Boj na Kosovu

I watched this film whilst taking a course on the Byzantine Commonwealth, as it depicts one of the most important battles in Balkan history as Byzantium verged on collapse and the Ottomans were gearing up to dominate the region. I watched the English-subtitled version obviously because I am an Amerikanka who doesn't speak Serb-Croatian.

This film is commendable because the acting is very solid, and the film overall is not overly dramatized; in other words, it has a very realistic quality to it. It was filmed on the Serbian fortress of Smederevo, which was the site of a defeat of the Serbs further in the 1450's as the Ottomans pushed northwards following the Battles of Maritza and Kosovo.

Apparently this film received funding from Milosevic back in 1989, but it is in no way nationalistic, nor does it try to fabricate events for the sake of embellishing the plot. There are few reliable historical accounts of the actual Battle of Kosovo, and the film does a good job of sticking to the main points; a few subtle side plots are apparent that contribute to some of the greater themes in Serbian history (ie. the conversion of certain Serbs to Islam in order to curry favor with the Ottoman occupiers).

This is a great film for anyone studying medieval Europe, the Balkans, the Byzantine Empire, the Ottoman Empire, or historical resistance to attempts at occupation.

This together with movies Vlad The Impaler and Michael the Brave is among the productions I can recommend from the Balkans depicting the conflicts between the Ottomans and the local kingdoms of its era,to have a better understanding of the historical nature of them and the traces they have left.The production as overall is pretty decent,giving a good description of the conditions of its time,with local costumes,medieval age market places and castles and of course some fancy Serbian noble and knight armor costumes.The dressing of Turks also was depicted close to accurate of its period. As for the script,it seems to be relied on a mixture of both historical accounts and local mythical legends,but overall I would say it's been worked pretty strait forward, without spoiling it far with too much emotional and one-sided history telling.The events are just reflected as in the sources where the film takes its script.Of course the lines delivered from actors from time to time reflect hostile and patriotic feelings,as well as the ''villain'' Ottoman characters unleashing their cruel,fanatic side.When Sultan Murad gives his last deathbed bequest to Bayezid after the fatal wound he received from Obilic,he has him repeat Ali's words and he recites how they should torture and kill every single infidel who rejects Islam and so on.These kind of conversations however are typical characteristics of movies of its kind,not something proper to this movie only,so it's pretty normal.Some scenes and characters also might not reflect exact historical events.Although it is known that Sultan Murad was killed at the battlefield,it's not clear that Obilic really lived or not,he rather exists as a legendary mythical character.Also Vuk Brankovic is reported to be fighting till the end in some other historical sources,unlike in the film who is described as an envious traitor who abandoned the battlefield.It is also known that Bayezid had his own brother Yakup killed,but the records also say that he never faced him, neither is it clear if he was strangled as told in the movie.The encounter and conversation prior to King Lazar's execution with Bayezid are also questionable.The surgeon Bogoje,who saved Obilic's life and later on switched sides and became Muslim ''Mustafa'',as well as the character Hamza the Serb seem to be not historically real characters either.The Maiden of Kosovo is by the way again drawn from the local legends. Apart from all those,I think this movie succeeded in giving a good description of the battle and its sequence,a good production in its conditions with some good casting delivered especially from M.Zutic as King Lazar and B.Lecic as Bayezid.

The memorable scene for me in the movie is when Bayezid shows Obilic's head fixed on the spear after he was executed and asks if that head really looks like that of a victor,mocking Lazar of his defeat.Lazar responds saying how that head in fact laid a foundation and birth to a nation's spirit and will to freedom.Bayezid gets really angry with that answer and says,pointing out to Lazar: ''Ova glava mnogo prica,odsecite je''(This ''head'' is talking too much,cut it off) and orders his execution.

Kosovo is not a country! This is Yugoslavian movie, Serbian to be precise! Please before you are posting something do your research and post true fact! Thank you!

