Encadré par leur impitoyable ennemi juré, un duo de lutte contre le crime dépareillé doit mettre ses différences de côté pour égaliser le score avec le roi du mal qui les a mis derrière les ... Tout lireEncadré par leur impitoyable ennemi juré, un duo de lutte contre le crime dépareillé doit mettre ses différences de côté pour égaliser le score avec le roi du mal qui les a mis derrière les barreaux une fois pour toutes.Encadré par leur impitoyable ennemi juré, un duo de lutte contre le crime dépareillé doit mettre ses différences de côté pour égaliser le score avec le roi du mal qui les a mis derrière les barreaux une fois pour toutes.
- Prix
- 3 nominations au total
Marc Alaimo
- Lopez
- (as Mark Alaimo)
Philip Tan
- Gunman
- (as Phillip Tan)
- …
Edward Bunker
- Capt. Holmes
- (as Eddie Bunker)
Avis en vedette
Back in the 80's, kitsch cinema had two main sections - gory horror movies and daft action films, of which this film obviously fits into the latter. While the gory horror movies of the eighties often lacked credibility, that section of kitsch movies beats the daft action films because of the much higher content of inventiveness; but more often than not, the daft action movies make for good entertainment, even if they're somewhat less than brilliant. Tango and Cash is a notable action movie because it stars two of the eighties most popular action stars - Sylvester Stallone and Kurt Russell, whose antagonistic partnership makes up the core of this movie. The plot device to get the maverick cops to work together is hardly important, but nevertheless it follows the two as a corrupt state buys into a plot by a criminal kingpin to land them both in jail, which promptly sees our hero's in with the masses of criminals they themselves have sent to the clink. As you can imagine, they're not the most well liked of inmates. Especially not by 'Maniac Cop' himself, Robert Z'Dar...
The action in the movie comes thick and fast and this, when combined with the one-liner packed script make the movie feel more like a parody than a serious take on the genre. This is all good, however, as this movie is pure entertainment, and seeing two of the 80's hottest action stars fire off silly dialogue at one another is a treat to say the least. The action is over the top, and we get to watch our hero's do such things as slide down electrical cables and drive a souped up SUV around an explosion packed warehouse, and it makes for great entertainment. Of course, what the movie packs in action and snappy dialogue, it lacks in other areas such as credibility and depth; but nobody tunes into a kitschy 80's action movie for plot depth and sophistication, so blaming the movie for not offering these things is ridiculous. On the whole, if you're after a good two hours of solid action fare, you could certainly do a lot worse than Tango and Cash. This movie packs a lot of punch, delivered by two strong leading men. Thumbs up!
The action in the movie comes thick and fast and this, when combined with the one-liner packed script make the movie feel more like a parody than a serious take on the genre. This is all good, however, as this movie is pure entertainment, and seeing two of the 80's hottest action stars fire off silly dialogue at one another is a treat to say the least. The action is over the top, and we get to watch our hero's do such things as slide down electrical cables and drive a souped up SUV around an explosion packed warehouse, and it makes for great entertainment. Of course, what the movie packs in action and snappy dialogue, it lacks in other areas such as credibility and depth; but nobody tunes into a kitschy 80's action movie for plot depth and sophistication, so blaming the movie for not offering these things is ridiculous. On the whole, if you're after a good two hours of solid action fare, you could certainly do a lot worse than Tango and Cash. This movie packs a lot of punch, delivered by two strong leading men. Thumbs up!
It looks to me like everyone was having one rollicking good time making Tango&Cash. This is the kind of film that you have to take as seriously as an Indiana Jones adventure. After all their can be only one Indy.
But in this case we've a pair of cowboy cops who work in different parts of Los Angeles. Sylvester Stallone as Ray Tango and Kurt Russell as Gabe Cash are certainly known to each other however due to the headlines they've gathered smashing various criminal enterprises. They're also known to master criminal Jack Palance the Professor Moriarty of the film and he's rigged one elaborate plan for their disgrace and downfall and death.
