New York district

I am giving an 8 as the prior seasons this was generally an excellent show. What I like about Law and Order is that it is a show that made you think about the issues being presented and you could formulate your own thoughts about how you thought the issues should play out. The show never outright told you how to think or feel about things. And sometimes the characters would do things you disagreed with but you understood them enough to know where they were coming from.

But with this revival since the cancellation, it is unbelievable how poor the writing is. I do not fault the actors like some people are here. The dialogue and scenarios they are put in are so ridiculous and cringe worthy that great actors like Pacino or Deniro couldn't save this. As one example, the recent issues of abortion and Roe Vs Wade being overturned, it would make sense to incorporate this into a storyline and abortion stories have been done before in the show which I felt were well done. But definitely not now, the show tells you exactly how we are on the wrong side of history and how this is creating so much anger and extremism in society. And the thing is I agree with the sentiment but there is nothing to think about or consider. The show and writers are pushing their ideological message in such an overt and obvious way that it becomes laughable. I no longer see this show as something that is worthy of sparking debate and I will simply watch the original series as they are worth going back to.

I was really looking forward to this original Law & Order returning. But, I'm beyond disappointed. The characters are just not likable, and the writing is awful. The new DA is a self absorbed person who always thinks he'd right, and Sam Waterson's character doesn't really challenge him, and just gives in. Jeff Donovan's character is the worst. Jeff was terrific in Burn Notice. In this, he comes off as an nasty cop with a really bad attitude, and a bigot to boot. Time to fire the writing staff and do some recasting.

I only started watching L&O a few years ago, and am hooked on the brilliant writing, acting, and direction that have made this show so popular for so long. Jerry Orbach is great as Lennie, and I was stunned to learn that he also played the voice of Lumiere, the French candlestick in Beauty and the Beast! His sarcastic one-liners never fail to get me laughing, and he and his new partner, Jesse L. Martin as Ed Green, have a good rapport and are believable as partners. On the "Order" side, Sam Waterston, Dianne Wiest, and Elisabeth Rohm are equally compelling. New cast member Rohm has gotten better as she's gone along; she had big shoes to fill as Angie Harmon's replacement. Because the stories are all driven by the plots, and not the characters' personal lives, it makes the constant cast turnover more believable. It's a testament to Dick Wolf and co. that such a smart, sharp show has stayed on the edge after almost 12 years! My only beef is I'm tired of hearing "Ripped from the headlines" in every promo. That, though, is a minor quibble. Wednesday nights wouldn't be the same without it!

This intense drama, now in its 15th season and still going strong, set the stage for ensemble drama, in which the cast plays a secondary role to the story. Law & Order, as originally conceived, drew the viewer into the process by which American law enforcement and litigation works, or doesn't, depending on the viewer's opinion. The first half-hour is devoted to the investigation of a crime, the second to its prosecution. Cases are made or lost by evidence, lack thereof, a technicality, or even judicial whim. Dick Wolf made it clear from day one that the cast was expendable; no prima donnas here. The first cast was all male, with one African-American. Wolf apparently caved to fan pressure for a more politically-correct spectrum, but it really didn't matter so long as the actors could carry the story forward. His best casting choice was Jerry Orbach, his worst Elisabeth Rohm, but with or without these people, the drama continues. In recent years, L&O has lost some of the grittiness that made it so compelling, and I do miss actors such as Steven Hill, Michael Moriarty, Chris Noth, Jill Hennessy and now Orbach, but the show is still far superior to the majority of what passes for prime-time programming. It only suffers in the rare episodes when a politically-correct message is pushed into the story, i.e., whenever it deviates from its original format of presenting how the criminal justice system works. Ignore the spinoffs; the original Law & Order is still the best.

Here's how you can tell, (sort of), which season a rerun of this show was originally part of. Most of us watch the reruns even more than the regular show and even discovered the regular show through the re-runs so I thought this might be helpful for the newbies.

1988: The pilot has a grainy look to it. The offices of the lawyers are more proletarian that the wood-paneled hives they now work in. The big thing is that the DA, (as opposed to the Executive Assistant DA- let's call him the EADA, or the assistant DA- let's call her the ADA), is played for the one and only time by Roy Thinnes, who must have finally escaped from 'The Invaders'. It's about the Masucci Crime Family, (who will be back), corrupting public officials and ends will a lengthy scroll about the ongoing fight against corruption, etc.

