Alienator

Intergalactic criminal Kol (Ross Hagen) has been sentenced to death and awaits execution on a spaceship designed for just such a purpose. But tonight there's going to be a jailbreak, and Kol flees on a conveniently-placed escape pod and flies towards Earth (which apparently is nearby). There he confronts a group of "teenagers" (who look thirty) and a game warden (John Phillip Law), who help protect him from his worst nightmare... the bounty hunter and executioner android (or more properly "gynoid") the Alienator.

From the cover of the box, I was confident this was going to be an awful movie. But, as awful as it turned out to be, it was a ton of fun as well (probably at least partially because I was watching it with someone who happens to be intensely awesome). The director (Fred Olen Ray), who has specialized in making over one hundred low-grade films (most notably "Hollywood Chainsaw Hookers"), does what he does best and throws together a plot that only half makes sense and gives us rudimentary special effects. Bonus: P.J. Soles appears (as "Tara"), obviously at a low point in her career.

Sure, there's plot holes. Why are there hillbilly rednecks in California (allegedly Los Angeles County if I understood the warden correctly). What's up with the space woman's tacky blouse? Why is there a subplot about the ship captain forcefully trying to win her heart when this story goes nowhere? What the heck is "Quadrant 5"? How does chicken wire create an electromagnetic field that will short-circuit an android, yet land mines do virtually nothing? Why does Kol look like a drunk, Native American football player with emphysema? And the Lund guy (Robert Clarke)... does his character even have a point? Does the game he plays with the captain have a point? Does this movie have a point? But the biggest mystery is the android (or gynoid) the Alienator, played by Teagan Clive. What is an "alienator"? Why does it look like Daryl Hannah from "Blade Runner", only much larger? Because, see, if something is a cyborg, it's part human. But if it's an android, it's all machine. This was an android, so there was no reason to make it look human. It could have looked like anything. Yet, the person who designed her made her the size of a linebacker, with David Bowie's hair and a leotard that shows me just a little too much. If you're going to make a female android, wouldn't the purpose be to have her be seductive and lure enemies in? Mission not accomplished. They say beauty comes in all shapes and sizes, but I think I found a huge exception.

If "Mystery Science Theater 3000" were still around today, this film would be on a very short list of movies that need to get harangued.

Beyond the butt-nasty Alienator (sorry, Teagan, female weight lifters are gross) the film is alright. Maybe there's not much of a story and maybe the characters aren't really very interesting. And maybe the scene with the deer is incredibly adorable for no particular reason -- what use does a killer robot have with a deer? But overall, I actually liked the movie. I won't be pimping it out to my friends or running out to my local video store to pick up the latest DVD copy (which I'm sure is just packed with amazing special features -- not). But I consider seeing this movie time well spent and look forward to similar adventures in the future.

I never imagined that this cheapie effort made by the legendary Fred Olen Ray (usually legendary for the wrong reasons) would ever get a DVD release, but it did indeed get one a couple of years ago. So I decided to give it another look. Actually "cheapie" is a kind adjective to give this movie. It looks like most of the VERY limited budget went to securing that legendary B movie cast for a few days of shooting. (Though as it turns out, the cast doesn't exactly give good performances.) With the limited amount of money left over, Ray ended up making a curious hybrid - a movie that feels both made in the 1950s and the 1980s. The plot is clearly inspired by the 1984 movie "The Terminator", though the production values are right out of a low budget Roger Corman movie from decades back. I admit that the tacky production values actually have a little charm, namely because Ray keeps the tone pretty serious and does not seem to find the low rent atmosphere one to be mocked. The photography and lighting are acceptable as well. And there's an interesting twist in the plot towards the end. But ultimately the movie doesn't work because not only is the plot pretty slow-moving for the most part, the action sequences are lacking passion and grit. If Ray had kept things swiftly moving and exciting with both plot and action, I think I could have overlooked all the cheapness and the other flaws in the movie and had some serious fun. But as it is, for the most part it's only worth a look if you have a perverse pleasure of seeing a legendary cast of actors clearly knowing their better days are behind them.