As much as Stallone and Russell are enjoying spoofing their own action images, this film is absolutely stolen by Jack Palance. With tongue firmly in cheeking and hands twirling some imaginary mustache ends in the best Snidely Whiplash tradition, Palance is having a ball with his part.
Of course even when they're in the worst of trouble there's still that oneupsmanship that Russell and Stallone can't shake. And when Russell shows an interest in Teri Hatcher whom he later finds out is Stallone's sister, things could really have gotten interesting if it weren't for the joint problems they both were having.
When you watch this film, do not for one instant take it seriously and I guarantee a real hoot.
But in this case we've a pair of cowboy cops who work in different parts of Los Angeles. Sylvester Stallone as Ray Tango and Kurt Russell as Gabe Cash are certainly known to each other however due to the headlines they've gathered smashing various criminal enterprises. They're also known to master criminal Jack Palance the Professor Moriarty of the film and he's rigged one elaborate plan for their disgrace and downfall and death.
As much as Stallone and Russell are enjoying spoofing their own action images, this film is absolutely stolen by Jack Palance. With tongue firmly in cheeking and hands twirling some imaginary mustache ends in the best Snidely Whiplash tradition, Palance is having a ball with his part.
Of course even when they're in the worst of trouble there's still that oneupsmanship that Russell and Stallone can't shake. And when Russell shows an interest in Teri Hatcher whom he later finds out is Stallone's sister, things could really have gotten interesting if it weren't for the joint problems they both were having.
When you watch this film, do not for one instant take it seriously and I guarantee a real hoot.
On the surface, "Tango and Cash" has got to be the most ridiculous buddy cop movie on the market. And I'm still trying to decide if this is honest-to-god satire or just an extremely calculated kitchen sink attempt at a genre movie. This thing's just one glib one-liner after another, and they are all extremely on the nose. Is there subtlety in this? Hell no, but it is entertaining. And there are moments that had me in genuine laughter.
And I do say that that's all down to the two leads. Stallone and Russell are what make this work. You can tell they didn't come to set every day hating their work, that it's all just a gas, and that's what keeps the movie light and easy on its feet. That, and in-her-prime Teri Hatcher.
It's loud, extremely silly, but still a lot of fun.
7/10
And I do say that that's all down to the two leads. Stallone and Russell are what make this work. You can tell they didn't come to set every day hating their work, that it's all just a gas, and that's what keeps the movie light and easy on its feet. That, and in-her-prime Teri Hatcher.
It's loud, extremely silly, but still a lot of fun.
7/10
Sylvester Stallone and Kurt Russell play polar opposite Los Angeles cops who are framed by an arch nemesis and forced to team up in order to clear their name.
Unashamedly macho and very much of its time, this is daft energetic fun that's full of octane inventive action and ever quotable one liners. Stallone is Tango, the smart dressed sophisticated policeman, Russel is Cash, the slobbish act first - ask questions later copper, both men very different but both excellent at their jobs.
Pic gets by mostly on the chemistry between Stallone and Russell, who put much zest into their respective characters bickering and bantering. Action is well put together by director Andrey Konchalovskiy, but unfortunately the final third of the piece starts to sag as our mismatched cops start to respect and befriend each other and the plot reaches the inevitable conclusion.
It doesn't help matters that Jack Palance's main villain is only a bit part player, or that his head henchman Requin (the usually ace Brion James) gives us a quite appalling British accent. Add in Teri Hatcher who is in it purely for dressage and as a cypher between the two boys, then it's a picture not without problems. Yet the script and star turns from the leading duo ensure this remains a favourite of many whom lapped it up back in the backend of the 1980s. 7/10
Unashamedly macho and very much of its time, this is daft energetic fun that's full of octane inventive action and ever quotable one liners. Stallone is Tango, the smart dressed sophisticated policeman, Russel is Cash, the slobbish act first - ask questions later copper, both men very different but both excellent at their jobs.
