La société des poètes disparus

First of all, this is movie is my all-time favorite, out of all the hundreds of films I have seen. However, every time I mention this film, I have to answer most people's quizzical looks with "It's a beautiful little 80s film that stayed in the 80s." After seeing it for the 24th time since I first saw it 5 years ago, on my 13th birthday, I can gladly say that this movie went far and beyond the 80s, and the power and inspiration of the message can be felt every day.

Dead Poets Society is a most underrated film by a most underrated director whose inspiring, uplifting and moral tales firmly grounded in reality are not nearly as appreciated as they should be. Here, we see one of his very personal and cradled projects, and he shows the visual style and concentration on characters in which he is so affluent. His control of the camera and the characters are very strong and very smooth. The cinematography is near perfect, with every shot, along with the editing, seamless. Also very compelling are the color-tones in every scene, perfectly matching the mood and events of the scene. Could you say this is art? Absolutely.

Then we have the performances. Robin Williams continues in stride as one who has to-date remained the most touching, heart-wrenching, awe-inspiring comedians with inarguable acting talent (he still remains my most favorite performer on the film screen). His Professor John Keating is a man who embodies every professor who you thought was cool and respectable, every person who taught or enlightened you in something out of the ordinary. In fact - dare I say it? - he teaches something EXTRAORDINARY! We have the tragically underrated Robert Sean Leonard in his role as the free-thinking catalyst student Neil. Why is this man not a household name/Hollywood heavyweight? His roles are always full of inspiration, energy, and tragic emotion that never fail to move an audience. His role in this movie is fresh, unhindered, and never pretentious as the cautionary tale of the movie. And then we have Ethan Hawke in one of his earliest roles as the point-of-view character. The entire supporting cast is very strong, also, providing the foundation and serve as the various emotional ties that further involve us in the story. Josh Charles's role as Knox Overstreet is a role that almost all guys can relate to wholeheartedly. And of course, all the actors who are in that Dead Poets Society do a fine job.

And lastly, the story. I won't summarize it since it's been summarized many times here, but I will say that it is one of the best coming of age stories for not only adolescents, but anyone. I have personally heard from nine-to-fivers who were inspired by this movie to change the situations of their jobs, careers, relationships for the better. I first saw this movie when I was 13, and immediately stamped, crowned and elevated this movie as my all-time favorite. Now that I am 18 and living on my own, with very different concerns than back then, I turn back to this movie over and over again, to find inspiration, solace and of course, entertainment. It is still my all-time favorite, and it still inspires me to seize the day and make my life extraordinary.

... and yet it has grown on me to where it is one of my favorites.

When I first saw this in the theater I felt disappointed and baited and switched. Robin Williams may be top billed, but he is not the center of the film although he is the motivating character. He is a new teacher at an elite private school for boys that has traditions that probably nobody remembers the reasons for. Williams' character is out of step with the rest of the faculty at the school and encourages his students to seize the day. Anyone who grew up with the overbearing-we-expect-more-out-of-you parents, or even attended boarding school, or grew up in some similar environment can identify with the students in the film.

Every aspect of this film is powerful. From screenplay to direction, casting to acting, the movie drags us into a world of teenagers that are REAL. Sometimes funny, sometimes sad, sometimes rebellious ... sometimes they win, sometimes they lose. This is very much a Peter Weir film. The screenplay is one the most powerful ones ever, and one characteristic of this movie is the evolution the characters go through. Just like Truman Show, Witness, The Last Wave and Fearless, Weir drags his characters into the story and changes them. He evolves them so that, in the end, his characters are more human and feel something beyond traditional beliefs and codes; Things that people have died for throughout history: Freedom, Respect, Pride... things that may not be that important to an average person, things that make one a hero.

There are certain films that get under your skin, never to come out. They change your life, subtly altering your perceptions of reality, almost always for the better.

Dead Poets Society is one of those few films.

I saw the movie back when I was in High School. I had a teacher who told us that we really needed to watch it; in fact, it was our "homework" for the day. We didn't need to bring back a report, or talk about it in class. All he asked from us was to watch it, make up our own mind about it, and that was it. As you can imagine, many friends of mine didn't watch it at all; I did. And yes, I feel I changed a bit from there on.

Back when you are young, you never really stop to think what in the world you are doing with your life. You simply live for the day, hope your grades will be enough to pass, and that's it. Long term thinking involves maybe flirting with a girl. Nothing more. What this film showed me was that we have the responsability and the joy of being alive in this planet. That we are dust, and we will go back to it, so we have precious little time to make a difference. That we have a moral obligation to "seize the day, and make our lives extraordinary" (my favorite quote in all movie history). That the world, basically is ours. That the only limitations are within ourselves, and that we owe it to us to fight, to rebel against conformity, to change what we hate and keep what we love. That living in this world is a beautiful responsability, and that only cowards dare not to change it for the better.

