Un comptable est poursuivi par des chasseurs de primes, le F.B.I. et la mafia après sa liberation sous caution.Un comptable est poursuivi par des chasseurs de primes, le F.B.I. et la mafia après sa liberation sous caution.Un comptable est poursuivi par des chasseurs de primes, le F.B.I. et la mafia après sa liberation sous caution.
- Prix
- 2 victoires et 5 nominations au total
Tom McCleister
- Red Wood
- (as Thom McCleister)
Avis en vedette
I had never seen this, but what a great road movie. And what a cast, starting with the lead (De Niro) down to all the other roles. Some are "minor" I reckon, but even seeing someone like one of the Beverly Hills Cop "sidekicks" in this movie is quite great. And I don't mean any offense by that, because the character he portrays here is so very different from the earnest cop he plays opposite Eddie Murphy to elevate his comedy.
So yes the actors are great, but it's also a real fun script and story you get to see here. A prime example of a good cop and buddy movie right here. Chemistry is through the roof and it's believable as far as the rules of the movie allow us to connect and suspend our disbelief.
So yes the actors are great, but it's also a real fun script and story you get to see here. A prime example of a good cop and buddy movie right here. Chemistry is through the roof and it's believable as far as the rules of the movie allow us to connect and suspend our disbelief.
The first time I watched this movie, I immediately started it again after the credits rolled. Loved it just as much the 2nd time, and over the years, I can honestly say that almost anytime I watch Midnight Run, I usually end up watching it a 2nd (and sometimes 3rd) time within the next few days.
I'm fairly certain the reason for this is that it's evokes such a feeling, creates such a time and place, that I'm practically nostalgic for watching it the minute it ends. Part of that has to do with Danny Elfman's score, and part of it has to do with DeNiro's and Grodin's performances, but more than anything, it's the fact that they just don't make movies like this anymore.
Midnight Run is without a question a perfect movie, but more importantly, it's a time vessel back to an era where you could tell this kind of story, and make a movie like this, and everyone comes out on top.
I love this movie like I love my childhood.
I'm fairly certain the reason for this is that it's evokes such a feeling, creates such a time and place, that I'm practically nostalgic for watching it the minute it ends. Part of that has to do with Danny Elfman's score, and part of it has to do with DeNiro's and Grodin's performances, but more than anything, it's the fact that they just don't make movies like this anymore.
Midnight Run is without a question a perfect movie, but more importantly, it's a time vessel back to an era where you could tell this kind of story, and make a movie like this, and everyone comes out on top.
I love this movie like I love my childhood.
DeNiro is (Jack Walsh) a self-righteous ex-cop so unpopular with the Chicago police department, now wanting to make one final 'midnight run' that'll pay big so he can buy a nice coffee shop
He is hired by an hysterical bondsman to find and bring back a former Mob accountant called Jonathan "The Duke" Mardukas (Grodin) who has stolen $15 million from the Los Angeles mob, given the money to the 'unfortunates of the earth.'
DeNiro quickly captures the 'white-collar criminal' in New York, and is given five days to bring him to Los Angleles, to collect his $100,000 fee...
Unfortunately for DeNiro, the fugitive accountant is too neurotic to fly the distance... The embezzler's ex-boss wants him badly for knowing all his financial transactions, and agent Yaphet Kotto warns Walsh not to interfere with the FBI's plans to bring the 'Duke' into federal court And if this isn't enough, there is some third-rate bounty hunter (John Ashton) who is intrigued about DeNiro's special deal
In an extended cross-country chase, the two men's personalities and relationship develop
DeNiro shows how to catch talents of improvisation... His cheeky schoolboy look certainly supplies some of the film's lighter moments... He delivers some of the best punchlines, when he replies: 'Well if you don't cooperate, you're gonna suffer from fistophobia.'
Charles Grodin is perfect as the prisoner who gets some of Serrano's records on computer disks, figuring if things got too rough, he could always trade them for his life He continually gets on DeNiro's nerves, and with his soft and ironic tone of voice he advises Walsh that a restaurant is 'a very tricky investment.' He easily dips into Jack Walsh's life ('Don't you want to be loved?'), wandering about his broken marriage ('Did she hurt you, Jack?'), his habits ('Cigarettes are killers. Put the cigarette out.') and whatever he can think of...