1990-91: Short, heavy-set, balding George Dzundza is the cynical older cop. Dzundza left because he preferred to live and work where it was warmer and his character, (played by his stand-in), gets bumped off in the first episode of the second season.

1991-92: Paul Sorvino plays his replacement, nice-guy Phil Cerretta. The show actually began the next year with the same cast but Sorvino wanted to leave to become an opera singer so poor Phil got shot by a black-market arms dealer in November, 1992 and was replaced by the classic dog-faced flatfoot, Jerry Orbach as Lenny Briscoe.

1993-94: It had been an all-male cast so they brought in Jill Hennessy to replace Richard Brooks as the ADA. But Brooks was black so they had to bring in another black character, (my interpretation) so out went the excellent Dann Florek as Lt. Cragan, to be replaced by S. Epatha Merkerson, (I can always remember her name but not the characters).

1994-5: Michael Moriarity had come apart due to, (from what I've read), alcohol and chronic mental problems that resurfaced. He was replaced this season by Sam Waterson, who came over from 'I'll Fly Away' as the EADA. Meanwhile perennial malcontent, (again from what I've read), Chris Noth either wanted out or was wanted out and his character, Mike Logan, slugs another corrupt public official on the steps of the courthouse, (after the smug perp gets off), and is banished to Staten Island, later to return in a TV movie.

1995-96: The year of the first true 'Homicide' cross-over, (Noth as Logan had done a cameo the previous year), and the rare L&O episode that was about the regulars, who witnesses an execution and then spend the day and night drinking it off. It all ends with Hennessy's character, Clare Kincaid, dying in an auto accident. RIP.

1996-98 Carey Lowell replaced Hennessy. Dick Wolf had apparently decided to get ready for the next abrupt departure by creating a sub-plot for each character to explain why they might leave: Adam Schiff was facing a tough election, (and his wife was dying), McCoy was up on ethics charges, (finally). Jaime Ross's sleazy ex-husband was trying to win custody of their child by claiming she was working too hard. Van Buren was suing the city for discrimination in promotions. Lenny Briscoe's daughter gets rubbed out by a dope ring. Rey Curtis' wife has MS. So what happened? Nothing. Everyone stayed.

1998-99: Lowell DID leave, for a similar reason as her character's- she had a baby with Richard Gere and wanted to spend time with her child. Angie Harmon, a real firecracker, came in to replace her.

1999-00: Bratt left to spend more time with HIS movie star other half, Julia Roberts, (it didn't last). Jesse Martin replaced him.

2000-01: Hill finally left to be replaced with Diane Wiest.

2001-02: Harmon left to be with her new hubby, football star Jason Sehorn, to be replaced by the much maligned, (and under-rated), Elizabeth Rohm. 9/11 made it an interesting season to come in.

2002-04: Senator Fred Thompson replaces Wiest.

2004-05: By bye Lennie Briscoe. Hello Dennis Farnia. Does it even matter that his character's named Fontana?

Sooo…Thinnes= '88 pilot. Dzundza = 1st season (90-91). Sorvino = 2nd season or early third, (91-92). Orbach reporting to Florek = 3rd season, (92-93). Moriarity working with Hennessy = 4th season, (93-94). Waterson and we still have Noth= 5th season, (94-95). Bratt and we still have Hennessy = 6th season, (95-96). Carey Lowell is either the 7th season, (96-97) or 8th season, (97-98). Harmon and we still have Bratt = 9th season (98-99). Martin and we still have Hill = 10th season, (99-00). Wiest working with Harmon = 11th season, (00-01). Wiest working with Rohm = 12th season, (01-02). Thompson and we still have Orbach = 13th, (02-03) or 14th, (03-04) season. Farina, so far = 15th season, (04-05).

My dream cast? I'll take the crusty but forceful Thompson over the merely crusty Hill as the DA. I like Moriarity's Stone somewhat more than Waterson's McCoy. They are two of the finest actors of their generation but I prefer Stone's idealism to McCoy's 'winning is everything' attitude. Actually, I wish the series had both of them and had them alternated, with their different approaches. Hennessy's intelligent sensitivity and expressive face made her the best ADA. Florek is the classic middle manager who gets it from both sides. Orbach fits like an old glove. Noth's emotionalism made him more exciting that the other young cops. There was never a season when they were all together but the fourth season, 1993-94 was about the best.