ÉVALUATION IMDb
5,9/10
5,4 k
MA NOTE
Tombée enceinte, une adolescente doit décider si elle doit garder le bébé ou non.Tombée enceinte, une adolescente doit décider si elle doit garder le bébé ou non.Tombée enceinte, une adolescente doit décider si elle doit garder le bébé ou non.
- Director
- Writers
- Stars
- Prix
- 1 victoire et 1 nomination au total
Anne E. Curry
- Push Nurse
- (as Anne Curry)
Avis en vedette
I've seen this movie a couple of times and I love it to death! I'd have to say that I have two all time favorite movies, and this is a tie with The Year My Voice Broke. This movie, is set in (present day -which at the time was 1988)in a small town of the U.S. These two high school sweethearts get pregnant, and decide that although both sets of parents are against it, they are going to get married. It's the story of their successes and trials that they face throughout their pregnancy and once the baby is born while they are married. Molly Ringwald is wonderful in the movie, but then, I think she's one of the most talented actresses, who unfortunately was type-casted so much, really wasn't able to overcome it after the '80s. Her leading man is also very good. I found him to be a great pick for that role, and he made you believe he really was his character. This movie is sweet, sincere, and really true to what the message is trying to say. I love this movie, and hope that all of you will take the time to watch it. It's not only educational but romantic, and heartwarming. I give it a 10 out of 10.
That's my review.
That's my review.
Truly one of the best underrated films of the 80s. Molly Ringwald stars in the lead as an honor student who gets pregnant and decides to keep the baby with her boyfriend despite their disapproving parents. The material has been covered before but because of the strong performances all around and the engaging screenplay it's elevated. It's fun and tear jerking and just feels so genuine.
Darcy (Molly Ringwald) is a high school senior. She is interested in becoming a journalist and her domineering mother encourages her to pursue college. Darcy, however, is also in love with fellow senior, Stan, who has been offered a complete architectural scholarship to Cal Tech. Despite being on the pill, Darcy ends up pregnant. Whatever will the young couple do? This sweet film is a bit stretched in the realism department, but is carried well by the two young stars. Molly, especially, is so lovely and touching, one wonders why she never became a major star. The supporting cast is capable, the costumes very alluring, and the scenery of Kenosha, Wisconsin, captured perfectly. If it is your mission, ladies, to see as many romantic dramas as you can, add this one to your list, by all means.
The story is a sweet romantic comedy about teen pregnancy. Unfortunately it is a bit uneven. Funny, then drama, then complicated. The characters are well played in each part.
I remember sitting in the theater watching this. During the first half of the movie, it's quite sweet and more than a little humorous, but then, about the time of the baby's birth, the tone takes a drastic and sudden downturn. It seemed to me that someone from some parents league had cornered the director and said something like, "If you make a light-hearted comedy about pregnant teens, then teens all over America are going to think it's fun to have a baby... Why not show some of the problems young couples with children have to face?" The second part of the movie piles on so much trouble, misfortune and drama that it seems like some kind of Lifetime docudrama. So much in their young lives goes wrong that in order to have an acceptable ending, too much has to go right all at once. The ending just doesn't seem believable because it is such a sudden jump from the end of the second act.
I liked the characters, who remained believable throughout the various situations. The plot and direction could have been worked out a bit more carefully.
I remember sitting in the theater watching this. During the first half of the movie, it's quite sweet and more than a little humorous, but then, about the time of the baby's birth, the tone takes a drastic and sudden downturn. It seemed to me that someone from some parents league had cornered the director and said something like, "If you make a light-hearted comedy about pregnant teens, then teens all over America are going to think it's fun to have a baby... Why not show some of the problems young couples with children have to face?" The second part of the movie piles on so much trouble, misfortune and drama that it seems like some kind of Lifetime docudrama. So much in their young lives goes wrong that in order to have an acceptable ending, too much has to go right all at once. The ending just doesn't seem believable because it is such a sudden jump from the end of the second act.
I liked the characters, who remained believable throughout the various situations. The plot and direction could have been worked out a bit more carefully.
This movie is for keeps! Not only is it insightful and informative about abortion and STDs, but it reminded me of how many movies from the 1980's suffered from Molly Ringwald's absence. Case in point: St. Elmo's Fire. Another example: Little Darlings. She might not have added that mystical Jean Seberg / Bea Arthur element, but she's a fresh reminder that Hollywood's sometimes takes a chance on otherwise ordinary people that have a spark in their soul. Bravo, Molly!
Le saviez-vous
- AnecdotesScreenwriters Tim Kazurinsky and Denise DeClue began work by immersing themselves in the subject of teenage pregnancy, reading articles and speaking directly to teenage mothers. Kazurinsky said: "According to our research about 10,000 U.S. teenagers a week who are pregnant keep their babies. And in every interview we had with young pregnant girls, they all said, 'I never thought it would happen to me.' So we created Darcy Elliot as the kind of smart, with-it girl who would never think it could happen to her".
- Citations
Mr. Babrucz: Young lady you need to learn how to keep your mouth shut and your legs crossed!
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Et si on le gardait?
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 17 514 553 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 4 839 790 $ US
- 17 janv. 1988
- Brut – à l'échelle mondiale
- 17 514 553 $ US
- Durée1 heure 30 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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