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L'homme qui voulait savoir

Titre original : Spoorloos
  • 1988
  • Not Rated
  • 1h 47m
ÉVALUATION IMDb
7,7/10
51 k
MA NOTE
POPULARITÉ
2 092
115
Johanna ter Steege in L'homme qui voulait savoir (1988)
Rex and Saskia, a young couple in love, are on vacation. They stop at a busy service station and Saskia is abducted. After three years and no sign of Saskia, Rex begins receiving letters from the abductor.
Liretrailer1 min 33 s
1 vidéo
94 photos
Psychological ThrillerMysteryThriller

Rex et Saskia forment un jeune couple amoureux en vacances. Ils s'arrêtent à une station-service très fréquentée et Saskia est enlevée. Après trois ans et aucun signe de Saskia, Rex commence... Tout lireRex et Saskia forment un jeune couple amoureux en vacances. Ils s'arrêtent à une station-service très fréquentée et Saskia est enlevée. Après trois ans et aucun signe de Saskia, Rex commence à recevoir des lettres du ravisseur.Rex et Saskia forment un jeune couple amoureux en vacances. Ils s'arrêtent à une station-service très fréquentée et Saskia est enlevée. Après trois ans et aucun signe de Saskia, Rex commence à recevoir des lettres du ravisseur.

  • Director
    • George Sluizer
  • Writers
    • Tim Krabbé
    • George Sluizer
  • Stars
    • Bernard-Pierre Donnadieu
    • Gene Bervoets
    • Johanna ter Steege
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    7,7/10
    51 k
    MA NOTE
    POPULARITÉ
    2 092
    115
    • Director
      • George Sluizer
    • Writers
      • Tim Krabbé
      • George Sluizer
    • Stars
      • Bernard-Pierre Donnadieu
      • Gene Bervoets
      • Johanna ter Steege
    • 282Commentaires d'utilisateurs
    • 120Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 7 victoires et 6 nominations au total

    Vidéos1

    Trailer
    Trailer 1:33
    Trailer

    Photos94

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    + 86
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    Rôles principaux26

    Modifier
    Bernard-Pierre Donnadieu
    Bernard-Pierre Donnadieu
    • Raymond Lemorne
    Gene Bervoets
    Gene Bervoets
    • Rex Hofman
    Johanna ter Steege
    Johanna ter Steege
    • Saskia Wagter
    Gwen Eckhaus
    • Lieneke
    Bernadette Le Saché
    • Simone Lemorne
    Tania Latarjet
    • Denise
    Lucille Glenn
    • Gabrielle
    Roger Souza
    • Manager
    Caroline Appéré
    • Cashier
    Pierre Forget
    Pierre Forget
    • Farmer Laurent
    Didier Rousset
    • TV Journalist
    Raphaëline Goupilleau
    • Gisele Marzin
    • (as Raphaëline)
    Robert Lucibello
    • Teacher
    David Bayle
    • Lemorne (16 Years)
    Doumee
    • Lady 'Prisunic'
    • (as Doumée)
    Eric Jacquet
    • Pump Attendant
    Aziz Djahnit
    • Pump Attendant
    Linda Wise
    • English Tourist
    • Director
      • George Sluizer
    • Writers
      • Tim Krabbé
      • George Sluizer
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs282

    7,750.6K
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    Avis en vedette

    8Xstal

    A Great Thriller...

    The mark of a great film thriller is that it keeps you guessing until the very end and questioning whether, under the same circumstances, you would behave in the same way - either as the villain or the victim - great film!
    8KingM21

    How far would you go to find the truth?

    After reading several recommendations of Spoorloos (a.k.a. The Vanishing), I went ahead and bought the Criterion DVD release, which, by the way, has no extras. Let me say, I was not disappointed with the movie. If you like well-made, well-directed thrillers, it is definitely worth checking out. The story was simple enough; Rex's girlfriend mysteriously disappears at a gas station they stopped at while on vacation. Cut ahead three years and you still have him searching for her. Due to his persistence, the man responsible finally decides to get involved.

    With very little violence and no gore, Spoorloos was able to leave the viewer in a truly depressing state. Some people might call it boring but I found the slow and steady pace to work in favor of the characters, as the acting was top notch. So was the direction of the scenes, which were set up quite nicely. It was interesting to see such attention paid to both the victim and criminal's point of view. You could really understand the desperation, confusion, and obsession that Rex felt with his loss. In turn, you see cold evil in a form that does exist in our world. While maybe not shocking to all viewers, the ending is terrifyingly tragic, made so by the realism and calmness throughout the film. Just ask yourself, how would you feel if that happened to you?

