Deux athlètes britanniques, le premier juif convaincu et le second un chrétien dévot, participent aux Jeux olympiques de 1924.Deux athlètes britanniques, le premier juif convaincu et le second un chrétien dévot, participent aux Jeux olympiques de 1924.Deux athlètes britanniques, le premier juif convaincu et le second un chrétien dévot, participent aux Jeux olympiques de 1924.
- A remporté 4 oscars
- 18 victoires et 19 nominations au total
John Gielgud
- Master of Trinity
- (as Sir John Gielgud)
Avis en vedette
What an amazing movie it is... amazing is the word! I saw the movie today - on the 5th of Feb '09. What a pity that i couldn't experience the movie's aura earlier!
Chariots of Fire is an outstanding piece of work which may be easily, and deservedly so, termed as LEGENDARY! Watch this movie and you'll know what is inspiration and dedication...
The characterization is such exemplary that each and every character tell their own little story... The two main characters - Lindell and Abrahams - are such that you'll only want to know them better as you go on watching the movie... especially that of Lindell. The guy is so so dedicated and truthful that i for one would just feel honored to know him closely.
Guys, WATCH IT!!!!!!!!!!!!
Chariots of Fire is an outstanding piece of work which may be easily, and deservedly so, termed as LEGENDARY! Watch this movie and you'll know what is inspiration and dedication...
The characterization is such exemplary that each and every character tell their own little story... The two main characters - Lindell and Abrahams - are such that you'll only want to know them better as you go on watching the movie... especially that of Lindell. The guy is so so dedicated and truthful that i for one would just feel honored to know him closely.
Guys, WATCH IT!!!!!!!!!!!!
"Chariots of Fire" is a fine motion picture that won the Best Picture Oscar in 1981, even though it was the longest of long-shots. The film deals with two young Englishmen (Ben Cross and Ian Charleson) who have hopes of glory at the 1924 Olympics. We see that their struggles almost cost them the opportunity to achieve the greatness that they both desire. When they are both ultimately successful, Charleson feels that his win is due to God's glory and accepts the medal with the greatest of pride and admiration. However, after Cross wins the gold he feels somewhat disappointed and realizes that what he thought he wanted was not what he really wanted at all. The insight into this motion picture is amazing. Both athletes convey very common feelings that most people experience if they are serious enough in what they are doing, whether it be sports or something else. The main focus of "Chariots of Fire" is that the journey to get to the destination is more important and uplifting than the destination itself. Many question the fact that this film won the Best Picture Oscar over "Reds" and "Raiders of the Lost Ark". However, this is one time I cannot say anything negative about the Academy's decision. The fact that this film won in 1981 is testimony to the fact that the Academy is one of the greatest organizations in the world. Kudos to all involved here. 5 stars out of 5.
Perhaps the most moving of all movies that I have ever seen, Chariots of Fire is purely amazing. I must admit that when I first saw it back in '97, I was bored silly by it, but then again, all the movies that I was watching then were your typical fare for a young teen--Adam Sandler comedies (how asinine they are now). Now, I have a great respect for CoF, since I discovered the joy of running and the feel of the race. Before every cross country and track season, I force my teammates to sit down and watch this to help learn what teamwork means and the glory of striving your hardest. Oh and that soundtrack is also pretty good.
I beg to differ with several previous reviewers. This film is neither bland nor is it solely about professionalism vs. amateurism.
This film is about what drives people to do what they do. Eric Liddell (Ian Charleson) runs for the glory of God, whereas Harold Abrahams (Ben Cross) runs to prove his worth to a society that was anti-Semitic. Even though they run for different reasons, their drive and determination spur them on. They stand up for what they believe in and refuse to sacrifice their principles because it is the easy way out.
The supporting cast is also extraordinary, with Nigel Havers, Nicholas Farrell, Ian Holm and Sir John Gielgud all making important contributions to the final product.
There is absolutely nothing unnecessary in this film. The writing, the direction, the acting, the dialogue are all outstanding. And then there's that haunting score.
Once again, this is truly an outstanding film. One with universal themes that transcend time and place.
This film is about what drives people to do what they do. Eric Liddell (Ian Charleson) runs for the glory of God, whereas Harold Abrahams (Ben Cross) runs to prove his worth to a society that was anti-Semitic. Even though they run for different reasons, their drive and determination spur them on. They stand up for what they believe in and refuse to sacrifice their principles because it is the easy way out.
The supporting cast is also extraordinary, with Nigel Havers, Nicholas Farrell, Ian Holm and Sir John Gielgud all making important contributions to the final product.
There is absolutely nothing unnecessary in this film. The writing, the direction, the acting, the dialogue are all outstanding. And then there's that haunting score.
Once again, this is truly an outstanding film. One with universal themes that transcend time and place.
The strength of this movie is the study in character contrast and development, with the added attractions of a historical setting and the soaring, ethereal musical score of Evangelos Papathanassiou.
The film is anchored in the character study of the introspective, brooding, and complex persona of Harold Abrahams, wonderfully portrayed by Ben Cross. Here is a man with all of the outward trappings of success: academic achievement, unexcelled athletic ability, wildly popular with his peers, yet tortured by an inbred inferiority complex and driven to lash out at the world in response. In the end, he conquers his inner demons through hard work, sacrifice, understanding of his fellow man, and the love of a good woman, to whom he opens his heart. I found myself thinking that Harold Abrahams is the kind of man I would want as my best friend, yet at the same time would find hard to become close with and relate to.
