Pleine lune sur Parador

This is strictly speaking great. It's difficult to conceive of this movie working with any replacements in the cast - not only because the cast are so good, but also because they work so well together and because the production and direction are so excellent as well.

The cast are absolutely fabulous; the screenplay is better than the best; the directing leads to so many incidental perks the screenplay itself could not have indicated; this is a very funny and even touching film.

It's a small film in a way but it's a masterpiece. You might have to have a connection with or knowledge of the world of the theatre to get it (to appreciate it) but it's all there and everyone working on this movie had a ball, that much is certain.

We first saw this years ago on late night telly; we bought a video copy immediately; now it's back on late night telly again and it's great, it's wonderful.

It's such a refreshing change to see something intelligent that's well done. This isn't exactly the Hollywood norm. Movies like this one really entertain: you can judge this by calculating how long after the closing credits you're still feeling good.

This one can last for days.

This movie contains one of Richard Dreyfuss's greatest performances, as an actor playing an actor who plays a dictator and does it so convincingly that his own mother does not detect the impostor. Also, this movie is funny, yet has a serious side as well. What is especially intriguing about this movie is the character Madonna, who is the dictator's mistress, but eventually becomes the leader of the country. Madonna's evolution from mistress to political leader added greatly to the quality of the story and to the movie's entertainment value. And the main character, who at the start of the movie is a struggling actor and somewhat of a buffoon, evolves too and by the end of the movie commands respect. I liked this movie.

This is one the few movies I can watch over and over. If you've never seen it, give it a shot. Richard Dreyfus and Raoul Julia are wonderful together and although the movie amuses me greatly, it reminds me of Julia's untimely demise. It is a good opportunity to sit back and laugh at the international intrigue that is too much with us in these time of terror and fear.

I enjoyed this film. It was funny, cute, silly, and entertaining. Had a fine cast and really got hammered by some critics for reasons that I truly don't understand. No, it wasn't "The Grapes of Wrath" or "Casablanca" or even "Moonstruck", but it was an enjoyable film.

Julia was excellent playing the psychotic 'man behind the man'. The story is a little silly to be sure, but it this isn't high drama, folks. I happened to see a review of the film, probably the only good one it got and then ran into it one night when looking for a movie. I never heard it was supposed to stink until after I saw it, and I'm glad I saw it. Eventually bought the VHS tape on the bargain pile, and I watch it a couple times a year.

While "The Kiss of the Spider Woman" cast Raul Julia as a political prisoner in an unidentified Latin American country, this time he works for a dictator in a fictional Latin American country. Specifically, the dictator suddenly drops dead, so Julia replaces el presidente with a Broadway actor (Richard Dreyfuss) shooting a movie in the country. From there, Dreyfuss has to figure out how to be a dictator, all the while balancing it with his own life.

Is it appropriate to turn the tense situation in Latin America into comedy? Well, "Moon Over Parador" does a good job with it. No matter what they do in this movie, they pull it off. It just goes to show why Richard Dreyfuss is one of the greatest actors of our era, and what we lost when Raul Julia died. Definitely worth seeing. Also starring Sonia Braga (who co-starred with Raul Julia in "TKOTSW"), Jonathan Winters and Sammy Davis Jr.

I agree: the first lady is hot.