Alienator (1990)

* 1/2 (out of 4)

With Fred Olen Ray directing and just looking at the title and what movie it's "copying" you should know what to expect. Kol (Ross Hagen) is about to be executed when he escapes his planet so the commander (Jan-Michael Vincent) sends a female alien to Earth to try and track him down. Kol ends up running into a sheriff and five drunks and soon they're caught up in this battle. There's no big secret that ALIENATOR is a pretty bad movie but I have to give credit to director Fred Olen Ray for at least knowing he's making a low-budget, bad movie. The reason I say that is that I often get the itch to watch a movie like this and more often than not you have a director thinking he's working with a $200-million dollar budget. The young director will try tricky shots, various plot twists and by the end of the movie you're asking yourself if the guy knew he was just making a piece of junk and you'll wonder why he thought he could do more with it. Mr. Ray doesn't go for that and instead it's clear that he knows what type of movie he's making and he just tries to make the best of it. This is certainly a bad film but at least there's some mild charm to be had. I thought there were a couple fairly funny moments but the highlight has to be the costume that our female killer wears. I'm not even going to attempt to try and explain it but once you see the thing you'll know what I mean. I also have to tip my hat to the outfit worn by P.J. Soles (HALLOWEEN, CARRIE) because it too is quite catchy and you can tell some imagination went into it. The special effects are obviously silly but it appears they're having a fun time with them. Yes, the performances are also bad but again credit has to go to Ray. Instead of trying to get the actors to do Shakespeare, he instead has some over-the-top moments that at least fits the performances. The violence/gore/nudity level is shockingly low, which is one negative thing as a bit more of any probably would have helped things. ALIENATOR is a bad film, yes, but when you compare it to other rips of THE TERMINATOR you'll see that it could have been much, much worse.

Ok, I admit I'm something of a nut for bad movies. And this dog certainly falls into that category with a vengance. But those who even *think* this compares to the worst movie of all time - or even comes close - really need to watch more bad movies. The perennial favorite 'worst movie of all time' (Plan 9 from Space) is definately worse than this (though it's not the worst movie).

THis movie is great if you like bad movies, and even better if you like to MST your own. If you expect Gone with the Wind or even such dreck as "Angels in the Outfield", this is not for you.

...It just ain't that good. Prolific B movie director Fred Olen Ray has certainly done better. Despite the efforts of a very solid B movie cast, it fails to ever be as much fun as it should be.

Part of the problem is that Ray never is able to get much momentum going. "Alienator" plods too much for this sort of thing, it's full of nondescript characters, it's not much for continuity, its special effects are something less than special, and when all is said and done it ends with more of a whimper than a bang.

Too bad; the premise had some potential. A typically dull Jan-Michael Vincent plays a cranky warden on a prison spaceship who has one of his prisoners, a rebel leader named Kol (Ross Hagen) escape from him. So what he does is send Amazonian 'hunter unit' The Alienator (played by female bodybuilder Teagan Clive) after the fugitive, who's crash landed on Earth and made contact with some hapless Earthlings, including forest ranger Ward Armstrong (John Phillip Law).

Clive is quite a sight, and she does what she has to do well enough, although her character is nowhere near as cool or memorable as Arnold Schwarzeneggers' The Terminator. Her right hand and arm are encased in a laser weapon that weirdly sets its first victim on fire but then just makes the rest of the victims disappear.

The assemblage of talent here is truly impressive: also in the cast are P.J. Soles (wearing an oddly revealing outfit), Dawn Wildsmith, Richard Wiley, Jesse Dabson, and Dyana Ortelli; Wiley plays the most utterly insufferable of the various humans. Fox Harris (to whom the movie is dedicated) and Hoke Howell play a knuckle head pair of hunters, and it's a treat to see such veterans as Robert Clarke, Leo Gordon, and Robert Quarry (although Quarry, sadly, doesn't get to do a whole lot.) Horror fans will be delighted to see Joseph Pilato (a.k.a. Captain Rhodes from Romeros' "Day of the Dead") in a small role as a technician.

The location shooting in Topanga Canyon is fine, but otherwise this movie is underwhelming. Ray just doesn't give it much pizazz. If you're a very undemanding schlock lover, you may get some entertainment out of it, but it will likely bore most other viewers.

Five out of 10.