The best parts of the film are, in fact, the interactions between the two stars The story holds up perfectly and entertains the viewer in every way Martin Brest does bring out the realistic, funny and moving sides of his likable characters Suspense is maintained to the very end
He is hired by an hysterical bondsman to find and bring back a former Mob accountant called Jonathan "The Duke" Mardukas (Grodin) who has stolen $15 million from the Los Angeles mob, given the money to the 'unfortunates of the earth.'
DeNiro quickly captures the 'white-collar criminal' in New York, and is given five days to bring him to Los Angleles, to collect his $100,000 fee...
Unfortunately for DeNiro, the fugitive accountant is too neurotic to fly the distance... The embezzler's ex-boss wants him badly for knowing all his financial transactions, and agent Yaphet Kotto warns Walsh not to interfere with the FBI's plans to bring the 'Duke' into federal court And if this isn't enough, there is some third-rate bounty hunter (John Ashton) who is intrigued about DeNiro's special deal
In an extended cross-country chase, the two men's personalities and relationship develop
DeNiro shows how to catch talents of improvisation... His cheeky schoolboy look certainly supplies some of the film's lighter moments... He delivers some of the best punchlines, when he replies: 'Well if you don't cooperate, you're gonna suffer from fistophobia.'
Charles Grodin is perfect as the prisoner who gets some of Serrano's records on computer disks, figuring if things got too rough, he could always trade them for his life He continually gets on DeNiro's nerves, and with his soft and ironic tone of voice he advises Walsh that a restaurant is 'a very tricky investment.' He easily dips into Jack Walsh's life ('Don't you want to be loved?'), wandering about his broken marriage ('Did she hurt you, Jack?'), his habits ('Cigarettes are killers. Put the cigarette out.') and whatever he can think of...
The best parts of the film are, in fact, the interactions between the two stars The story holds up perfectly and entertains the viewer in every way Martin Brest does bring out the realistic, funny and moving sides of his likable characters Suspense is maintained to the very end
Here is a movie of my favourite sort regardless of the genre - you feel you would neither add nor substract anything from it. Excellent cast, beautiful script, professional director's work. The main strength of the movie can be found in its unpretentiousness. It primarily aims at providing fun and entertainment, and fulfills it in an efficient way. You have your comedy and action galore.
We are usually willing to suspend our disbelief when watching comedies. No such need when it comes to this movie - the plot, the relations between characters, their motives, everything works like a flawless machinery. It is as credible as life itself.
The movie is brimming with memorable scenes. I have seen it twice - first when it appeared more than 15 years ago, and then again yesterday. I was delighted to find that the movie had lost nothing of its freshness and endured all time traps. I highly recommend it.
9/10 !
We are usually willing to suspend our disbelief when watching comedies. No such need when it comes to this movie - the plot, the relations between characters, their motives, everything works like a flawless machinery. It is as credible as life itself.
The movie is brimming with memorable scenes. I have seen it twice - first when it appeared more than 15 years ago, and then again yesterday. I was delighted to find that the movie had lost nothing of its freshness and endured all time traps. I highly recommend it.
9/10 !
Wish they still made movies like these. This movie is perfectly structured and extremely entertaining. The dialogue is wonderful, funny, and sincere. Highly recommend if you haven't seen this yet.
Le saviez-vous
- AnecdotesThe boxcar scene--where Jack Walsh (Robert De Niro) and John Mardukas (Charles Grodin) discuss whether or not they could ever be friends--was almost entirely improvised on-set. Regarding Grodin's famous line, "You ever had sex with an animal, Jack?": he was told by director Martin Brest to come up with something that was guaranteed to make even Robert De Niro laugh.
- GaffesThe action in the movie takes them through Amarillo, Texas in the Texas panhandle. Mountains are visible between the buildings in the background. The topography of the panhandle is a flat, treeless plain.
- Citations
Jimmy Serrano: Is this moron number one? Put moron number two on the phone.
- Générique farfeluIn the opening credits, Robert De Niro's name is spelled Robert DeNiro.
- Autres versionsTwo cuts to remove lock-picking details were made to the UK video version, which was also upgraded from a 15 cinema certificate to an 18 on video. The British DVD release in 2000 restored the cuts made to previous UK versions.
- ConnexionsEdited into Laser Optics II (1989)
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Détails
Box-office
- Budget
- 35 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 38 413 606 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 5 506 290 $ US
- 24 juill. 1988
- Brut – à l'échelle mondiale
- 81 613 606 $ US
- Durée
- 2h 6m(126 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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