ÉVALUATION IMDb
6,2/10
13 k
MA NOTE
Voici l'histoire d'un ex-voleur de banque qui se retrouve pris en otage au cours d'un cambriolage qui tombe à plat.Voici l'histoire d'un ex-voleur de banque qui se retrouve pris en otage au cours d'un cambriolage qui tombe à plat.Voici l'histoire d'un ex-voleur de banque qui se retrouve pris en otage au cours d'un cambriolage qui tombe à plat.
- Prix
- 1 nomination au total
Avis en vedette
This is not as bad or as unfunny a movie as some IMDb posters make out. The central situation of Lucas (Nick Nolte), a tough, professional heist-meister, being taken hostage by Perry (Martin Short), a bungling first-time bank robber, is pleasingly ridiculous. In particular, Perry's antics in the early bank robbery scenes are laugh-out-loud funny; as is Lucas's later violent entry into the bar where Perry is being held prisoner. The section towards the end, when Perry is disguised as a woman is also reasonably amusing. The scenes between Lucas and Perry's daughter (Sarah Rowland Doroff), are quite touching, when they could easily have been been sickly sentimental. (It helps that the little girl is supposed to have a psychological problem, so she hardly speaks.)
On the downside, there are undoubtedly soggy patches in the middle of the film, including the scene where James Earl Jones and Alan Ruck, as the two policemen leading the chase for Perry and Lucas, find it hilariously funny that Lucas was treated for a gunshot wound by a crazy vet who thought he was a dog. Another defect is the whiny music, which is repetitive and irritating.
All in all, this may not be a film to spend much money on, but is worth watching if it turns up on TV.
On the downside, there are undoubtedly soggy patches in the middle of the film, including the scene where James Earl Jones and Alan Ruck, as the two policemen leading the chase for Perry and Lucas, find it hilariously funny that Lucas was treated for a gunshot wound by a crazy vet who thought he was a dog. Another defect is the whiny music, which is repetitive and irritating.
All in all, this may not be a film to spend much money on, but is worth watching if it turns up on TV.
While being a great enthusiast of French cinema, I hadn't heard of Francis Veber when I saw this magnificent comedy in 1989. Unfortunately his wonderful films were never released in the UK, until 'Le Dîner des Cons'. So I came to it fresh... and WOW. Here we have Nick Nolte in a perfect role as the tough former bank robber and Martin Short as the perfect nerdish but determined sidekick. The opening bank robbery sequence, that sets up the film is magnificent and hilarious. The sub-plot involving the little girl is sweet and moving - almost worthy of Chaplin. The loopy vet is amazing and one of his scenes had me crawling on the floor with laughter. I could start analysing the structure or the mise en scène, but such sophistry is irrelevant - just see it and laugh out loud like you will rarely have done so before. (Amazingly I haven't seen the original with Depardieu and Pierre Richard... why don't they release a subtitled version?????)
Watching Three Fugitives is like traveling back in time to a bygone era, when there was no Internet, only four TV channels and John Major was prime minister. But hey, it wasn't all bad... We got films like this, where the focus is purely on the relationship between a grumpy, fresh out of jail bank thief portrayed by Nick Nolte, a mute six year old girl and her well-meaning but accident prone father, played by Martin Short.
Caught up in a heist-gone-wrong with a case of mistaken identity thrown into the bargain, the trio (as the title suggests) go on the lam together. Ever cop in the district is looking for them, Short is a walking disaster area, the kid wanders off at every given opportunity and Nolte just wants to ditch the other two and go straight. Easier said then done, when Short lands them in non-stop trouble, and Nolte begins to form a connection with the little girl...
It's not a laugh-a-minute split-your-sides experience, but what it IS is a perfect fusion of pathos, understated action and amusing character moments. It's easy to predict the hate-love arc of the Nolte/Short friendship, and some of the punchline are visible from miles off. But frankly, I didn't care.
All the cast play their roles so well, they transform what could have a humdrum script into something quite special. Of course, it also helps to have one of the cutest screen children around as their co-star. Makes their ongoing struggle more believable when we sees what's at stake, ya see? One to watch every few years from now on, I think. I'll never get tired of it, that's for sure. 8/10
Caught up in a heist-gone-wrong with a case of mistaken identity thrown into the bargain, the trio (as the title suggests) go on the lam together. Ever cop in the district is looking for them, Short is a walking disaster area, the kid wanders off at every given opportunity and Nolte just wants to ditch the other two and go straight. Easier said then done, when Short lands them in non-stop trouble, and Nolte begins to form a connection with the little girl...
It's not a laugh-a-minute split-your-sides experience, but what it IS is a perfect fusion of pathos, understated action and amusing character moments. It's easy to predict the hate-love arc of the Nolte/Short friendship, and some of the punchline are visible from miles off. But frankly, I didn't care.
All the cast play their roles so well, they transform what could have a humdrum script into something quite special. Of course, it also helps to have one of the cutest screen children around as their co-star. Makes their ongoing struggle more believable when we sees what's at stake, ya see? One to watch every few years from now on, I think. I'll never get tired of it, that's for sure. 8/10
If you're that "god, I'm a serious movie rater and this better impress me" kind of movie watcher then go find another. But If you are in the mood to laugh and think odd pairs are funny then go for it. It helps to know the history of Martin Short's style of comedy. Nick Nolte's a pretty big guy and Sarah Doroff is really little. So Nolte just got outa prison and is supposed to be this big bad bank robber with a reputation. Martin Short is this nervous jobless dad that robs a bank just as Nick Nolte is there and takes Martin takes 'Nick' as a hostage.
Nick gets SHOT! Martin has a senile old friend that takes care of Rover(Nick). James Earl Jones does a belly-laugh. Sarah overcomes her trama to change gender. Martin Changes Gender! There's a Happy Ending Such a sweet movie- after its over put A Nightmare on Elm Street in for the contrast!
Nick gets SHOT! Martin has a senile old friend that takes care of Rover(Nick). James Earl Jones does a belly-laugh. Sarah overcomes her trama to change gender. Martin Changes Gender! There's a Happy Ending Such a sweet movie- after its over put A Nightmare on Elm Street in for the contrast!
I usually dont comments but this makes me comment coz it is not appreciated underrated very good timeless movie...like it very much.
Le saviez-vous
- AnecdotesWhen Martin Short is robbing the bank and bites the pin on the hand grenade, his mask (nylon stocking) snaps open (a 'stocking runner') and exposes half of his face. Apparently, this was unplanned, even though it is a moment of comic genius. When Short was asked about that shot, he quoted director Francis Veber as saying "Sometimes God gives you a gift!"
- GaffesAt the end of the movie when they are heading toward Canada the sign says 13 miles. The mountain you see is Mt. Rainier, but you cannot see Mt. Rainier from the Canadian border.
- Autres versionsThe UK cinema version was cut by 11 secs to remove two uses of 'fuck' in order for the film to receive a PG certificate. All later releases were uncut and the certificate raised to 15.
- Bandes originalesLiving in the City
Written and Performed by Gary Mallaber and Glenn Sherba
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- How long is Three Fugitives?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Three Fugitives
- Lieux de tournage
- Gas Works Park - 2101 N. Northlake Way, Seattle, Washington, États-Unis(Scene where child first talks)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 15 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 40 586 886 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 6 434 717 $ US
- 29 janv. 1989
- Brut – à l'échelle mondiale
- 40 586 886 $ US
- Durée
- 1h 36m(96 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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