ÉVALUATION IMDb
6,7/10
11 k
MA NOTE
En cette année collège, pour la première fois Vic sent son cur battre mais ne sait trop comment s'y prendre. Elle se confie à Poupette, sa grand-mère extra, car à la maison ses parents se gr... Tout lireEn cette année collège, pour la première fois Vic sent son cur battre mais ne sait trop comment s'y prendre. Elle se confie à Poupette, sa grand-mère extra, car à la maison ses parents se griffent l'un l'autre, alors qu'ils n'ont jamais cessé de s'aimer. [255]En cette année collège, pour la première fois Vic sent son cur battre mais ne sait trop comment s'y prendre. Elle se confie à Poupette, sa grand-mère extra, car à la maison ses parents se griffent l'un l'autre, alors qu'ils n'ont jamais cessé de s'aimer. [255]
Diane Bellego
- Éliane
- (as Evelyne Bellego)
Avis en vedette
My french teacher allowed my class to watch the entire thing.It's a wonderful movie. There was one slow song that kept playing throughout the entire film, but at the moment I cannot recall the name of it. I give it a ten out of ten because it was funny, shocking, and even a smidge sad at points. Nowadays it would most definitely be rated PG-13 at least, because it does contain profanity and some sexual references. All of the foreign films shown to us in class were loved by all, such as Jean De Florette and Manon De la Source, which are both equally fabulous movies. I must say that I greatly enjoyed the lead female character's haircut. It really looked good on her.
I grew up in the 1980ies and didn't see the movie until now. I have to admit that, despite the hype at the time, it's a decent coming-of-age movie which ended up setting the script for all the teenage romcoms to come. To my surprise, the travails of young Vic are buffeted by the adventures of her patchworkish family, with her philandering father, her economically struggling mother and her funky grandmother. Unusually it depicts the (naturally rather tame) love adventures of 11 to 14-years-olds, in other words the deal is the first kiss on the mouth here, whereas modern movies either cater to kids or senior to college level young adults, where much more risqué humour is viable.
What makes the movie worth watching today is the enormous cultural gap between then and now. It all seems so dull, grey and dusty, just like I remembered the era.
Some things I found especially noteworthy:
* the characters eat noodles all the time; even steak with noodles
* the movie makers had a thing going for Germany; we have sexy German teacher monsieur Lehman, in part two Vic goes to summer school near Salzburg and heart throb Pierre sets off for exotic Stuttgart
* Denise Grey (grannie Poupette) was 84 years old when the movie was released; she had her first acting appearance in 1913 and died at the age of 99
* the family car, a Talbot-Matra Rancho in the luxurious Grand Raid edition (with headlights which look like cop cruiser searchlights); basically a R4-class ride styled to look as if it had just won the Camel Trophy
* the eponymous "boum" (party) is incredibly lame by modern standards, essentially kids standing around a record player, listening to unbelievably cheesy music and sucking on a Coke
* the product placement: while the teens eat generic "super chips" all the time (obviously, a lucrative contract didn't surface here), there are constant placements for Lacoste and Talbot-Matra
* the fashions look unbelievably tame and stuffy, with the girls wearing almost no makeup
* the movie makers were very clever in marketing the music, they managed to scout unknown British musicians and got them to write a suitable song, played it constantly throughout each movie and thus created fairly solid hits in the process ("Dreams Are My Reality" by Richard Sanderson in the first part, and, to a lesser degree, and using virtually identical harmonies, "Your Eyes" by Cook Da Books (what??) in the second episode)
* the school Vic goes to, the lycée Henri IV, is a prestigious Parisian high school
What makes the movie worth watching today is the enormous cultural gap between then and now. It all seems so dull, grey and dusty, just like I remembered the era.
