ÉVALUATION IMDb
7,1/10
22 k
MA NOTE
Un sergent endurci et les quatre membres principaux de son unité d'infanterie tentent de survivre à la seconde guerre mondiale alors qu'ils se déplacent de bataille en bataille dans toute l'... Tout lireUn sergent endurci et les quatre membres principaux de son unité d'infanterie tentent de survivre à la seconde guerre mondiale alors qu'ils se déplacent de bataille en bataille dans toute l'Europe.Un sergent endurci et les quatre membres principaux de son unité d'infanterie tentent de survivre à la seconde guerre mondiale alors qu'ils se déplacent de bataille en bataille dans toute l'Europe.
- Prix
- 2 victoires et 2 nominations au total
Stéphane Audran
- Underground Walloon Fighter at Asylum
- (as Stephane Audran)
Avis en vedette
I thought I had seen all the WW2 movies out there but I guess this one was off the radar. There are for sure now better movies to be seen but this is worth the watch.
It is basically a movie that follows one platoon as they go through the war, and how each individual soldier wrestles with various demons so to speak. There is enough action to keep things moving.
Would recommend to anyone who likes, war movies, actions movies or seeing Luke Skywalker as a young soldier.
It is basically a movie that follows one platoon as they go through the war, and how each individual soldier wrestles with various demons so to speak. There is enough action to keep things moving.
Would recommend to anyone who likes, war movies, actions movies or seeing Luke Skywalker as a young soldier.
Perhaps I am an exception but this film really did nothing for me.
The premise is simple: the experiences of a US infantry squad led by Lee Marvin fighting in Europe and North Africa during WW II. It was supposed to be about the experiences of the men who fought but I didn't feel the film delivered that: none of the characters were really explored or given much depth, even the great Lee Marvin seemed distant and cold. There isn't too much dialogue, in fact there isn't too much of anything in this film. Its just there but it doesn't really give you much, it just leaves you cold. The plot is occasionally just plain weird and confusing, not the good kind of quirky type of weird but just strange for no apparent reason and with no charm to it.
The action scenes are average, nothing special but enough for their purpose. What annoyed me was that so many different locations were so obviously filmed in the same sandy country (Israel) and it just didn't come off as very convincing. I didn't believe that what I was being shown was really the place it was supposed to be. Its also a quiet film, with very minimal music which in itself isn't bad but just gave the whole thing a somewhat sleepy atmosphere. I wouldn't go so far as to say the film was boring, it wasn't but it just wasn't that attention grabbing either.
Its a film that is there but it did absolutely nothing for me. Others however might enjoy it.
The premise is simple: the experiences of a US infantry squad led by Lee Marvin fighting in Europe and North Africa during WW II. It was supposed to be about the experiences of the men who fought but I didn't feel the film delivered that: none of the characters were really explored or given much depth, even the great Lee Marvin seemed distant and cold. There isn't too much dialogue, in fact there isn't too much of anything in this film. Its just there but it doesn't really give you much, it just leaves you cold. The plot is occasionally just plain weird and confusing, not the good kind of quirky type of weird but just strange for no apparent reason and with no charm to it.
The action scenes are average, nothing special but enough for their purpose. What annoyed me was that so many different locations were so obviously filmed in the same sandy country (Israel) and it just didn't come off as very convincing. I didn't believe that what I was being shown was really the place it was supposed to be. Its also a quiet film, with very minimal music which in itself isn't bad but just gave the whole thing a somewhat sleepy atmosphere. I wouldn't go so far as to say the film was boring, it wasn't but it just wasn't that attention grabbing either.
Its a film that is there but it did absolutely nothing for me. Others however might enjoy it.
This review is on the "reconstructed" DVD, a version that came out several years ago, adding 49 minutes to the original 1980 movie. (The film runs 162 minutes, not 158 as stated on the IMDb title page.)
The "old" version was very good, and this newer version makes the film even better. Either way, you have a solid war movie.
For men - and that's who will primarily watch this movie because it's a guy's flick with no romance and no women leads - this keeps the action coming, but without overdoing it. You can different kinds of action scenes, too, not just people shooting at one another.
I also appreciated the photography. It's a good visual movie. The added footage looked sharper and clearer than the previously shown, but either way it was nicely filmed and directed. Of course, the director is the famous Sam Fuller, who did a number of tough film noirs, among other things.
Speaking of tough, the person who makes this movie a notch above average is Lee Marvin. He is just excellent as the tough-on-the-outside-but-soft-hearted underneath commanding officer, known only as "The Sergeant." With his deep voice and weathered face, Marvin makes for an effective leader of tough guys. The language was much milder in here than you find in more modern films, although it can be crude in a few spots. There are no f-words and about seven usages of the Lord's name in vain. However, there are a number of sexual references, some crude but, hey, that's "guy talk." All the young soldiers were good, too. It was especially interesting to see baby-faced Star Wars' star, Mark Hamill, playing one of the soldiers in the unit called "The Big Red One."
