Ajouter une intrigue dans votre langueBiopic of Peter I, Czar of Russia, from childhood in 1682 to the Great Northern War against Sweden during the 1700s.Biopic of Peter I, Czar of Russia, from childhood in 1682 to the Great Northern War against Sweden during the 1700s.Biopic of Peter I, Czar of Russia, from childhood in 1682 to the Great Northern War against Sweden during the 1700s.
- A remporté 3 prix Primetime Emmy
- 5 victoires et 8 nominations au total
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The Polish commentator (see above) has it right. Some of the facts may be inaccurate but this is a superb film, visually and dramatically.Most important, the basic theme of a brilliant but eccentric and sometimes viciously cruel ruler who despite all of his shortcomings is determined to drag his country into a modern world is undoubtedly correct.Roosevelt and Churchill would have loved him. The Massie novel has been described as one of the most illuminating portraits ever of Russia as it really is.Too bad old Karl XII (actually it was a Swedish General namedLoewenhaupt) lost the battle of Poltava, but he did. And when Karlhimself fell victim to a stray battlefield bullet a few years later,one of his senior officers commented, "Gentlemen, the comedy is over."
Russia, the end of the 17th century and the beginning of the 18th century. Tzar Peter, much ahead of his times, attempts at turning his country into the modern world. However, it is a real hardship to achieve the goals. He has to cope with conspiracies, even in his own family, and the objection from the church and the mob. That's more or less a brief summary of the mini series Peter the Great. Although the movie entails several serious historical inaccuracies, a viewer does get a general picture of the Russia of that time, of tzar Peter and his genius. What is more, it is very good as a movie.
Any director has the right to change something in history, interpret it in his/her own way. That is no problem. The real distortion comes when there is a travesty of the times and of historic figures. But that is out of question when applied to this movie.
The action is great! The mini series, though quite long, is made in such a way that once you start watching it, you will watch it till the end. The director's main focus is the figure of tzar Peter, his life, his goals, his dreams for Russia, and his disappointments. Looking from this perspective, the movie is a masterpiece, highly underrated. In most of the scenes with Peter, one can follow his thoughts, his experience with ruling, his goals that are hopelessly destroyed by the patriarchs, who say that Peter lost his soul, the blind mob, and, most tragically, his son Alexis. I can't forget the scene when Peter says "I've lost my son. He doesn't love me" The tzar Peter is beautifully portrayed by two actors: young Jan Niklas, really worth noticing, and Maximilian Schell, and undoubtable talent, not only as an actor but as a director too (see for instance his Erste Liebe).
Other cast are also very, very good. Lawrence Olivier as the English king, William of Orange, Trevor Howard as Sir Isaac Newton (consider Peter's memorable meeting with Sir Newton); Ursula Andress as Athalie, and especially, Vanessa Redgrave as Peter's rebellious sister Sophia. She plays equally well as in another Russian epic, Young Catherine (1991) by Michael Anderson with Julia Ormond in the main role.
I want to make one more notice about the movie. There are a lot of scenes that the movie is worth watching for. But especially, watch the part that shows Peter's journey to Europe. Marvin J. Chomsky wonderfully presents a huge contrast between the Europe of that time and Russia. Then, you will definitely understand his goals...
Peter the Great is a Russian epic that is highly underrated and seriously forgotten. The movie is very well made, it gives a clear picture of that reality, and a memorable interpretation of Peter's life. The whole story proves one sad fact very clearly:
Great people are usually GREAT after their death! Isn't that an irony of human fate?
Any director has the right to change something in history, interpret it in his/her own way. That is no problem. The real distortion comes when there is a travesty of the times and of historic figures. But that is out of question when applied to this movie.
The action is great! The mini series, though quite long, is made in such a way that once you start watching it, you will watch it till the end. The director's main focus is the figure of tzar Peter, his life, his goals, his dreams for Russia, and his disappointments. Looking from this perspective, the movie is a masterpiece, highly underrated. In most of the scenes with Peter, one can follow his thoughts, his experience with ruling, his goals that are hopelessly destroyed by the patriarchs, who say that Peter lost his soul, the blind mob, and, most tragically, his son Alexis. I can't forget the scene when Peter says "I've lost my son. He doesn't love me" The tzar Peter is beautifully portrayed by two actors: young Jan Niklas, really worth noticing, and Maximilian Schell, and undoubtable talent, not only as an actor but as a director too (see for instance his Erste Liebe).
Other cast are also very, very good. Lawrence Olivier as the English king, William of Orange, Trevor Howard as Sir Isaac Newton (consider Peter's memorable meeting with Sir Newton); Ursula Andress as Athalie, and especially, Vanessa Redgrave as Peter's rebellious sister Sophia. She plays equally well as in another Russian epic, Young Catherine (1991) by Michael Anderson with Julia Ormond in the main role.