Historic events, such as the Battle of Kosovo in the 14th century play a major role in the development of the Serbian epics. This is great,great movie something like Braveheart with Mel Gibson. Regards. Highly recommended for people older then 13. PG 13. Serbian with English subtitles. Belgrade TV production on the Kosovo battle of 1389 with historical facts. Recommended because this is the defeat by the Ottoman Muslim Turks that is still celebrated by Serbs today, and helps explain their strongly negative attitude to ethnic Albanians and Bosnian Muslims. The script for the original play was written by poet Ljubomir Simovic .

It is weird to be writing the first review for a movie. But it is a must for this movie to have a review. It is urgent because the topic of this movie is nothing short of the biggest controversy in Balkan politics and Balkan history. The co-called Kosovo myth, a reconstruction of events regarding the battle of Kosovo in the conscience of the Serbian people that to a certain degree differs from the historic version, has been used and abused by Serb and foreign politicians alike.

On one hand, the legendary sacrifice of Kosovo and the unswerving refusal to accept any foreign army on Serbian land has been used by generations of Serbian politicians (not just the most recent ones) to plunge the Serbian people into unwinnable wars out of which the Serbs always emerged with horrific casualties (most blatantly during WWII). On the other hand, in the most recent such war, the anti-Serb political elements in the world have used the Kosovo myth to demonize and discredit the Serbian nation, by equating it with a campaign of conquest and making it the sole explanation of why these conflicts (carefully nurtured during the communist era) happened in the first place.

In this movie, the Kosovo myth is shown in all its glory unclouded by its subsequent abuse. The concept is simple. What is a king to do when a far more powerful army, and that of a completely different faith, comes crashing in? Does one accept the given offer to bow down to the mighty Turkish army or does one fight at all costs? Being that the Christian faith embodies not bowing down to tyranny, defending ones beliefs to death and quite simply doing what is right rather than what is convenient, the Serbian king makes the same choice that Jesus once made.

An earthly kingdom, based on wordly considerations such as power, money, force is always of finite duration (just ask the Romans), but a heavenly kingdom is for all times. In other words, the might=right equation, quite explicit for medieval times and even nowadays still lingering, is turned upside down. Even at the cost of defeat, Serbs reject these wordly values and fight to the death. In other words, they put their money where their mouth is. The Serbian gleeful self-sacrifice is as puzzling to modern day Europe as the initial Christian sacrifice was to Romans. The legacy of Kosovo is evident today and has been experienced by every Serb generation for the last 200 years.

The movie "Boj na Kosovo" overflows with beautiful poetic dialog and words of wisdom. It is imperative to find a version with good translation. The palette of characters is quite varied. We see all the archetypes: the stoic and unswerving king, the cowardly political opportunist and betrayer, the hesitant dukes, the heroic knight who knows what must be done the following night, the young priest yearning for understanding from his elder, the knowledgeable surgeon who through lack of appreciation of his skill has no choice but to defect to the other side, the young wife grieving over her soon-to-be-dead husband in battle, the peasantry who is simply between rulers, the hapless dying sultan who did not expect that day of battle to be his last, the gleeful Turkish soldier/convert of Serbian origin, and last but not least the conniving younger brother murdering the weak older brother to inherit the throne. In each interaction one sees sparks as different viewpoints collide with each other.

The pacing in the movie is very nicely done. The tension before the battle slowly builds, very much in the fashion of High Noon. As characters and their resolves are solidified many conflicts are inevitably bound to happen. The dinner scene before the battle exudes solemnity and violent conflict within each individual as well as the climactic verbal showdown between the accusing traitor and the accused hero. As the hero says, the following day is when it becomes apparent for all time who is who.

The movie does have a few minor weaknesses. The battle scenes do leave something to be desired. And the movie can't help but become a little bit melodramatic towards the very end. But the movie nevertheless stands as one of the great jewels in the legacy of Serbian cinema. For many reasons and on many levels.

Rating 9/10

Scale: 10 MASTERPIECE, 9 Excellent, 8 Good, 7 OK, 6 Adequate, 5 Average, 4 Mediocre, 3 Poor, 2 Bad, 1 HORRIBLE