ÉVALUATION IMDb
6,7/10
5,4 k
MA NOTE
Ajouter une intrigue dans votre langueA former Nazi child-killer is confined in an iron lung inside an old mansion after a suicide attempt. His wife hires him a full-time carer, a mysterious young man who is driven slowly mad by... Tout lireA former Nazi child-killer is confined in an iron lung inside an old mansion after a suicide attempt. His wife hires him a full-time carer, a mysterious young man who is driven slowly mad by the old man's disturbing past.A former Nazi child-killer is confined in an iron lung inside an old mansion after a suicide attempt. His wife hires him a full-time carer, a mysterious young man who is driven slowly mad by the old man's disturbing past.
- Prix
- 2 victoires et 2 nominations au total
Günter Meisner
- Klaus
- (as Gunter Meisner)
Gisèle Echevarría
- Rena
- (as Gisela Echevarria)
Imma Colomer
- Jornalera
- (as Inma Colomer)
Josuè Guasch
- Niño Cantor
- (as Josue Guasch)
Garrett Cassell
- Garcon #2
- (uncredited)
Avis en vedette
I picked this movie out of my library's Spanish video selection and was I surprised while watching this masterpiece! I have never seen anything like it in my life. David Sust is my favorite new actor. What a role! His childhood tormentor- the Nazi- is very convincing as an invalid. I am in awe of the young girl Rena, who plays the daughter. How can these kids be such convincing actors. I tip my hat to them and their acting coaches. The Mother- Marissa Paredes, was great, as well. She is one of my favorite female actresses. I had no lingering questions after watching this film in comparison with watching American movies nor, was there any fancy endings, tying it all together. I could not take my eyes off of the screen; as a matter a fact, I watched it twice! Bravo!
Talk about a movie that lives up to its reputation -- In a Glass Cage is relentlessly intense from start to finish. The story of a Nazi doctor /pedophile in hiding and the strange young man who comes to work as his "nurse," this film explores taboos with relish. Unfortunately, it devolves into horror movie shtick toward its end (thereby obfuscating the very real horrors it has developed to that point), but In a Glass Cage packs a wallop , earning its reputation as one of the more disturbing movies ever made. It 's very much a European movie, and, given its horrifying subject matter -- pedophilia, the torture and murder of children, the relationship between monsters and their victims -- it could never have been made in the U.S. Strongly recommended for viewers who have strong stomachs and are not otherwise easily offended; all others are urged to avoid it at all costs.
"In a Glass Cage" has to be one of the most disturbing horror films ever made.The film is extremely intense and so incredibly depressing and powerful in its honest depiction of mankind's failure and instincts towards violence and sadism.The soundtrack is outstanding and the music alone will make the viewer speechless,not to speak the sound of an iron lung that has to be among the most disgusting sounds I've ever heard.The acting is excellent,but there are several truly disturbing scenes of pedophilia and child murder."In a Glass Cage" is a very difficult movie to watch,however you'll also walk away mesmerized by the disgusting beauty of this film itself.Nazi doctor Meisner abused and killed many young boys during war.After a suicide attempt he is now paralyzed and confined to an iron lung.One day,his former victim Angelo comes to work for him as a nurse.However,the revenge he has planned for the cripple is dominated by traumatic perversion.Give this overlooked masterpiece a look.10 out of 10.
I was expecting to be horrified by this film. I knew what it was about. After watching the opening scene I thought I wouldn't be able to get through the whole film without having nightmares.
I read some reviews about how this film was banned in some places and though I can understand henious nature of the crimes committed, this is the first in your face film that I've seen that deals with the reality of abuse and how these cycles continue unless they are broken. Sometimes you have to be blatantly crass and over the top to get the point across which this film does in an unwavering manner.
Personally, I thought most of the film was boring only because it was predictable. The soundtrack is the standout. But overall, it was fairly well made film and I think anyone who thinks this film should be banned should look in their own Glass cage. They are probably the one's who have children hanging from racks in their basement.
To anyone who has been a victim of abuse and has chosen to break the cycle, will understand what I mean. Others will probably be disturbed.
I read some reviews about how this film was banned in some places and though I can understand henious nature of the crimes committed, this is the first in your face film that I've seen that deals with the reality of abuse and how these cycles continue unless they are broken. Sometimes you have to be blatantly crass and over the top to get the point across which this film does in an unwavering manner.
Personally, I thought most of the film was boring only because it was predictable. The soundtrack is the standout. But overall, it was fairly well made film and I think anyone who thinks this film should be banned should look in their own Glass cage. They are probably the one's who have children hanging from racks in their basement.
To anyone who has been a victim of abuse and has chosen to break the cycle, will understand what I mean. Others will probably be disturbed.
but I hasten to add, what the director aims to achieve is neigh unattainable.
In the DVD interview, the director says he was inspired by Georges Bataille and that author's study of Gilles de Rais, the French lord who helped Joan of Arc's campaigns, apparently with exemplary Christian zeal, and who later in life became the world's most notorious torturer and killer of children.
Bataille examines human passion with surgical precision. And he doesn't just analyse: his writings evoke the power chords of 'love' that draw their separate ways sinner and saint.
Villaronga's film falls into 'horror' genre mode at key moments in the story's development. If the director could have depicted his characters' behaviour with sustained realism, his film would , like Bataille's work, tell us more about the nature of evil and be indeed a masterpiece of cinema.
As it is, 'In a Glass Cage' is most beautifully realised with remarkable actors and isn't, finally, altogether a 'horror' film: there's enough realism to give us cause for thought.
In the DVD interview, the director says he was inspired by Georges Bataille and that author's study of Gilles de Rais, the French lord who helped Joan of Arc's campaigns, apparently with exemplary Christian zeal, and who later in life became the world's most notorious torturer and killer of children.
Bataille examines human passion with surgical precision. And he doesn't just analyse: his writings evoke the power chords of 'love' that draw their separate ways sinner and saint.
Villaronga's film falls into 'horror' genre mode at key moments in the story's development. If the director could have depicted his characters' behaviour with sustained realism, his film would , like Bataille's work, tell us more about the nature of evil and be indeed a masterpiece of cinema.
As it is, 'In a Glass Cage' is most beautifully realised with remarkable actors and isn't, finally, altogether a 'horror' film: there's enough realism to give us cause for thought.
Le saviez-vous
- AnecdotesFor the scene where Angelo cried, actor David Sust put toothpaste under the eyes. He shot the scenes so many times that he injured his eyes and had to wear sunglasses for a while.
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