    If pushed for a criticism, I would say that some of the symbolism seemed a bit too heavy handed but other then that, this is an intelligent, deep thriller. I have not seen the American remake (oddly enough, both versions are from director George Sluizer) but I can all but guarantee that the original is what you want to go with first. Many people suggest skipping the remake altogether!
    8barberoux

    The Horror

    It is best not to know much about this movie before seeing it. It is sufficient to know that it is about a women who disappears and a man's obsession to try and find out what happened to her. This is not a sappy love story and it bears little resemblance to the pale American remake. Reading more about the story will ruin how it unfolds. It was well filmed and well acted. The ending is a shocker. I think reviewers who write a synopsis of the movie's plot do a disservice to people reading the review. The movie's story should unfold before a viewer. The enjoyment is in how the story is told. This is all the more true regarding "The Vanishing".
    8ToldYaSo

    You won't want to let your loved ones out of your sight after this film

    There aren't too many scenarios like this one. The original version and the Hollywood remake of this film were both directed by the same man, George Sluizer. As I understand from popular opinion, this is one film that was fine the first time round, and not well received on the second go. I cannot fairly compare them, and I have no more desire to see the remake of "Spoorloos" than I do the remake of "La Femme Nikita", namely "The Point Of No Return".

    I saw the original version upon the strong recommendation of a newspaper reviewer proclaiming it one of the most disturbing films they'd ever seen. The photograph of a young couple about to be torn apart in the paper reeled me in.

    A pleasant holiday excursion goes horribly wrong when a man's lady friend goes missing at a crowded rest stop. He grasps at straws in desperation as very little can be done because few clues or leads exist. The abduction is arbitrary and nearly flawless.

    The film was indeed well done and what struck me the most was the focus on that of the villain. It is a portrayal of a normal, respectable family man who trains himself in meticulous detail for an abduction. His cold, calculating approach is probably the most frightening aspect. His inhumanity is difficult to comprehend.

    Many film endings can be shocking and may stick with you forever, and for a lot of people that is certainly the case with this film. That's why I was surprised to learn that the TV commercials for this film gave away the ending. However it didn't ruin the film for me.

    The suspense and chilling setting of this film makes it hard to forget. The viewer constantly wondering, "What would I do?" or "How would I cope?". Impossible questions we all hope we'll never find the answer to.

    Of course, keep a few handy responses in mind should you watch this with your better half when they ask the inevitable, almost rhetorical question, "What would you do if I went missing and you couldn't find me?"

    "I'd surely die, dear."
    The Non-Hip

    WARNING!

    STOP!!!!

    Observe these 3 rules if you plan on seeing this film:

    Rule #1, AVOID the 1993 remake "The Vanishing" or if you absolutely need to see it, watch the original first.

    Rule #2, If you're of a sensative nature and easily depressed, don't watch this.

    Rule #3, do NOT read any other comments on this film until you have seen it. This is a love it or hate it type of movie and looking for opinions to decide if you want to see this WILL ruin it for you. See it first, form your own opinion, then check back here. Trust me on this, you'll thank me afterwards.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Tim Krabbé, who wrote both the novel and the screenplay that was adapted from it, based the story on a newspaper article that he accidentally read about a female tourist who disappeared from a bus trip after buying chewing gum at a gas station in France. The police had searched for two nights without finding a trace of the girl. Ten years later, Krabbé did extensive research and found that the girl had turned up alive and well one day later; she had simply boarded the wrong bus. Krabbé even called her to thank her for providing him with the inspiration for the story.
    • Gaffes
      When in the car with his daughter, Raymonde leans over and locks the passenger door, but seconds later the button is no longer pushed down.
    • Citations

      Raymond Lemorne: You start with an idea in your head, and you take a step... then a second... Soon, you realize you're up to your neck in something intense, but that doesn't matter. You keep at it for the sheer pleasure of it. For the pure satisfaction it might bring you.

    • Connexions
      Featured in Siskel & Ebert & the Movies: Queens Logic/Run/Meet the Applegates/The Vanishing (1991)

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    FAQ30

    • How long is The Vanishing?Propulsé par Alexa
    • Is this film based on a novel?
    • Is the film a direct adaptation of the book?
    • What is the significance of the opening shot?

    Détails

    Modifier
    • Date de sortie
      • 27 octobre 1988 (Netherlands)
    • Pays d’origine
      • Netherlands
      • France
    • Langues
      • Dutch
      • French
      • English
    • Aussi connu sous le nom de
      • Spoorloos
    • Lieux de tournage
      • Rue des Lombards, Nîmes, Gard, Occitanie, France
    • sociétés de production
      • Argos Films
      • Co-Productiefonds Binnenlandse Omroep
      • Golden Egg
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Brut – à l'échelle mondiale
      • 79 865 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 47 minutes
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.66 : 1

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