The fact that the cast was basically my age, and was passing through the same dilemmas and situations I was facing made it all so much more powerful.

So here I sit, 12 years from that day. I still don't think I have seized the day completely. But I keep on trying; I always will. I wonder how many people were transformed by this gem of a movie; I hope many.

10 out of 10. A definitive masterpiece.

It was with a sad reason that I re watched Dead Poets Society, as we lose yet another talent and an all round good person in Robin Williams. This being my favorite Williams film, I took it upon myself to honor his memory by remembering his best body of work, in my opinion. Mr. Keating is the teacher that I wish I had, and granted this might be a mixed opinion within the film's context, but the matter of the fact is that he was no ordinary teacher, and that's something you don't see very often.

The thing about this film is that it doesn't shorten its importance to Williams's performance. The supporting cast is one that balances the film like no other. Every one of those students that revived the DPS is, in one way or another, influenced by Mr. Keating, be that positively or, unfortunately, negatively. The story being an Oscar winning screenplay, is one that I think mostly resonates with younger people, and with this movie being part of my 10th grade Portuguese course, I, personally, embraced its essence and of course its driving message of seizing the day.

As I've seen here on IMDb, this movie might not gather nearly uncontested praise, but it is very much highly regarded today as it was 25 years ago. The final scene still gives me chills to this day, and in the midst of our sad goodbye to Mr. Williams I just wanna say Thank You My Captain. It was a pleasure learning to become my own motivated person. May we all Carpe Diem

Rating: 9/10

Dead Poets Society is, to use a cliché, a cinematic masterpiece. I can watch it over and over, absorbing more nuances of meaning every time. As a former teacher myself (albeit of science), I view it as a tribute to the profession at its best...teaching not merely the subject but also the person, and having a lifelong impact on students' lives.

The setting is Weldon Academy, a very traditional New England boys' prep school in 1959. If I can find one flaw with the movie...and there certainly aren't many...it's the underlying premise that seems to worship free thought and implies that ALL tradition is of necessity undesirable and thus to be avoided. Frankly, compared to modern classrooms which are bastions of free expression, I found the Weldon students' respectful treatment of their teachers rather refreshing. (But perhaps that's just the ex-teacher in me coming out!) Some of Weldon's ideals, generally referred to in mocking tones, are actually qualities to which parents rightfully DO hope their offspring will aspire.

Robin Williams plays Mr. Keating, the English teacher we all wish we'd had. He brings warmth, passion, and an endearing quiet humor to the role as he fosters individualism in a school environment of total conformity, endeavoring to teach these young men both the beauty of the English language and the importance of living life to the full, of "seizing the day". How many of us mentally revolted at the dissection of poetry when we were in school? Many a viewer will both chortle and rejoice when Mr. Keating has his class rip out the methodical, emotionless "Introduction to Poetry" from the time honored Pritchard textbook!

The "Dead Poets Society", and the boys on which Mr. Keating has such a profound impact, include an interesting mix of characters...Neil Perry (the passionate young man at odds with his father's clearly defined expectations for his son's life), Todd Anderson (the classic shy adolescent, through whose eyes we view the unfolding drama), Charlie Dalton (the quintessential rebel), Knox Overstreet (the teen with whom most viewers can identify, deep in the throes of first love), and Richard Cameron (the mindless conformist).

Ethan Hawke gives a moving performance as Todd, the younger brother of a former Weldon valedictorian and my personal favorite, who undergoes a character transformation as the plot unfolds. In a sense, this movie is really Todd's story. As another reviewer has wisely pointed out, his best scenes are sometimes when he has no dialogue at all. Your heart will ache for him. The sub-plot of young Overstreet's romance with a girl from a nearby school may not be brilliant, but it provides some light, entertaining relief from the main drama.

Needless to say, Mr. Keating's unorthodox approach meets with obstacles...from his fellow teachers, from the school's ultra traditional Headmaster, from Neil's overbearing father and the other parents, who are depicted as a conservative, status conscious lot. His encouragement of adolescent individualism leads to dramatic consequences for one student in particular, triggering a dramatic scenario that engulfs most of his classmates. I don't want to give the plot away, but Dead Poets Society has the most powerful ending I've experienced in the cinematic world. I could watch it over and over, and tears would either come to my eyes or virtually stream down my cheeks every time.

It's an intelligent film, both gripping to watch and thought provoking afterward. Engaging plot, memorable characters, meaningful theme, wonderfully done scenes and atmosphere...Dead Poets Society has it all. A special tip of my hat to the cinematography; clearly, it should have won an Oscar for the final scene alone.

This is a must-see movie, especially if you're a high school student who hates English. It might just change your view of the subject, even if your actual teacher doesn't quite measure up to Mr. Keating. And for everyone...not only "Carpe Diem", but a certain phrase from a Walt Whitman poem will take on incredible meaning and be remembered forever.