concerned about the plot and the acting as much as the effects, music and dancing. I got everything I bargained for and then some. I was sad to see it go. If they ever brought it back, I'd be first in line to see it!
All I know is it was an attraction that I could feel. Captain EO was a trend setter. It ran as a 3D attraction, but it was more like a 4D. There was smoke and lasers to go with the 3D effects. I experienced Captain EO at least 20 times and every single time, there was roaring applause at the end.
Great!
Some of the reviews here come off strangely, because to review this film in the same context you would review a movie or a short film is to review it outside of the context for which it was created. Because it wasn't made to be a Feature length or even a short film, it was made to be a ride at an amusement park.
Someone riding a roller-coaster is better served enjoying the twists and turns of the ride than wondering why the ride turned left THEN right, a ride is really just a combination of things that thrill.
And it does thrill, it's a 17 minute tour of the trade-mark styles of some of the most popular artists of the time, and because it was pulled so many creative forces it goes in a direction unexpected and for me is a refreshing and fantastic experience.
It scratches allot of itches I didn't know I had- It's a long form music video, it's MJ creating a character in the same way David Bowie would, it's an answer to the question 'what would it be like to take the most sought after performer and director and have them work together', and much more.
It ages extremely well, I enjoyed it as much on my most recent trip to Disneyland as I did as a kid before it's initial closing. I love the strange 'analog future' setting that is Lucas's trademark, the outlandish music video story and dancing of Michael Jackson, it has the family friendly cutesy hand of Disney in it and the directing of Coppola.
It is so, so much fun when viewed in the proper context. I'm not saying that we shouldn't analyze the parts of this story, but if you frame it in the right context, it is a masterpiece.
Someone riding a roller-coaster is better served enjoying the twists and turns of the ride than wondering why the ride turned left THEN right, a ride is really just a combination of things that thrill.
And it does thrill, it's a 17 minute tour of the trade-mark styles of some of the most popular artists of the time, and because it was pulled so many creative forces it goes in a direction unexpected and for me is a refreshing and fantastic experience.
It scratches allot of itches I didn't know I had- It's a long form music video, it's MJ creating a character in the same way David Bowie would, it's an answer to the question 'what would it be like to take the most sought after performer and director and have them work together', and much more.
It ages extremely well, I enjoyed it as much on my most recent trip to Disneyland as I did as a kid before it's initial closing. I love the strange 'analog future' setting that is Lucas's trademark, the outlandish music video story and dancing of Michael Jackson, it has the family friendly cutesy hand of Disney in it and the directing of Coppola.
It is so, so much fun when viewed in the proper context. I'm not saying that we shouldn't analyze the parts of this story, but if you frame it in the right context, it is a masterpiece.
Captain EO is a much better film than anyone could have hoped. First off, I wish to remind people this a Disney-produced film. It was released into Epcot in 1986.
Epcot was a complete bore in 1986. Except for the area with the countries, nothing deserved the attention that Captain EO did. When I visited Epcot, this film was so fun, I went back to see it in the first day seven times. It's only 17 minutes long, so I had enough time to see it seven times. It's an exciting film: very immersing and fun.
It was directed by Francis Ford Coppola, and this film is as masterfully directed as Apocalypse Now and The Godfather, or anything else he's directed. It stars Michael Jackson.
It released in 1986, which was about six years into the Reagan Administration and "the moral majority." This film crashes right through that mentality to fulfill a much-needed statement about the future of the human race, and also of human enlightenment. It pits a contrast of meaningful and non-prejudiced life against a black-and-white drone mentality. The meaningful, non-prejudiced, and enlightened perspective is symbolized by the film's protagonist philosophy: the loudness of the film in its multi-racial (or rather multi-species) dance routines, the rainbow on the lead character's shirt, and the lead character dressed in a white uniform. The lead is played by Michael Jackson. The protagonist philosophy depicts the good, while the antagonist's philosophy is symbolized as the evil aspects of humanity, the drone mentality: the spider-appearance of the antagonist leader mostly in black is similar to H.R. Giger's Alien from a few years before, the black-and-white and gray color pallet, the German expressionism, the robots symbolizing the drone mentality and fascism, and the planet's metallic-refused surface for industrial advancements. The antagonist leader is played by Angelica Huston, a white woman.
Although this film appears to be a science fiction, it is similar to Star Wars in that they are both disconnected Westerns to some degree: the subject here is good versus evil as laid out by symbolism. This gives the film its weight. Or, it could be construed loosely as what happens to the inner universes of two people who fall in love, which could be symbolized by the protagonist being played by a black male star and the antagonist being played by a white female, although this idea isn't as developed as the former; but, both of them probably fit together somehow. It probably exemplifies the possibility of how the two could fit together when endured by love over hate. Love, not money, makes the world go 'round.
The reason Captain EO is a very good film is half because of the importance of its statement to all enlightened existences and half because of the quality in its direction, its expression, its submersion, the technicality of its cinema. The special effects rival films like this one showcased by theme parks today, and according to one source is the most expensive film ever made, by the minute, estimated at over one million dollars per minute of the movie.
Jackson performs two songs in the movie, "We are Here to Change the World" and "You're Just Another Part of Me." The latter track is on Jackson's music album "Bad" (1990) virtually the same way it is performed in the film. The other song does not exist in that form anywhere else; however, there is a song with this exact title on the album "Victory" (1984) by the Jacksons, an album on which Michael performs.
