Après avoir émis le souhait de devenir grand, un adolescent se réveille dès le lendemain matin dans le corps d'un adulte.Après avoir émis le souhait de devenir grand, un adolescent se réveille dès le lendemain matin dans le corps d'un adulte.Après avoir émis le souhait de devenir grand, un adolescent se réveille dès le lendemain matin dans le corps d'un adulte.
- Réalisation
- Scénaristes
- Vedettes
- Nommé pour 2 oscars
- 11 victoires et 14 nominations au total
- Ticket Taker
- (as Gary Klar)
Avis en vedette
Rewatching it as an adult makes me appreciate it on a whole new level. I did not care for the emotional nuances of the movie and the dilemma that Josh was in because I myself was a kid the first time I watched it. I couldn't understand the depth of the movie's themes in the same way that Josh fails to have a truly deep, mature, emotional connection with another adult. Watching this movie as an adult also gives me this blissful sense of nostalgia for the little blip of time I spent as a child. Childhood is such a small part of your life compared to the time you spend as an adult, yet it makes a tremendous impact on you and what happens to you in those brief years leaves a lasting impression. Those are the thoughts and feelings this movie elicited in me and that's why it's highly recommended from me.
This movie is amazing because I saw it when it came out, when I was 13 years old, the same age as josh baskins in the movie, and I loved it then. It speaks to you as a child because it's completely realistic, everything is just the way a kid would see it. Most of the time when adults try to simulate what it's like to be a child, they fail miserably (see all the 80's anti-drug propaganda ads as an example). It takes an immense amount of creativity and sensitivity to be able to write something like this. But then when I see this movie as an adult, it speaks to me on a completely different level. This film is a lesson to adults as well as children. Don't miss out on the fun and spirit of life! Don't get to wrapped up in your petty concerns of status and materialism, just try to enjoy every moment the most that you can, because you'll never get another chance to relive each moment of your life.
Any of these fools that didn't like this movie are just that, they've probably missed out completely on the message because they can't remember what it was like to be a kid, to see the world as one big optimistic toy you're lucky to be able to play with. Think about that and see this movie again if you don't remember how amazing it is...
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The interesting trick of what makes the story appealing is not so much the magic that the boy gets his wish to be "big." It's that once he is in an adult, he has to navigate the adult world with the mind of a child -- and ultimately realizes that he is missing something if he makes the leap from boy to man without going through all the fun and the struggle in between. There are several other films that have the boy-to-man switch, but none of them have the depth of understanding about human nature that this film portrays.
The story is wonderfully written and directed, and Tom Hanks is a star. The film made me laugh, and it made me cry. What more can you ask of one movie?
I think this is one of Hanks' finest hours and see it as the pinnacle of his early pre-90's career. His later performance in Philadelphia would eclipse this role, although this was obviously more serious in its message.
It takes real talent to act the young boy in the body of a thirty something and Hanks' copes admirably, from the comical leaping around the bedroom when he is trying to put on the jeans of the child on discovering his transformation to the child-like reaction displayed on Perkins' advances toward him. He captures the essence of youthful innocence both in the company of his younger peers and older 'work' colleagues.
Elizabeth Perkins complements the performance of Hanks' and it seems a shame that on searching the database that her career perhaps hasn't mirrored the success of Hanks' since making 'Big'.
I don't know why, but I always shed a tear at the end of the film. Perhaps it is the longing in all of us to want to return to the days of our youth and that we cannot turn back the clock as one can in the imaginary world of film.
As I grow older, and watch my children grow-up it makes me realise that time is a precious commodity and that life is a gift that should be cherished and nurtured carefully. This film somehow reinforces these feelings.
Le saviez-vous
- AnecdotesAccording to Robert Loggia, on the day they filmed the famous Walking Piano scene at FAO Schwarz, he and Tom Hanks noticed that doubles dressed like them were on hand just in case they could not do the dance moves correctly. It became their goal to do the entire number without the aid of the doubles. They succeeded.
- GaffesBefore Josh and MacMillan play the Walking Piano at FAO Schwarz, Josh throws a bag down on the ground. When they leave he leaves it there and doesn't take it with him.
- Citations
Young Josh, Billy: The space goes down, down baby, down, down the roller coaster. Sweet, sweet baby, sweet, sweet, don't let me go. Shimmy, shimmy, cocoa pop. Shimmy, shimmy, rock. Shimmy, shimmy, cocoa pop. Shimmy, shimmy, rock. I met a girlfriend - a triscuit. She said, a triscuit - a biscuit. Ice cream, soda pop, vanilla on the top. Ooh, Shelly's out, walking down the street, ten times a week. I read it. I said it. I stole my momma's credit. I'm cool. I'm hot. Sock me in the stomach three more times.
- Autres versionsThe Extended Edition is 130 minutes. It was released in 2007, and contains 26 minutes of previously deleted scenes, including Frances Fisher's role as Mrs. Kopecki.
- ConnexionsEdited into 5 Second Movies: Big (2008)
- Bandes originalesThe Way We Were
Written by Alan Bergman, Marilyn Bergman, and Marvin Hamlisch
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Big
- Lieux de tournage
- Rye Playland, Rye, New York, États-Unis(where Josh finds Zoltar at the end of the film)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 18 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 115 227 281 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 8 216 190 $ US
- 5 juin 1988
- Brut – à l'échelle mondiale
- 151 927 281 $ US
- Durée
- 1h 44m(104 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1






