ÉVALUATION IMDb
6,7/10
4,6 k
MA NOTE
Une mère dominatrice utilise ses pouvoirs télépathiques pour lancer son fils d'âge mûr dans une cavale meurtrière.Une mère dominatrice utilise ses pouvoirs télépathiques pour lancer son fils d'âge mûr dans une cavale meurtrière.Une mère dominatrice utilise ses pouvoirs télépathiques pour lancer son fils d'âge mûr dans une cavale meurtrière.
- Prix
- 5 victoires et 3 nominations au total
Àngel Jové
- Killer
- (as Angel Jove)
Isabel García Lorca
- Caroline
- (as Isabel Garcia Lorca)
Joaquín Ribas
- Student 3 - Old Movie
- (as Joaquin Ribas)
Patrice Manget
- Nurse at Clinic - Old Movie
- (as Patricia Manget)
Merche Gascón
- Nurse at Clinic - Old Movie
- (as Merche Gascon)
Jose M. Chucarro
- Boyfriend - Old Movie
- (as Jose M.ª Chucarro)
Avis en vedette
This creepy motion picture ingeniously realized exploring the hypnotic effects of cinema talks about a timid eye clinic intern (Michael Lerner, Omen 4) under the sway of his psychic and authoritarian mother (Zelda Rubinstein, Poltergeister). Hypnotized by swirling spirals and screechy bursts of gleaming wails, the ominous son packs up his surgical tool set and goes out a rampage . Our hapless soon-to-be victims arrive for a view a horror flick only to watch the gore unfold in the audience as well as on screen in which are showing the silent film titled ¨The lost world¨ and ¨ The mummy¨ . As a group of viewers are killed in the form of a screening of a horror movie that brings naturalism to life. As the terror picture shown to the audience gets more and more violent. The spectators (Talia Paul, Clara Pastor) see Lerner carving eyes on screen while a psycho-killer (Angel Jove) obsessed with the movie unleashes his own criminal spree on the unsuspecting spectators and he attacks anyone who crosses her way and soon the place is filled with people killed. The survivors trapped in the theater must fend off attacks of the murderers. At the ending the remaining public start the desperate battle for their lives and eventually, the theatre turns a walled-in trap. Soon it becomes clear that the parallel arguments gather together in deadly synchronization.
The picture is full of suspense,thrills, mystery, and lots of blood and gore .This slick gore-feast is a triumph of style over movie logic. It's packed with overwhelming body count, excessive gore, grotesque killing, and rivers of red blood. This is one of the most original utilization of the movie-within-a-movie with terror argument, such as formerly made Lambert Bava in ¨Demons¨(1985). The picture is smartly designed ,stylishly photographed filming in Barcelona by Civit and with a suspenseful musical score by Pagan . Bigas Luna delivers the terror movie goods with sense of style. He's an expert on murky atmosphere such as proved in ¨Caniche¨, ¨Bilbao¨ and ¨Reborn¨. The picture will appeal to horror buffs and Bigas Luna fans.
The picture is full of suspense,thrills, mystery, and lots of blood and gore .This slick gore-feast is a triumph of style over movie logic. It's packed with overwhelming body count, excessive gore, grotesque killing, and rivers of red blood. This is one of the most original utilization of the movie-within-a-movie with terror argument, such as formerly made Lambert Bava in ¨Demons¨(1985). The picture is smartly designed ,stylishly photographed filming in Barcelona by Civit and with a suspenseful musical score by Pagan . Bigas Luna delivers the terror movie goods with sense of style. He's an expert on murky atmosphere such as proved in ¨Caniche¨, ¨Bilbao¨ and ¨Reborn¨. The picture will appeal to horror buffs and Bigas Luna fans.