I want to make one more notice about the movie. There are a lot of scenes that the movie is worth watching for. But especially, watch the part that shows Peter's journey to Europe. Marvin J. Chomsky wonderfully presents a huge contrast between the Europe of that time and Russia. Then, you will definitely understand his goals...
Peter the Great is a Russian epic that is highly underrated and seriously forgotten. The movie is very well made, it gives a clear picture of that reality, and a memorable interpretation of Peter's life. The whole story proves one sad fact very clearly:
Great people are usually GREAT after their death! Isn't that an irony of human fate?
Vanessa Redgrave plays a brilliantly wicked Sophia in this mini epic. I just purchased this film and watched all 6 1/2 hours in one setting and believe me, it didn't feel that long. The acting was good, and the story kept my interest. I'm surprised Maximilian Schell wasn't nominated for an emmy. Redgrave, as I stated, was just wicked and her facial movements were classic and evil as she watched Peter move up. I would greatly recommend this film for anyone. I've never been interested in Peter the Great, so this was a very interesting film that, as I've read, was full of falsehoods, which most bio pics are. I will admit that I purchased this because of Redgrave and so didn't know what to expect. It was, once again, a great film. Also, whoever did the make-up deserved that win, if i remember correctly, because when they aged Redgrave she looks exactly the way she does now. A must see for anyone with a free day.
Peter the Great, from the perspective of an AP European History student: I was surprised any production agency would pursue creating such a powerful movie on a topic destined never to be watched for entertainment. Any viewers strapped to a chair and forced to watch this movie will probably groan (if they are truly cultureless), but will leave that chair in tears. This emotional 3 video series is a true classroom hit which everybody should be proud to display in their home video collection.
This is a hard-to-find NBC TV mini-series from the eighties. The film is a very well-made historical (true) period drama, in six hours, a super-production relating the life and times of czar Peter the Great of Russia, with a stellar ensemble cast including Laurence Olivier, Vanessa Redgrave, Omar Sharif, Mel Ferrer, Ursula Andress, and Elke Sommer, some of them in cameo roles, but they look great in period costumes. Peter the Great is powerfully portrayed by Jan Niklas (younger czar) and Maximillian Schell (adult czar) with Maximillian Schell giving the character epic proportions in the latter years.
The series is unpretentiously directed by Marvin Chomsky, with attention to detail to the prevailing conditions and settings of the times: For instance one does not feel artificial light was used at any time, as all filming seems to have been done outdoors in natural light or indoors with chandeliers and candle lights. The Director of photography is Vittorio Storaro who is the cinematographer of such visual feasts as "The Last Emperor", "Apocalypse Now", and "The Sheltering Sky". This mini-series was filmed on location in the ex-USSR (Russia) when it was under Communism, with artistic and technical assistance of an extended Russian crew, which was, at the time, a remarkable example of cultural cooperation between East and West. I hope this film will be digitally remastered, it deserves it, and it would be advisable to affix a (12) rating on the DVD due to scenes of some violence and mild intimate encounters, and of course include side features perhaps by contributors to the original series at the time. This must be one of the best ever made-for-TV historical films, and a great entertainment with palace intrigues, power politics, passionate relationships, and men and women who changed the course of history.
The series is unpretentiously directed by Marvin Chomsky, with attention to detail to the prevailing conditions and settings of the times: For instance one does not feel artificial light was used at any time, as all filming seems to have been done outdoors in natural light or indoors with chandeliers and candle lights. The Director of photography is Vittorio Storaro who is the cinematographer of such visual feasts as "The Last Emperor", "Apocalypse Now", and "The Sheltering Sky". This mini-series was filmed on location in the ex-USSR (Russia) when it was under Communism, with artistic and technical assistance of an extended Russian crew, which was, at the time, a remarkable example of cultural cooperation between East and West. I hope this film will be digitally remastered, it deserves it, and it would be advisable to affix a (12) rating on the DVD due to scenes of some violence and mild intimate encounters, and of course include side features perhaps by contributors to the original series at the time. This must be one of the best ever made-for-TV historical films, and a great entertainment with palace intrigues, power politics, passionate relationships, and men and women who changed the course of history.
Le saviez-vous
- AnecdotesSir Laurence Olivier, who had difficulties remembering his lines, initially (very politely) refused to work with dialogue boards. Only after the dialogue coach asked his co-star Maximilian Schell to tell him that all actors worked with boards, he agreed to do so.
- ConnexionsFeatured in The 38th Annual Primetime Emmy Awards (1986)
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