Although I have not seen the film in at least the thirteen years since Disney withdrew the film in 1994, I remember being wooed by it during my teenage years. Epcot was very boring, and this film amazed me: I saw it seven times that day I first saw it. It's in "3-D." The room had special effects. When Jackson's space vehicle lands on the planet, fog fills the audience and stage under the screen image. When a character shoots a laser gun, the explosions occur on the ceiling of the theater. When the spaceship travels through space, the entire room is filled with stars. Even though I haven't seen the film for a very long time, I remember it, and I remember what sitting the auditorium was like: I felt excited by all of it.
Epcot was a complete bore in 1986. Except for the area with the countries, nothing deserved the attention that Captain EO did. When I visited Epcot, this film was so fun, I went back to see it in the first day seven times. It's only 17 minutes long, so I had enough time to see it seven times. It's an exciting film: very immersing and fun.
It was directed by Francis Ford Coppola, and this film is as masterfully directed as Apocalypse Now and The Godfather, or anything else he's directed. It stars Michael Jackson.
It released in 1986, which was about six years into the Reagan Administration and "the moral majority." This film crashes right through that mentality to fulfill a much-needed statement about the future of the human race, and also of human enlightenment. It pits a contrast of meaningful and non-prejudiced life against a black-and-white drone mentality. The meaningful, non-prejudiced, and enlightened perspective is symbolized by the film's protagonist philosophy: the loudness of the film in its multi-racial (or rather multi-species) dance routines, the rainbow on the lead character's shirt, and the lead character dressed in a white uniform. The lead is played by Michael Jackson. The protagonist philosophy depicts the good, while the antagonist's philosophy is symbolized as the evil aspects of humanity, the drone mentality: the spider-appearance of the antagonist leader mostly in black is similar to H.R. Giger's Alien from a few years before, the black-and-white and gray color pallet, the German expressionism, the robots symbolizing the drone mentality and fascism, and the planet's metallic-refused surface for industrial advancements. The antagonist leader is played by Angelica Huston, a white woman.
Although this film appears to be a science fiction, it is similar to Star Wars in that they are both disconnected Westerns to some degree: the subject here is good versus evil as laid out by symbolism. This gives the film its weight. Or, it could be construed loosely as what happens to the inner universes of two people who fall in love, which could be symbolized by the protagonist being played by a black male star and the antagonist being played by a white female, although this idea isn't as developed as the former; but, both of them probably fit together somehow. It probably exemplifies the possibility of how the two could fit together when endured by love over hate. Love, not money, makes the world go 'round.
The reason Captain EO is a very good film is half because of the importance of its statement to all enlightened existences and half because of the quality in its direction, its expression, its submersion, the technicality of its cinema. The special effects rival films like this one showcased by theme parks today, and according to one source is the most expensive film ever made, by the minute, estimated at over one million dollars per minute of the movie.
Jackson performs two songs in the movie, "We are Here to Change the World" and "You're Just Another Part of Me." The latter track is on Jackson's music album "Bad" (1990) virtually the same way it is performed in the film. The other song does not exist in that form anywhere else; however, there is a song with this exact title on the album "Victory" (1984) by the Jacksons, an album on which Michael performs.
Although I have not seen the film in at least the thirteen years since Disney withdrew the film in 1994, I remember being wooed by it during my teenage years. Epcot was very boring, and this film amazed me: I saw it seven times that day I first saw it. It's in "3-D." The room had special effects. When Jackson's space vehicle lands on the planet, fog fills the audience and stage under the screen image. When a character shoots a laser gun, the explosions occur on the ceiling of the theater. When the spaceship travels through space, the entire room is filled with stars. Even though I haven't seen the film for a very long time, I remember it, and I remember what sitting the auditorium was like: I felt excited by all of it.
I saw Captain EO on MTV in June of 1995 (exactly 8 years ago) a few months before I turned 13. it was MJTV week, and it was announced it would only be shown once and once only, so I taped it and made sure I got it from beginning to end. believe me, I was not going to miss a thing. My boyfriend now knows how much of a fan of MJJ I am. I own a piece of history. I never saw it at Epcot Center, but he saw it as a child. I'm holding on to this tape. maybe one day my children will see it and feel the energy I feel when watching MJJ dance and sing. this is truly for the Michael Joseph Jackson fan and for those who are just getting into him.
Le saviez-vous
- AnecdotesRan in EPCOT in Disney World from 1986 until 1997 when it was replaced by another 3D show Honey, I Shrunk the Audience (1994). Following the sudden death of Michael Jackson in June 2009, Disney decided to reinstate Captain EO. The original show opened once again in February 2010 under the title "Captain EO Tribute." This is likely the only occurrence where a Disney attraction replaced the attraction that replaced it initially.
- GaffesWhen the Captain is confronting the Evil Queen, he takes a few steps up the stairway for emphasis, accidentally revealing the puppeteer controlling the Fuzzball character sitting on his shoulder.
- Autres versionsIn the TV Spots there is an added shot of the Queens' troops holding their spears over their heads as they approach Captain EO.
- ConnexionsFeatured in Walt Disney World Very Merry Christmas Parade (1985)
- Bandes originalesWe Are Here to Change the World
Written and Performed by Michael Jackson
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Détails
Box-office
- Budget
- 23 700 000 $ US (estimation)
- Durée
- 17m
- Couleur
- Mixage
- Rapport de forme
- 2.20 : 1
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