En cherchant à découvrir pourquoi un millionnaire s'est retrouvé avec un faux diamant, Hercule Poirot débarque dans un hôtel exclusif sur une île fréquentée par le gratin de la société. Lors... Tout lireEn cherchant à découvrir pourquoi un millionnaire s'est retrouvé avec un faux diamant, Hercule Poirot débarque dans un hôtel exclusif sur une île fréquentée par le gratin de la société. Lorsqu'un meurtre est commis, tout le monde a un alibi.En cherchant à découvrir pourquoi un millionnaire s'est retrouvé avec un faux diamant, Hercule Poirot débarque dans un hôtel exclusif sur une île fréquentée par le gratin de la société. Lorsqu'un meurtre est commis, tout le monde a un alibi.
- Director
- Writers
- Stars
- Prix
- 1 nomination au total
Avis en vedette
The plot for some part is a little far fetched, but such is the quality of the writing and the mystery itself it doesn't matter in the slightest, for it to have worked the timings would have had to have been literally to the minute.
The characterisations are the strong point of the film. Ustinov made a brilliant debut in Death on the Nile, and he shows once again just how good he was in the role. Diana Rigg and Maggie Smith are wonderful in their respective roles in particular, both actually make their characters more interesting then they appear in the book, the interplay between the two is wonderful, so much fun. Nicholas Clay and Jane Birkin are fantastic also, her transformation is sensational, what a beauty!
It is a lavish looking film, the locations are sensational, and the costumes are superb, they really add a glamorous note to it, Rigg looks sensational in many scenes.
Overall 9/10. It's a great story, it's brilliantly acted, and the characters are just magical, it's hugely entertaining!
If you've seen Death on Nile and liked it then this would be enjoyable. Certainly much more entertaining than Murder on the Orient Express. The characters here are much more entertaining, especially Dianna Rigg, who plays the glamorous, snooty bitch.
It is engaging after everyone is settled on the island and it did hold my attention. I would say that the most unappealing component of the film is the soundtrack which is distracting in several scenes. Almost big band-like music in scenes where someone is walking! I almost got the feeling the music was celebrating a loud outfit worn by Maggie Smith. Clothing is a big deal in this film. The costumes are as entertaining as some of the characters. Even Roddy McDowell is attired in colorful outfits here.
All in all, not bad. I think most people will enjoy it.
Rarely are so many top actors seen together in one production.
What the director did was to take an Agatha Christy murder mystery and sparkle it with humour and dry wit. Maggie Smith is absolutely priceless and her bitching with Diana Rigg is reminiscent of Wilde`s importance of being Earnest. Each of the actors look as though they had a terrific time throughout the production as they camp up the roles but still manage to keep the serious side of the plot going.
A must see.
Le saviez-vous
- AnecdotesDespite not being in the original novel, early versions of the script included the character of Colonel Race, played by David Niven in Mort sur le Nil (1978). Niven was offered to return but had to decline due to his failing health.
- GaffesIn the film, Patrick Redfern was wearing swim briefs ("Speedos") on many occasions (suntanning on the beach, steering a motorboat with Myra Gardener on board), and it is suggested that, since the film was set in the 1930s or 1940s, that the male "overall" swimsuit was "norm", and the "Speedo" type suit was an anachronism. This is not true; by 1936 (after the Olympics) men started wearing one piece and much tighter fitting "Speedo" suits. The film is probably set before 1939 (the book was written in 1941), and by this time, fashionable and daring men would have worn this type of swimsuit, particularly to secluded getaways, such as the setting for the movie.
- Citations
Arlena Stuart Marshall: Oh, dear! I'm the last to arrive.
Daphne Castle: Have a sausage. You must be starving having to wait all that time in your room.
- Générique farfeluThe opening credits feature watercolors by British architect and artist, Sir Hugh Casson, who taught King Charles III to paint. The titles for each actor feature an item of costume, prop or setting relevant to their character and those for the production team are similarly themed.
- Autres versionsThe BBC have edited two scenes from the film for broadcast. The first is the scene where Arlena Marshall is discussing the proposed show with the Gardners, after Odell tells her that it is called "It's Not Right, and It's Not Fair", Arlena's next line, "Sounds like a black man's left leg" has been cut. The second is in the scene where Kenneth Marshall reveals to his wife that he knows she booked Patrick Redfern into the hotel. Her response, "The bitch Daphne!", is also cut.
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Meurtre au soleil
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 10 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 6 110 000 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 1 690 774 $ US
- 7 mars 1982
- Brut – à l'échelle mondiale
- 6 110 804 $ US