Pic gets by mostly on the chemistry between Stallone and Russell, who put much zest into their respective characters bickering and bantering. Action is well put together by director Andrey Konchalovskiy, but unfortunately the final third of the piece starts to sag as our mismatched cops start to respect and befriend each other and the plot reaches the inevitable conclusion.
It doesn't help matters that Jack Palance's main villain is only a bit part player, or that his head henchman Requin (the usually ace Brion James) gives us a quite appalling British accent. Add in Teri Hatcher who is in it purely for dressage and as a cypher between the two boys, then it's a picture not without problems. Yet the script and star turns from the leading duo ensure this remains a favourite of many whom lapped it up back in the backend of the 1980s. 7/10
Kurt Russell and Sylvester Stallone are the reason why this run-of-the-mill action flick actually works. There's nothing innovative or special about the film, it's nothing we haven't seen before (maybe just Russell in drag) but the film is entertaining as hell thanks to it's two stars.
Stallone is Tango and Russell is Cash, two cops who get set up and sent to jail. They break out and go after the bad guys to clear their names.
The film has got some excellent action scenes, particularly inside the prison and during the break out. It's got some nice eye candy courtesy of one Teri Hatcher. The script also delivers some very funny lines now and then. Couple that with the fact that I actually do like Stallone do comedy and Russell has always been somewhat of a mini favourite; Tango and Cash is very worthy of my time every once in a while.
Downsides; Excellent actor Jack Palance is horrible in the cliché ridden bad guy role (I can't figure out if he's trying too hard or not at all) and the film has a really silly final 10 minutes where the action goes from cool to basically slapstick. Still, early 90's action fans should enjoy this flick.
Stallone is Tango and Russell is Cash, two cops who get set up and sent to jail. They break out and go after the bad guys to clear their names.
The film has got some excellent action scenes, particularly inside the prison and during the break out. It's got some nice eye candy courtesy of one Teri Hatcher. The script also delivers some very funny lines now and then. Couple that with the fact that I actually do like Stallone do comedy and Russell has always been somewhat of a mini favourite; Tango and Cash is very worthy of my time every once in a while.
Downsides; Excellent actor Jack Palance is horrible in the cliché ridden bad guy role (I can't figure out if he's trying too hard or not at all) and the film has a really silly final 10 minutes where the action goes from cool to basically slapstick. Still, early 90's action fans should enjoy this flick.
Le saviez-vous
- AnecdotesWhen Brion James was originally hired to play Requin, it was a very small role with only two lines. In an effort to give the character something that would make him stand out, James decided to speak in a horrible "cockney" accent. Sylvester Stallone loved it, and re-wrote the script to give Requin a much bigger role. The same thing happened with Face, played by Robert Z'Dar, who was originally not meant to appear after the opening scene but Sylvester Stallone and Andrei Konchalovsky took a liking to Z'Dar and thought his appearance was so striking he deserved a larger role in the film.
- GaffesAt the beginning of the movie when the truck is bearing down on Tango and he fires at the truck, the windshield "spiderwebs", as it should, since it would be safety glass. However, when the two men fly through the windshield after the truck is stopped, there are no bullet holes in it and it is clearly a plate glass windshield (due to how it shatters).
- Autres versionsThe film's distributor actually self-censored the British theatrical version before submitting it to the BBFC. In addition to the footage the BBFC demanded cut, the UK theatrical release also tones down the electrocution of a villain, edited footage of visible bloodletting during the finale, omits some footage of Lopez being riddled with bullets, another head-butt, a throat chop, a villain pushing his fingers into Cash's blood wound, and Cash putting a grenade down a villain's trousers. All footage was reinstated for video.
- Bandes originalesBest Of What I Got
Performed by Bad English
Courtesy of CBS Records, Music Licensing Department
Produced by Richie Zito
Written by John Waite, Jonathan Cain and Neal Schon
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Tango & Cash
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 55 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 63 408 614 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 6 628 918 $ US
- 25 déc. 1989
- Brut – à l'échelle mondiale
- 63 408 614 $ US
- Durée1 heure 44 minutes
- Couleur
- Rapport de forme
- 2.39 : 1
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