ÉVALUATION IMDb
6,0/10
22 k
MA NOTE
Un tueur vêtu d'un uniforme de police assassine des innocents dans les rues de New York.Un tueur vêtu d'un uniforme de police assassine des innocents dans les rues de New York.Un tueur vêtu d'un uniforme de police assassine des innocents dans les rues de New York.
Nina Arvesen
- Regina Sheperd
- (as Nina Aversen)
James Dixon
- Clancy
- (as Jim Dixon)
Corey Michael Eubanks
- Bremmer
- (as Corey Eubanks)
John F. Goff
- Jack's Lawyer
- (as John Goff)
Avis en vedette
Maniac Cop is a cool little movie. Made with a small budget and few known actors, I thought that it was going to be stupid and cheap looking. I was wrong. With an original script that features respective characters and a new horror villain, this film was very entertaining and well done. Unlike many horror and action movies of today, this film didn't need a huge budget to make it good. It just called for good direction and good use of low funds.What really made this film good was not just a cool hero like Bruce Campbell to root for, but the actual reality that some of the things in here could very well happen in real life, adding to the films scary mood. The main point of this flick is about a cop who was killed in prison by his fellow inmates(after being sent their for police brutality and murder)and then somehow returning to life to go back onto the streets and get revenge against not only criminals but against innocent people as well. It is then up to Bruce Campbell and company to put an end to the Maniac Cops murderous rampage and restore peace to the fearful city once again. I recommend this film and think you should rent it whenever you get the chance to. I give it two thumbs up. RATED R FOR STRONG ACTION, VIOLENCE/GORE,LANGUAGE, AND INTENSE SITUATIONS.
In New York someone is committing brutal murders on unexpected and innocent victims, but to make matters worst for the police force, witnesses claimed it was a cop doing the horrific acts. Now terror fills the people of New York of anyone in a blue uniform. Not too long officer Jack Forrest (Bruce Campbell) gets accused of these murders, but Cordell a supposedly dead cop who was wrongfully jailed by the higher authorities of the city frames Forrest, so he could get closer to those screwed him. Lt. McCrae (Peter Atkins) who is in charge of the case doesn't believe that the accused officer is apart of it and he goes out of his way to prove that a demented policeman is the one they should be after.
Damn! I wished I watched them in order, as certainly this is by far the best of the three. It's just I couldn't get my hands on it, until after seeing the two sequels and they were just there. But that's always the case when you do something like that. Oh well, I did leave the best for last, which I guess leaves me with more than a satisfied feeling towards the trilogy after the somewhat fair, but disappointing number three.
'Maniac Cop' isn't going to win any awards nor is it not trying to. What we have by Director William Lustig and writer Larry Cohen is nothing but good trashy b-grade action-horror hokum and it achieves it in a rather sprightly manner. Watching this you'll be thinking your trash heaven! It borders on ridiculous, but hey that makes it even more enjoyable and you could say its one of the better horror flicks that filled the late 80's. It has the slasher touch to it, but with a twist with a killer being someone who we think will protect us. Larry Cohan's screenplay makes great use of this premise, by executing ideas about the hysteria it would cause when playing on society fears of political correctness and people abusing their authority figure and power. These sort of social commentaries you just come to like and grow use to when watching a film that has him credited as writer. Other than the satire part, Cohan adds to the mystery of Cordell in a very compelling structure by providing enough mayhem and more than enough surprises along the way. That's not to say it doesn't have its plot holes and some things just come together a bit to easy, but again it knows its limitations by playing it for fun than going for a serious outlook were every little thing is wrapped up in nice little bow. For me it was more original than most in its field.
