Evil Under the Sun

I have watched another two notoriously famous works of Agatha Christie, MURDER ON THE ORIENT EXPRESS (1974) and DEATH ON THE NILE (1978), despite of three in a row, I could still enjoy this one to a great extent.

The distinction of a star-studded cast and an isolated milieu is too overt to be surprising, luckily enough the island itself compensates a mind-distracting delightfulness. Also it has been the third time around, so as that I am lucidly familiar with its plot design-pattern, the obvious target is farcically recognizable and the murderer is not so perplexing to guess, in addition that all the cartoonish characters attenuate the tone of the headlining murder, which I will recommend to those who usually are shunned by the murder/crime genre.

Speaking of its cast, I adore Maggie Smth, I am thoroughly enjoy her a touch over-the-top performance here, also Jane Birkin is magnificently multi-faceted (I couldn't recall her roll in MURDER ON THE ORIENT EXPRESS though). Diana Rigg and Sylvia Miles are perfectly for their roles as bitchy, bitter, vanity bourgeois women. By comparison the equivalent supporting male cast is being eclipsed wholesale, of which even a renowned James Mason cannot avoid.

Peter Ustinov's Pourot is cannily uncompromising with a sharp wit under the contrast of his chubby appearance (although my favorite is Albert Finney in MOTOE). I'm curious now Sherlock Holmes franchise has been resuscitated into somewhat bromance-cum-action flick, maybe it's the right time for Monseiur Pourot to reestablish his name as a genuine detective mind versus a lumbering body, let wisdom rules again!

What can I say, this is an excellent film, only equal to The Suchet Poirot Murder On the Links, it's the most enjoyable Agatha Christie That Ustinov has ever made!!!! 10/10 Stars!!!

Death On the Nile is definitely the best of the Peter Ustinov outings, with its sumptuous scenery and costumes, fine performances and an overall successful attempt to do justice to the book. Evil Under the Sun is not quite as good, it does start off a little slow and it does drag in places. But other than that, it is a hugely enjoyable film that is in my opinion one of the better Agatha Christies out there.

The scenery in this film is absolutely breathtaking as are the colourful costumes, captured perfectly by the magnificent cinematography. Arlena Marshall's dresses are amazing, and I admit when I first saw the movie I was like I want a dress like that. The soundtrack by Cole Porter is wonderful, and a real treat to the ears. One of the film's highlights was the song Arlena(marvellously played by Diana Rigg) sings, it somewhat reminded me of Marlene Dietrich.

The film also benefits from a very clever plot, that is definitely among Agatha Christie's best. Throughout, it is beautifully constructed, with some clever and not at all confusing subplots. The dialogue is very inspiring, sometimes flowery and at other times witty. My favourites were the bitching of Arlena and Daphne Castle, they were so funny and original, and by far one of the highlights of the film. Another highlight was the final solution, a truly ingenious one, one of my favourite denouncements of all time.

And what about the acting? Superb from all involved! Peter Ustinov while not looking exactly like Christie's dapper detective in the books seems to be enjoying himself enormously here and it really shows. As I've said already, I loved Diana Rigg as Arlena, quite frosty and very detestable in terms of character, but in terms of a truly talented actress like Rigg, it was a marvellous performance. Jane Birkin is great, as is Nicolas Clay, both of whom are under-appreciated actors and put everything into their characters. Other than Rigg, the other standout for me was Maggie Smith as Daphne. Then again, Smith never disappoints in anything she's in, and being one of my all-time favourite actresses, she gives one of her more understated performances here. James Mason was fine, though he could have done with more screen time.

All in all, one or two minor flaws, but overall an absolutely terrific film. And I do admit, I prefer it over the David Suchet version. 8.5/10 Bethany Cox

Definitely one of the more enjoyable adaptations of Agatha Christie novels due to brilliant dialog exchanges between members of an all-star cast--as well as the inclusion of a number of attractive Cole Porter tunes amid spectacular scenic backgrounds. If you enjoyed Peter Ustinov as Hercule Poirot in 'Death on the Nile' you'll find him twice as amusing in this one. But the film really belongs to Diana Rigg and Maggie Smith who have a fine time with the witty, brittle lines. James Mason and Roddy McDowall are also impressive, as are a number of other players who form the usual vast number of suspects. A clever, if contrived, plot that strains credibility--depending so much on coincidences--but as usual, Christie is clever enough to cover any weaknesses with other distractions. Enjoyable for any mystery fan. The photography of the seaside spa is a feast for the eyes.

Peter Ustinov recreates the role of Poirot, following the wonderful Death On The Nile. This is not the story as Agatha Christie wrote it, but here we have a rare example of the movie being better than the book. In fact it would be more accurate to say that here we have a murder mystery based on an idea by Miss Christie. We are presented with is a cast of characters, a murder victim, and just about everyone has a motive. Poirot of course, deduces who did it. The sun in question, under which this evil takes place, shines down on a privately owned island in the Mediterranean, giving us a warm and exotic location.

There isn't one bad performance among the cast, several of whom have appeared before in at least one other Poirot story. Maggie Smith and Jane Birkin in Evil Under The Sun; Dennis Quilley and Colin Blakely in Murder On The Orient Express. Diana Rigg and Maggie Smith almost steal the show as two women who smile sweetly at each other as they spit venom! But every bit as good are Blakely, Quilley, Mason, McDowall and the rest. And while all this is going on, the soundtrack is solid gold Cole Porter, which has been orchestrated perfectly to fit the story.

This movie is pure fun. Make yourself comfortable, suspend disbelief and allow yourself to be transported to another era and location for a couple of hours of enjoyment.