Some things I found especially noteworthy:
* the characters eat noodles all the time; even steak with noodles
* the movie makers had a thing going for Germany; we have sexy German teacher monsieur Lehman, in part two Vic goes to summer school near Salzburg and heart throb Pierre sets off for exotic Stuttgart
* Denise Grey (grannie Poupette) was 84 years old when the movie was released; she had her first acting appearance in 1913 and died at the age of 99
* the family car, a Talbot-Matra Rancho in the luxurious Grand Raid edition (with headlights which look like cop cruiser searchlights); basically a R4-class ride styled to look as if it had just won the Camel Trophy
* the eponymous "boum" (party) is incredibly lame by modern standards, essentially kids standing around a record player, listening to unbelievably cheesy music and sucking on a Coke
* the product placement: while the teens eat generic "super chips" all the time (obviously, a lucrative contract didn't surface here), there are constant placements for Lacoste and Talbot-Matra
* the fashions look unbelievably tame and stuffy, with the girls wearing almost no makeup
* the movie makers were very clever in marketing the music, they managed to scout unknown British musicians and got them to write a suitable song, played it constantly throughout each movie and thus created fairly solid hits in the process ("Dreams Are My Reality" by Richard Sanderson in the first part, and, to a lesser degree, and using virtually identical harmonies, "Your Eyes" by Cook Da Books (what??) in the second episode)
* the school Vic goes to, the lycée Henri IV, is a prestigious Parisian high school
10Céline
"La Boum", while not being a complicated or serious movie, does have its good points. Sophie Marceau as Vic acts out quite well how Vic reacts to her parents' crumbling marriage and her excitement over developing her relationship with her new boyfriend, Mathieu. There are practical jokes throughout the movie, and also a lot of teenage angst drama. This is basically a movie to watch when you want to be entertained instead of watching a serious movie.
This is the film that launched the film career of Sophie Marceau. The 14 year old star goes through the "growing pains" as an only child of successful professionals. The age where kids are granted to have a "boom" (party) without parent supervision has arrived at last! Nervous fathers are sitting in parked cars, uncertain whether to "see what's going on" in the apartment where the teenagers are celebrating their independence.
This film is not just a series of laughs, but it seriously handles issues such as sibling rivalry, divorce and other situations relevant to adolescents. There are isolated scenes with crude double-meaning, crassly unsuitable for children. Viewing by pre-teens should be at parent's discretion! Otherwise, this is a thoroughly enjoyable "feel good movie".
The love theme "Reality" by Richard Sanderson, a #1 World Hit at the time, is a beautiful song popping up throughout the story, adding to the magic. Lots of European "flavor" make this a great film to enjoy. Capitalizing on the huge success of this 1980 instant-classic is the 1982 sequel, the much weaker "La Boum 2". Enjoy "La Boum" and forget about the sequel
This film is not just a series of laughs, but it seriously handles issues such as sibling rivalry, divorce and other situations relevant to adolescents. There are isolated scenes with crude double-meaning, crassly unsuitable for children. Viewing by pre-teens should be at parent's discretion! Otherwise, this is a thoroughly enjoyable "feel good movie".
The love theme "Reality" by Richard Sanderson, a #1 World Hit at the time, is a beautiful song popping up throughout the story, adding to the magic. Lots of European "flavor" make this a great film to enjoy. Capitalizing on the huge success of this 1980 instant-classic is the 1982 sequel, the much weaker "La Boum 2". Enjoy "La Boum" and forget about the sequel
I saw this movie when I was 15 and instantly developed a crush on Sophie Marceau. But seeing it again as an adult wasn't quite the experience it had been. It's sweet and lovely and teen-age painful, establishing the tone if not the actual plot for 80s John Hughes movies - it's a bit deeper than and not as wacky as "Sixteen Candles" and Marceau has a bit better screen presence than Molly Ringwald.
I was disappointed that it wasn't as wonderful the second time around (I've become jaded) but it was still entertaining.
I was disappointed that it wasn't as wonderful the second time around (I've become jaded) but it was still entertaining.
Le saviez-vous
- AnecdotesActing debut of Sophie Marceau, who was discovered late in the process by casting director Françoise Menidrey after the then 13 year old with no drama training whatsoever had just days earlier joined a child modeling agency to earn some pocket money and auditioned by chance. The role immediately propelled her to international superstardom and she has since been consistently named as one of, if not the favorite celebrity of the French.
- GaffesVic says that Juliet from 'Romeo & Juliet' was only fifteen. Actually, Juliet is thirteen in the play.
- ConnexionsFeatured in Fan des années 80: 1980 #1 (2009)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- The Party
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 50 minutes
- Mixage
- Rapport de forme
- 1.66 : 1
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