The vividly seedy New York backdrop was a superb fitting with its scummy macabre that fills every crevice during the night sequences, but still enough through daylight that you are pulled into panic and uneasy vibe that fills the city. A chilling aurora is felt with rustling sounds that added even more to the grinding tension and increasing dread. Something that the two sequels just couldn't replicate, well not in the same vein. The time pretty much passes by like a breeze, as it's relentlessly at a high-octane pace. That's all because of William Lustig no bars approach to the direction, by adding a pinch of all types of ingredients. Like the usual high speed car chase, interesting interactions between the characters, explosive shootout, exploitative violence that has a tad of gore and the basic flashback on the bad guy and how he become this monster. You'll be on the edge for last 15 minutes.
Although, the performances also make it one hell of a ride with the likes of some favourite powerhouse b-films stars that just have a knack of making any sort of character interesting. You have probably guess who I'm going to praise and I see from other reviewers I'm hardly alone on this one, but Bruce Campbell and Peter Atkins can make anything incredibly lively when they are involved. Both get their fair share of screen time and make the most of it and it's the first time that I've seen Campbell in a tone down role and he still nails it. But again the characters get their witty lines curtsy to Cohen's profound script. Laurene Landon also is quite good as Forrest's mistress and cop buddy. She adds another feisty element to the picture. Also in the support you got the likes of Richard Roundtree as Commissioner Pike and William Smith as Capt. Ripley. Robert Z'Dar plays the hidden figure Matt Cordell that has some supernatural vibe with brute and energy, but even with some passion too. The actual makeup for Cordell's scarred face wasn't too bad either.
Overall, this low-budget feature is immensely messy fun with an above-average script and remarkably agreeable performances by all involved. Definitely check out the sequels if you enjoy this flick as they kind of follow the same path, but also adding their own distinguishable trait to the central idea.
Damn! I wished I watched them in order, as certainly this is by far the best of the three. It's just I couldn't get my hands on it, until after seeing the two sequels and they were just there. But that's always the case when you do something like that. Oh well, I did leave the best for last, which I guess leaves me with more than a satisfied feeling towards the trilogy after the somewhat fair, but disappointing number three.
'Maniac Cop' isn't going to win any awards nor is it not trying to. What we have by Director William Lustig and writer Larry Cohen is nothing but good trashy b-grade action-horror hokum and it achieves it in a rather sprightly manner. Watching this you'll be thinking your trash heaven! It borders on ridiculous, but hey that makes it even more enjoyable and you could say its one of the better horror flicks that filled the late 80's. It has the slasher touch to it, but with a twist with a killer being someone who we think will protect us. Larry Cohan's screenplay makes great use of this premise, by executing ideas about the hysteria it would cause when playing on society fears of political correctness and people abusing their authority figure and power. These sort of social commentaries you just come to like and grow use to when watching a film that has him credited as writer. Other than the satire part, Cohan adds to the mystery of Cordell in a very compelling structure by providing enough mayhem and more than enough surprises along the way. That's not to say it doesn't have its plot holes and some things just come together a bit to easy, but again it knows its limitations by playing it for fun than going for a serious outlook were every little thing is wrapped up in nice little bow. For me it was more original than most in its field.
The vividly seedy New York backdrop was a superb fitting with its scummy macabre that fills every crevice during the night sequences, but still enough through daylight that you are pulled into panic and uneasy vibe that fills the city. A chilling aurora is felt with rustling sounds that added even more to the grinding tension and increasing dread. Something that the two sequels just couldn't replicate, well not in the same vein. The time pretty much passes by like a breeze, as it's relentlessly at a high-octane pace. That's all because of William Lustig no bars approach to the direction, by adding a pinch of all types of ingredients. Like the usual high speed car chase, interesting interactions between the characters, explosive shootout, exploitative violence that has a tad of gore and the basic flashback on the bad guy and how he become this monster. You'll be on the edge for last 15 minutes.
