Scanners

Scanners (1981) was another one of David Cronenberg's "body in revolt" films. This one deals with people that have telepathic and telekinetic abilities. Not your average horror film because it's quite heady. That's what I like about Cronenberg, not only does he make great psychological horror/thrillers but he makes you think. Nothing is spoon feed to you. The splatter effects have given this movie it's much deserved place in one of the best horror set pieces ever made. Two scenes stand out the most. After watching this film you'll understand why gore hounds love this movie.

The only part of this movie that I would have changed would have been the lead. Mr. Lack was okay but I felt that Cronenberg could have found an actor with more experience. Michael Ironside was chilling, ice ran through his veins. This movie made his career as a movie heavy. Jennifer O'Neill was nice to look at and fit in well. A strong storyline and good directing made this one a must see.

I was very impressed with this movie. The soundtrack was apt for the movie.

I haven't watch this film in awhile. But after seeing it on D.V.D. recently, I'm still a big fan of Scanners. Sadly I'm not too fond of the sequels.

A+

If you love heady horror films this is a must see.

Cameron Vale (played by artist Stephen Lack) is a derelict who, after a bizarre incident in a shopping mall, is rounded up by two goons who bring him to eminent doctor Paul Ruth (Patrick McGoohan). Paul reveals to Cameron the reality of his situation: Cameron is in fact a "Scanner", or a person with extraordinary telepathic abilities. Scanners can not only look into the minds of others, and manipulate them, but can also do very unpleasant things to human bodies. Paul recruits Cameron to help him track down Darryl Revok (Michael Ironside, in his breakthrough role), a rogue Scanner with plans for world domination.

The late, great Dick Smith was the special consultant to the makeup effects crew (Stephan Dupuis, Chris Walas, Tom Schwartz), and it's these effects that take center stage in this interesting and bleak thriller from Canadian legend David Cronenberg. The exploding head that everybody remembers so vividly actually occurs only about 13 and a half minutes into the show, so viewers don't have long to wait. Of course, as has been pointed out, how does one top something like that? Well, Cronenberg waits until the end to come up with a pretty good showdown between good Scanner and bad Scanner.

The pace is admittedly deliberate, but the ideas unfortunately don't feel completely fleshed out. Quite a bit of exposition is packed into the last act. The filming of this classic wasn't particularly enjoyable for Cronenberg as he *did* have to begin filming before his script was even finished, so he *was* unfortunately rushed. Still, his story is a damn entertaining and intense one.

Howard Shores' music score is wonderfully over the top and scary, and sets and locations do have a very sparse look. The acting is variable; McGoohan looks bored, as if he doesn't really want to be there, and Jennifer O'Neill, while beautiful, doesn't really add anything to the film. Lack gets a lot of flak for his performance, which I'll agree isn't a particularly dynamic one, but it does suit the character, a man who was a lonely fringe dweller for a long time until being awakened into a larger reality. (Cronenberg does make an effective parallel here to the way that real life people with mental issues get treated.) Former Cronenberg repertory player Robert A. Silverman is fun in another of his offbeat parts, and Lawrence Dane is excellent as security chief Braedon Keller, but it's Ironside who completely steals the show as the nasty villain.

While not without flaws, "Scanners" remains one of its directors' most memorable efforts to date.

Seven out of 10.

I was pretty disappointed. It's more of a step down than a step up for Cronenberg; it seemed like he was sacrificing his vision to make a mainstream-friendly film. As a result, the film is basically a bunch of great scenes strung along by a generic, rather lame plot and some truly terrible performances. Even so, those scenes - the exploding head, the phone line stuff, the final battle - are so fantastic and so memorable in their own right that they make it worth getting through everything that comes between. Just a brilliant combination of sound and image in those sequences. So, overall, the film is nothing great, but it's not a complete wreck, either.

Well, were to begin?

First off, when I first saw Scanners, it really didn't do that much for me. Nowadays, I've learnt to view the film through more enlightened eyes, and appreciate it for the masterpiece that is most rightfully is.

Apart from the much-lauded 'exploding head' scene (which could have used a little more blood spattering everywhere) one of the film's most chilling scenes is at the very beginning when the lead character, Cameron Vale (Stephen Lack) causes a woman to have a fit in a shopping mall before being captured by a pair of heavies. The scene was so convincingly played out that it really shock me up.

The more interesting aspect is the fact that most of these 'scanners'(or telepathic curiosities as the CEO of Consec calls them) are usually forced to live on the fringes of society as their telekinetic powers are feared and misunderstood by many. It would seem that the director, David Cronenberg, was using this plot device as a metaphor to comment on society's prejudicial attitudes towards the mentally ill. Like many of his low-budget horror films right up to 'The Fly' (1986) 'Scanners' has a very subversive, fly-on-the-wall take on society's ills. The modern society portrayed in 'Scanners' is a world viewed through the eyes of the outcast.

Throughout the film, there is a general feeling of starkness, from the synthesiser-tinged score by Howard Shore, to the general sparse look of the film. This gives the viewer a rather apt feeling of coldness and isolation.

Michael Ironside steals the show as the unhinged renegade scanner, Darryl Revok, who has a vast army of scanner converts at his disposal ready and willing to annihilate anyone unfortunate enough to stand in their way.

The only down side, however is the casting of Stephen Lack as Cameron Vale. Although he makes a fairly decent effort of playing his part, Lack just doesn't seem to have that much-needed 'spark' to bring his character to life.

All in all, 'Scanners' comes highly recommended as a 'must-see' feature.

Scanners is a film about a group of human mutants that are able to basically make people go mad, and finally they can make their minds actually explode. Supposedly created out of the scientific work of a scientist working on a product for pregnant women(or something like that), the scanners(as they are called) are divided into two factions. One is out to destroy all other scanners and the other works for the labs that created them. This is an intensely philosophical film filled with many thought-provoking questions and issues. Director David Cronenberg again uses the idea of the human body in an aberrated state as the focus for terror. He directs with style and suspense, and uses a lot more gore in this than most of his previous features. Don't let that keep you from seeing this film. the acting is solid all around with Stephen Lack giving a nice performance in the lead, and Michael Ironsides giving yet another chilling performance of dementia. He sure can play one sick and crazy guy! Patrick McGoohan plays the fatherly scientist with style and finesse. One of Cronenberg's best!