Ajouter une intrigue dans votre langueThe life and friendship among the icons of the Beat Generation: Neal Cassady, Carolyn Cassady, and Jack Kerouac.The life and friendship among the icons of the Beat Generation: Neal Cassady, Carolyn Cassady, and Jack Kerouac.The life and friendship among the icons of the Beat Generation: Neal Cassady, Carolyn Cassady, and Jack Kerouac.
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Fictionalized account of the friendship between writers Nick Cassady and Jack Kerouac, members of the so-called Beat Generation of the late 1950s. Writer-director John Byrum takes a sketchy, connect-the-dots approach to these famous people, and his opaque screenplay, adapted from Carolyn Cassady's memoirs, leaves the actors (Nick Nolte as Cassady, John Heard as Kerouac, Sissy Spacek as Carolyn) often looking as if they haven't been clued-in. There are moments when the cast and the well-realized surroundings warrant far more interest than the story or the dialogue, and that's a weak obstacle in a film about writers. The film is also extremely somber, with only bits and pieces of quirky humor (thanks to a supporting turn by Ray Sharkey) to elevate the depressive air of self-conceit. Visually impressive production, solid work from the men, but Spacek's role is underwritten. ** from ****
This is another good movie about a fascinating time, place and group of people in Americana that was missed by most people. It was a film that you didn't want to end. I highly recommend it, especially to the younger generation who don't know what cool really is...
Considering all the comment about the "beat generation" US literary movement of the 1950's and 60's, it seems there's not much film examination of it. The only book of Kerouac's to be filmed so far was the confusing "The Subterraneans" in 1960, not an obvious candidate. This 1980 film is the only biopic of which I'm aware that follows the Kerouac/Neal & Carolyn Cassady saga. It's spotty and doesn't communicate a great deal of what "beat" literature claimed to have accomplished (if indeed anything WAS accomplished), but Nolte was born to play the role of Neal C., which performance alone seals the value of this film. The Cassadys were muses that helped generate Kerouac's impetus to write, and the rest is history.
Heart Beat is an excellent little film. All of the actors manage to capture their characters. Subtle dynamic between cassidy and kerouac without a lot of 'acting'. Altho ray sharkey is a bit nuts, i suspect his ginsberg is not far off the mark. a good film & one i recommend.
Carolyn Cassady (Sissy Spacek) recounts her time with Neal Cassady (Nick Nolte) and Jack Kerouac (John Heard). Kerouac is struggling to write his iconic works and struggling to get anyone to publish them. Everybody likes Neal. Ira is supposed to be Allen Ginsberg. This is the Beat Generation. I do like that they are stealing food and gas and the like. The movie seems reluctant to go too hard. It is based on Carolyn Cassady's autobiography. Despite these great actors, there is barely any heat in these performances. There is really no heat in this couple. Nick Nolte only lets loose a few times in fighting against suburbia. Sissy Spacek is a wet blanket by comparison. It's a slow grind for the most part. This is for Beat Generation fans.
Le saviez-vous
- AnecdotesThe movie is based on the 1976 autobiography "Heart Beat: My Life With Jack and Neal" by Carolyn Cassady. Cassady, who died in 2013 at age 90. Reportedly, she was unhappy with this film version of her book, though she did like Sissy Spacek who played her.
- Citations
Mrs. Kerouac: I don't understand why you're doing this?
Jack Kerouac: I don't either; but, I know I want to do it.
Mrs. Kerouac: But, I thought you always wanted to be a writer?
Jack Kerouac: I do. That's why I want to do it. I want to get him down on paper.
Mrs. Kerouac: Can't he get himself down on paper?
- Bandes originalesI Love Her, Too
Vocal by Aaron Neville
Music by Jack Nitzsche
Lyrics by Buffy Sainte-Marie and John Byrum
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- How long is Heart Beat?Propulsé par Alexa
Détails
Box-office
- Budget
- 3 500 000 $ US (estimation)
- Brut – États-Unis et Canada
- 954 046 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 74 303 $ US
- 20 janv. 1980
- Brut – à l'échelle mondiale
- 954 046 $ US
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