Although, the performances also make it one hell of a ride with the likes of some favourite powerhouse b-films stars that just have a knack of making any sort of character interesting. You have probably guess who I'm going to praise and I see from other reviewers I'm hardly alone on this one, but Bruce Campbell and Peter Atkins can make anything incredibly lively when they are involved. Both get their fair share of screen time and make the most of it and it's the first time that I've seen Campbell in a tone down role and he still nails it. But again the characters get their witty lines curtsy to Cohen's profound script. Laurene Landon also is quite good as Forrest's mistress and cop buddy. She adds another feisty element to the picture. Also in the support you got the likes of Richard Roundtree as Commissioner Pike and William Smith as Capt. Ripley. Robert Z'Dar plays the hidden figure Matt Cordell that has some supernatural vibe with brute and energy, but even with some passion too. The actual makeup for Cordell's scarred face wasn't too bad either.
Overall, this low-budget feature is immensely messy fun with an above-average script and remarkably agreeable performances by all involved. Definitely check out the sequels if you enjoy this flick as they kind of follow the same path, but also adding their own distinguishable trait to the central idea.
When I saw this movie on the market I thought 'what the hell' and bought it. I was so surprised by this movie that now i'm on the search for the sequels. The storyline is good and the action with the horror is great. Watch out for 'Tango and Cash' big jawed baddie Robert Z'Dar and surprise cameos from Sam Raimi and Boxing champ JAKE LaMOTTA. There are loads of killings, plenty of low-budget action and another SURPRISE moment involving Tom Atkins. Don't miss this before you die or go blind. 9 out of 10.
This movie is almost completely incredible. The first twenty minutes or so are incredible, with tons of killings. Then, as the plot unfolds, the film turns into more of a detective story, and it loses a little of its punch. BUT, there are glimmers of B movie greatness that make this worth checking out. I viewed it as a William Lustig film, and as a Lustig film, this one lacks a little bit of his signature extremism. 6/10
I have to admit that I was pleasantly surprised with 'Maniac cop'. Having seen the posters and video years and years ago and heard it mentioned numerous time, I finally got around to, ahem, 'acquiring' it for myself. First off the setting and pace of the film are spot on and fit perfectly into the horror genre so prevalent in the late 80s. This film is really a blend of cop and horror genres and scores well on both counts. There is ample gore and some genuinely chilling scenes which are well backed up by sturdy performances from genre favourites Bruce Campbell, Tom Atkins and even 'Shaft' himself - Richard Roundtree. I recognised many of the other actors from other 80s films like the sleazy mayor, crippled policewoman and others and this all helps the film along. Make no mistake about it, this film still packs a punch, despite the somewhat jokey killings and the air of invulnerability of the eponymous 'Maniac' is reminiscent of 'Manhunter' and especially 'The Hitcher'. If you love 80s trash films then this is a real treat.
7 out of 10 - very enjoyable.
7 out of 10 - very enjoyable.
Le saviez-vous
- AnecdotesBoth Bruce Campbell and Robert Z'Dar have had the nickname "The Chin".
- GaffesMountains and even a palm tree are visible in the background of a few shots during the chase scene near the end which is supposed to take place in New York City. They were obviously shot in Los Angeles.
- Citations
Security Guard: You always take a leak with a gun in your hand? That's a good way to blow your balls off!
- Autres versionsUK cinema and video versions were cut by 5 secs by the BBFC to remove closeup shots of Cordell's back and face being slashed during the shower scene. The Synergy DVD featured the same cut print though the 2004 extended version released by Optimum was fully uncut.
- ConnexionsFeatured in Le flic de l'enfer 2 (1990)
- Bandes originalesWalk the Floor
Composed by Michael Shanklin, Tamila Jensen and Gail Jensen
Vocals by David Carradine
© 1984 Silver Feather Music Publishing
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Détails
Box-office
- Budget
- 1 100 000 $ US (estimation)
- Brut – États-Unis et Canada
- 671 382 $ US
- Brut – à l'échelle mondiale
- 671 382 $ US
- Durée1 heure 25 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Le flic de l'enfer (1988) officially released in India in English?
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