Ian Charleston's character (Eric Liddell) is a bit more one-dimensional. He is the archetypical Good Man, faithful to his family, his country, his friends, and his God. And in the end he triumphs through sheer force of will and by tapping that reservoir of inner strength that sustains him. As the crusty coach Sam Mussambini says, "He's a gut runner. Digs deep...".
It's a bit of a pity that the movie, long though it is, could not have delved more deeply into the other characters' background. Lord Andrew Lindsey is particularly appealing as Harold's and Eric's faithful friend who gives up his spot in his specialty race (the 400 m) to allow Eric a chance at the gold. Sybil Gordon is wonderful as Harold's love interest who tries to draw him out of his lonely world of bitterness and resentment and self-hatred ("You ran like a God. I was proud of you...", even after Harold loses a race for the first time in his life to a more determined Eric). Even some of the American competitors, who are only peripherally portrayed in the concluding segments, lend some color. Jackson Scholtz' reaching out to Eric Liddell gives one the sense that he knows the greatness of spirit that quietly resides in this unassuming Scotsman.
Its a wonderful story wonderfully told, and when its over you find yourself longing for it to continue, to see how these characters we've come to know over the previous two hours will turn out in the rest of their lives. Alas, the story of their lives is noted only in subtitles as the film closes.
The film is anchored in the character study of the introspective, brooding, and complex persona of Harold Abrahams, wonderfully portrayed by Ben Cross. Here is a man with all of the outward trappings of success: academic achievement, unexcelled athletic ability, wildly popular with his peers, yet tortured by an inbred inferiority complex and driven to lash out at the world in response. In the end, he conquers his inner demons through hard work, sacrifice, understanding of his fellow man, and the love of a good woman, to whom he opens his heart. I found myself thinking that Harold Abrahams is the kind of man I would want as my best friend, yet at the same time would find hard to become close with and relate to.
Ian Charleston's character (Eric Liddell) is a bit more one-dimensional. He is the archetypical Good Man, faithful to his family, his country, his friends, and his God. And in the end he triumphs through sheer force of will and by tapping that reservoir of inner strength that sustains him. As the crusty coach Sam Mussambini says, "He's a gut runner. Digs deep...".
It's a bit of a pity that the movie, long though it is, could not have delved more deeply into the other characters' background. Lord Andrew Lindsey is particularly appealing as Harold's and Eric's faithful friend who gives up his spot in his specialty race (the 400 m) to allow Eric a chance at the gold. Sybil Gordon is wonderful as Harold's love interest who tries to draw him out of his lonely world of bitterness and resentment and self-hatred ("You ran like a God. I was proud of you...", even after Harold loses a race for the first time in his life to a more determined Eric). Even some of the American competitors, who are only peripherally portrayed in the concluding segments, lend some color. Jackson Scholtz' reaching out to Eric Liddell gives one the sense that he knows the greatness of spirit that quietly resides in this unassuming Scotsman.
Its a wonderful story wonderfully told, and when its over you find yourself longing for it to continue, to see how these characters we've come to know over the previous two hours will turn out in the rest of their lives. Alas, the story of their lives is noted only in subtitles as the film closes.
Oscars Best Picture Winners, Ranked
Oscars Best Picture Winners, Ranked
See the complete list of Oscars Best Picture winners, ranked by IMDb ratings.
Le saviez-vous
- AnecdotesWhen Colin Welland completed his first draft, the only title he could come up with was "Runners". Then, one Sunday evening he turned on BBC's religious music series Songs of Praise (1961), featuring the hymn "Jerusalem," with lyrics from a poem by William Blake. The chorus included the words "Bring me my chariot of fire". The writer leaped to his feet and shouted to his wife, "I've got it, Pat! 'Chariots of Fire'!" (The "Jerusalem" hymn is featured at the beginning and end of the movie.)
- GaffesWhen signing an autograph for a young fan, Eric Liddell does not unscrew or remove any cap from the pen he uses. As all fountain pens have caps, he seems to be using a modern day ballpoint pen which was not invented until 1938.
- Citations
Eric Liddell: I believe God made me for a purpose - but He also made me fast. And when I run, I feel His pleasure.
- Autres versionsThere is at least one slightly different version of the movie, issued in Europe on homevideo. The beginning is different - shorter - and introduces Harold Abrahams while playing cricket with his colleagues. The scene in the train station, where Monty meets Harold is absent, as well as the loading of the baggage in the taxi they share. We simply see Monty writing a letter to his parents, mentioning that "Harold is as intense as ever" (cut to the cricket scene, maybe 30 seconds long), and then continues with "I remember our first day... we shared a taxi together" (cut to the two students unloading their stuff from the car). This alternate version also have slightly different end credits, and does not mention Harold marrying Sybil. The differences are minor (the U.S. version provides a more shocking memento of WWI, when it shows crippled baggage handlers in the station); one of the reasons the cricket scene was dropped in favour of the station one was due to the distributor's worry that the American market would not understand it.
- ConnexionsFeatured in Vangelis: Chariots of Fire (1981)
- Bandes originalesHe is an Englishman
(1878) (uncredited)
from "H.M.S. Pinafore"
Music by Arthur Sullivan
Lyrics by W.S. Gilbert
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- How long is Chariots of Fire?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Chariots of Fire
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 5 500 000 $ US (estimation)
- Brut – États-Unis et Canada
- 58 972 904 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 68 907 $ US
- 27 sept. 1981
- Brut – à l'échelle mondiale
- 59 317 376 $ US
- Durée
- 2h 5m(125 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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