Call Me Anna

Ms Patty Duke's story about her life and struggles with manic depression were just like my life struggles. I saw myself acting out just like her. I was so amazed at the similarities of our lives to include the sexual abuse that we both endured as children.

I saw the movie when it first premiered in 1990 and I have loved this movie so much. Anyone who has struggled with manic depression could get so much from this movie. Never mind about if it showed her awards or what they were for. That is not the issue here. The issue is how Ms Duke had an illness and fought to survive it and overcame. Ms. Duke has much to be proud of in her accomplishments with her struggles for survival of a disease that often leaves many victims without hope.

Unless a person has struggled with this illness personally they don't know the hell they have to live with. The movie to me was a success because it showed the real issues and how a person who is depressed and manic acts. It was so real...so, so, real. It was like watching myself up there on screen.

I wish I could thank Ms. Patty Duke in person for having the courage to let the public know about her illness. Bocka

I've got deja Vu with this movie. According to my imdb, I have never seen this movie - it's never been logged, and I don't remember watching it. But, I must have seen it sometime when I was a kid or something, because by the time they got to the scene of the man assaulting Patty, it seemed so familiar. Maybe it's because similar scenes are in other movies, but this whole movie feels like deja vu. It's so strange to feel this, while watching this film.

As for the film itself, very good. Per usual, TV movies of the '80s and '90s are excellent. I enjoyed it, and just like the movie about Joan Rivers, where Joan played herself, it's interesting to see Patty playing herself during certain parts of this movie. It must have given her a lot of deja vu dish and everything comes full circle!

Patty Duke co-produces and she plays herself for the last 20 minutes of her story. Born Anna Marie in Queens, she was taken in by John Ross (Howard Hesseman) to manage her acting career as a child, where she suffered abuse which discolored the triumph of her Academy Award as Best Supporting Actress playing Helen Keller in The Miracle Worker, a role she had created on Broadway. (Ari Meyers plays Duke as a youth). It wasn't until Duke got older that the signs of her mental illness began to show, and with the assistance of psychiatrist Harold Arlen (Karl Malden), she is finally diagnosed as manic-depressive, and prescribed lithium to balance her moods. Duke's acting in her scenes with Malden makes huge leaps over the standard of efforts of other performers who choose to portray themselves, and she has a fun violent tantrum at Christmas.

The teleplay by John McGreevey, based on Duke's autobiography written with Kenneth Turan, concentrates mostly on Duke's middle period as a young adult where she is played by Jenny Robertson, covering her television show, marriage to Harry (Timothy Carhart), her ill-fated relationship with Desi Arnaz Jnr (a pre-Friends Matthew Perry) where he produced records for her, her quickie marriage to Glenn Bell (David Packer), and pregnancy to John Astin (Arthur Taxier) whom she also marries. Robertson captures Duke's youthful beauty and humor, though the latter Duke gets the laugh lines eg `You just wanna get rid of me. I don't blame you. I'd like to get rid of me too'. Arlen also gets a laugh line to Duke in `I'm flattered that you trust me with your mother's welfare, if not your own'. The scene from The Miracle Worker where Annie Sullivan shows Helen a bird hatching from an egg seems metaphorically important enough for it to be repeated, where Duke played Annie as a adult with Melissa Gilbert playing Helen, signifying Duke's emergence from the shell of mental illness. And Duke's mother Frances (Millie Perkins) is presented as more depressive than manic, with her father a derelict drunk who has abandoned the family.

Unfortunately director Gilbert Cates trivialises events, further worsened by the melodramatic music score of Gary Sherman. It's also a shame the treatment focuses more on Duke's personal life than her career. We see her winning awards but aren't told what for, the timing of her involvement of the Senate hearings into the Quiz Show scandal makes us expect her audience for The Miracle Worker to boo her, and although it isn't identified she appears in army costume for her role in A Time to Triumph. Perkins' casting is interesting considering that she was a child star, playing Anne Frank in the 1959 George Stevens feature.

Then you must see this film, to understand the reality. Having read the book, Ms. Duke is now an advocate for those afflicted with bipolar disorder; formerly labeled manic-depression.

It is hard to believe that in this day and age, people still critique others with emotional problems, or those who seek psychiatric help. Regressive and discriminatory thinking still exists, and this is unfortunate.

In this film, the audience sees the pain and suffering Ms. Duke had been through, especially as a child. Many of us may remember her from the teenage "Patty Duke Show". She was a household name in America by age 15.

You learn of her exploitation by the Ross'(well played by Howard Hesseman). As she was growing up in the 1950's, the stigma was in full-force. However, we see as she advances in her career, yet the illness becomes worse. She goes through bouts of substance abuse and promiscuity; even marries someone whom she divorces the next week; and she has several conflicts and tantrums with her children and elderly mother. All these problem occurred before she received adequate therapy, and medication.

A recent survey released by NAMI (National Alliance on Mental Illness) recorded that a majority of US adults fail to recognize most of the classic symptoms of bipolar disorder. It also was released that one in five respondents to the poll believed that people could CONTROL their illness without medication if they wanted to. (bp Magazine, Winter 2006) If you watch this film, you will learn the true story of a talented woman who could not "pull herself up by her bootstraps" and "get well" until she was educated about her disorder, and received proper treatment. Thank you, Ms. Duke, for being an advocate against ignorance and prejudice.

Patty Duke wrote an insightful, funny, rough-hewn book about her career as an actress, her crazy-quilt love-life, and her manic depressive episodes and suicide attempts which almost put her away for good. With such rich material to draw from, one would think a crack TV-director like Gilbert Cates could bring it all together on film, but "Call Me Anna" is a pale shadow of Duke's autobiography. For those who haven't read the book, the sketchy narrative (leaping forward in time) isn't absorbing, we are never allowed to get our bearings with what's happening, and the production seems stunted by a tight budget. The cast--including Duke playing herself in the latter scenes--is disappointing, and the need to steer the narrative towards Patty/Anna's ultimate diagnosis and mental freedom leaves out many opportunities for involving drama in the process. *1/2 from ****