While the movie was a disappointment, I (like many viewers I'm sure) was stunned by the cameo of the young actor, John Shelly, who played Patti's father. While he was only in the film for about 15 seconds, WHAT AN AMAZING 15 SECONDS IT WAS! Mr. Shelly (no relation to me - my name has an e before the y) in his all too brief moments on the screen indeed ran the gamut of emotions, from a deep brooding, DeNiro-like pathos (though DeNiro pales in comparison) at the thought of his daughter's near brush with psychopathic mayhem, to a charming whimsicality (a devilish smile reminiscent of Gable) when he realized she was in safe hands with the doctor, lacklusterly played by a journeyman actor who beat out Mr. Shelley for the part - no doubt due to directorial malfeasance - AND ALL THIS RELAYED TO THE AUDIENCE MERELY BY HIS REPEATED BLINKING. Through research I have discovered, to my endless bewilderment, that Mr. Shelly did not pursue his acting career, this despite a clamor from Hollywood and the repeated pleas of Copolla, Scorcese, Spielburg, and an endless parade of agents and stars (Meryl Streep apparently camped outside his door for a week before he could get a restraining order). Who can fathom what personal demon made him turn his back on this God-given gift, but the movie-going public has been denied a great star, one who could have brought the peoples of the world together in a ringing affirmation of their common humanity. God Bless You, Mr. Shelley, wherever you are!
This movie reminded me of many others at some points but at the same time seemed original. It was fun to watch and even though there was a lot of gore, I could stand it since I was so puzzled by the exact plot and motives. The movie inside of a movie plot worked wonders here and the appearances of Zelda Rubinstein made me want to give this an 8, since they made the characters seem as though twirling their hair would take too much intelligence.
ANGUISH is the sort of film where you must walk into it blindly. Read nothing about it, no reviews, or even the back of the video box. This is by far one of the best films you've never heard of! Average horror film fans who flock to see SCREAM and SIXTH SENSE, (if they can really claim to enjoy good horror films) will probably dislike this one. It takes a true love for the genre to realize the beauty of ANGUISH. I've said to much already, see this at once!
I have just watched "Angustia" for the fourth or fifth time, now on DVD, and I do not get tired of this original, bizarre and surrealistic cult-movie, very underrated in IMDb. I am a fan of Bigas Lune, and in my opinion "Angustia" is his masterpiece. The story is simple, but tense, with a soundtrack that recalls Dario Argento's movies. Michael Lerner, in the role of the mad ophthalmologist; Talia Paul, in the role of a scared viewer that becomes impressed with the film she is watching on the screen; and Ángel Jovè, in the role of a lunatic killer, are perfect. Zelda Rubinstein, with her weird tune of voice, completes the lead cast of this gem with a great performance. My vote is nine.
Title (Brazil): "Os Olhos da Cidade São Meus" ("The Eyes of the City Are Mine")
Note: On 28 November 2022, I saw this film again.
Title (Brazil): "Os Olhos da Cidade São Meus" ("The Eyes of the City Are Mine")
Note: On 28 November 2022, I saw this film again.
Le saviez-vous
- AnecdotesMother's role was first offered to Bette Davis, but due to scheduling conflicts, she could not do it.
- GaffesWhen the little girl gets out of her seat, the floor of the theater is littered with the shells of sunflower seeds. This is common in theaters in Spain, the film's country of origin, but not in the US, where the film is set.
- Citations
Alice Pressman, the Mother: [about a patient mistreating her son] She doesn't know how hard you struggle
John Pressman: [Simpering] John is your best boy, isn't he mother?
Alice Pressman, the Mother: [as John consumes a concotion of liquids mixed with sliced bananas] Yes John... you're my best boy and the best surgeon in town.
- Générique farfeluWhen the film ends, we suddenly see the credits scrolling up on a completely different movie screen, together with another completely different cinema audience of onlookers observing it before getting up and leaving one by one until the final onlookers stand up and walk to the left with the screen going black as he/she does so (implying that the real storyline was also yet another film within film).
- ConnexionsFeatured in Tia, no te saltes el eje 2 (2007)
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Anguish
- Lieux de tournage
- Barcelone, Catalogne, Espagne(studio, theater exteriors, many street scenes)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 500 000 $ US (estimation)
- Durée
- 1h 26m(86 min)
- Mixage
- Rapport de forme
- 2.35 : 1
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