L'amour à quatre temps

Episodes in the lives of two East Coast couples who are friends: Jeff Daniels and Elizabeth Perkins are the sweethearts (sweet hearts?) just getting their romance started, while Don Johnson and Susan Sarandon are married-and-bickering with kids. Tolerable comedy-drama from screenwriter Ernest Thompson of "On Golden Pond" fame isn't as maudlin (or, at least to my taste, as fraudulent) as that other film, though neither is it particularly witty or otherwise distinguished. Someone (either director Robert Greenwald, or Thompson, or perhaps the editor) chose to make each incident into its own chapter, like pages from a marital scrapbook or a photogenic kisses-and-hisses calendar. The picture comes off slight as a result, lacking in both romance and frivolity. Solid acting saves much of it, particularly by Don Johnson, whose bursts of temperament are convincing. Cinematographer Tak Fujimoto gives the movie a warm 'neighborly' feel that belies some of the emotions being played out. ** from ****

This picture gets out of the gate well, but has a lot of difficult sustaining itself on a one-dimensional plot-line. In the first scenes, Jeff Daniels and Don Johnson establish a rapport as two best buddies who get involved in Halloween hijinks in their small Vermont town. Instead of continuing on a course which involves more of their shenanigins, it becomes obvious that this is a movie of family strife and man-woman relationships (as well as best buddy relationships). That is not so bad, but the movie is so unrelenting in it's pursuance of these themes, that it soon bogs down until you can no longer care what happens next in the Don Johnson-Susan Sarandon, and Jeff Daniels-Elizabeth Perkins relationships: you just wish they would get involved in something else. The same mood continues right to the end - I was certain that some catastrophe would create a climactic ending that would bring the two rocky relationships to a happy ending, but it wasn't to be. For this is one of those slice-of-life movies which tries to mirror everyday life, and in everyday life there are few catastrophies, only the unrelenting march of life. To the movie's credit though, this slice-of-life approach is not all bad, there is always something very comforting in a movie which successfully captures this mood. It, and other movies of it's ilk, make the statement: "This Is How It Is In America, No More And No Less!". Also to lt's credit is the strong cast. Susan Sarandon is, as usual, in fine form, and Don Johnson, as her somewhat unstable mate, captures the essence of the beleagured American husband. Jeff Daniels is good as the stabilizing influence to both of them, although this is about all he does. Elizabeth Perkins is not up to the calibre of the other three, though, and her character becomes the most tiresome of them all. Justin Henry, is a little bland as the teenage son tortured by the strife between his parents.

Don Johnson, Susan Sarandon, Jeff Daniels, Elizabeth Perkins, Kate Reid, and Justin Henry star in this movie of how a couple's marriage becomes a lot easier when the truth is revealed. Don Johnson stars as Wiley Boon, a hard-working husband and father who has lived in the same Vermont town all his life. Now things are getting bitter between him and his wife Sandra (Susan Sarandon) just as Wiley's best friend Sam (Jeff Daniels) is falling in love with a local school teacher (Elizabeth Perkins). This is a great movie that every married couple should watch.

While Susan Sarandon performs well as an embittered and alienated wife, it's nothing to save this dreary, painfully long drama about marriage and failing relationships. Every adult is crotchety and awkward, even fighting at family dinners/holidays in front of guests or strangers. I imagine all relationships have their disappointments, but it's downright bizarre the way these couples rehash arguments at the most inopportune moments. Wiley is the worst character in the entire film. While on a vacation with his friend and son he complains about his wife and kids stating that he doesn't want them any more - again, this is while on vacation with his own son, after a pretty notable scene. There's a lot of tension later on in the film between father and son, which is understandable given the separation, but his behaviour towards the boy is always insanely irresponsible, aggressive and almost criminal. The entire cast of characters disappoints, there aren't any light moments to recover from the constant bickering. I would not recommend this film unless you really like Sarandon.

Sweet Hearts Dance has a good cast of actors. Don Johnson was in a very popular period, Susan Sarandon doesn't need an introduction, and Jeff Daniels came from the success of "Purple rose of Cairo" and "Something wild". There were all the elements to be a good movie: an interesting subject (family divorce), the actors, a good screenwriter Ernest Thompson, who came from the copy of Academy Awarded winner "On the golden pond", but the movie failed the waits. The screenplay is very repetitive: it seems to be taken from a reduction of "Terms of endearment" (even Elizabeth Perkins phisically looks like Debra Winger) and from a series of similar movies. Don Johnson is very good in the part of the rebellious husband with a bad character but we don't understand where his intolerance comes. The movie doesn't explain this and expires in the usual stereotype of the couple in crisis after the first 15 years of marriage. The direction is so absent that often it doesn't understand if the actors improvise in order to give speed to the scenes or it was a decision of the screenwriter to think many slow and predictable scenes. However the story presents even very funny moments that are the only reason in order to see this movie.