The story with narration by one of the soldiers, tells of Marvin and his handful of men who travel and do battle from North Africa to Sicily, then Italy, the beaches of Normandy on D- Day and into Germany in addition to a few other memorable stops such as "an insane asylum."
It's long, but I never found it boring and the men never stay too long in one spot.
The "old" version was very good, and this newer version makes the film even better. Either way, you have a solid war movie.
For men - and that's who will primarily watch this movie because it's a guy's flick with no romance and no women leads - this keeps the action coming, but without overdoing it. You can different kinds of action scenes, too, not just people shooting at one another.
I also appreciated the photography. It's a good visual movie. The added footage looked sharper and clearer than the previously shown, but either way it was nicely filmed and directed. Of course, the director is the famous Sam Fuller, who did a number of tough film noirs, among other things.
Speaking of tough, the person who makes this movie a notch above average is Lee Marvin. He is just excellent as the tough-on-the-outside-but-soft-hearted underneath commanding officer, known only as "The Sergeant." With his deep voice and weathered face, Marvin makes for an effective leader of tough guys. The language was much milder in here than you find in more modern films, although it can be crude in a few spots. There are no f-words and about seven usages of the Lord's name in vain. However, there are a number of sexual references, some crude but, hey, that's "guy talk." All the young soldiers were good, too. It was especially interesting to see baby-faced Star Wars' star, Mark Hamill, playing one of the soldiers in the unit called "The Big Red One."
The story with narration by one of the soldiers, tells of Marvin and his handful of men who travel and do battle from North Africa to Sicily, then Italy, the beaches of Normandy on D- Day and into Germany in addition to a few other memorable stops such as "an insane asylum."
It's long, but I never found it boring and the men never stay too long in one spot.
Penetrating, outstanding war drama that depicts, with care and well constructed plot divided in many simultaneous dramas, the lives, hopes, sorrows and, before all, the profound loneliness of a group of young and inexperient soldiers in the WW2 and the friendship and deep respect between them and their old and calused sergeant, a superb performance by Martin.
Maybe the movie is too overlong which reduces its impact but it's extremely rewarding to see this one.
I give this a 7 (seven).
Maybe the movie is too overlong which reduces its impact but it's extremely rewarding to see this one.
I give this a 7 (seven).
"The Big Red One" is an episodic war movie from maverick American filmmaker Samuel Fuller. Having only seen "Shock Corridor" from the director's oeuvre, I didn't know what to expect from him this time around. It becomes obvious pretty quickly that Fuller was never going to be a mainstream filmmaker. There's something about his style that's really off-putting. You empathise with the camera, not the actors. It's like they're at odds with each other.
This is not a bad thing, as you can tell from the enthusiastic reception Fuller's movies have gotten here on IMDB. But "The Big Red One" is also drastically cut down from the original print Fuller had, and I wonder if that's why it feels so disjointed.
Of course, it is supposed to be episodic, but I don't know. I didn't really get into it.
This is not a bad thing, as you can tell from the enthusiastic reception Fuller's movies have gotten here on IMDB. But "The Big Red One" is also drastically cut down from the original print Fuller had, and I wonder if that's why it feels so disjointed.
Of course, it is supposed to be episodic, but I don't know. I didn't really get into it.
Le saviez-vous
- AnecdotesThe bulk of the picture was shot in Israel, and director Samuel Fuller remarked that it was unsettling after a scene was shot when the German soldiers and SS troops would take off their helmets and Fuller would see them wearing yarmulkes; also, between takes they would be sitting around the set in full Nazi uniform speaking Hebrew or reading the Torah.
- GaffesDuring the WW1 scene between the Sergeant and the officer in the dug-out, the Sergeant learns that the armistice had been signed 4 hours previously at 1100hrs, November 11, 1918. While talking with the officer, the sergeant is cutting a piece of red cloth in the shape of a number '1' which he says he will submit as a proposed insignia for the division. However the shoulder sleeve insignia for the 1st Division consisting of a red number "1" was already approved on 31 Oct 1918.
- Citations
Johnson: [concerning a woman in labor] How do you say "push" in French?
The Sergeant: Poussez.
Johnson: [to woman] Pussy! Pussy! Pussy!
- Autres versionsIn 2004, film critic Richard Schickel restored this film to a new director's cut length of approximately 160 minutes. Using Samuel Fuller's production notes and the full-length, unexpurgated script, Schickel restored the footage that was forced to be cut by the studio upon its original 1980 release (which runs 116 minutes). The restored version's DVD release date is 3 May 2005. This longer, epic-length version is closer to Fuller's original vision for the film.
- ConnexionsFeatured in A tout coeur: Episode dated 7 May 1984 (1984)
- Bandes originalesHorst-Wessel-Lied
Written by Horst Wessel
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- The Big Red One
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 4 500 000 $ US (estimation)
- Brut – États-Unis et Canada
- 7 206 220 $ US
- Brut – à l'échelle mondiale
- 7 206 823 $ US
- Durée1 heure 53 minutes
- Couleur
- Mixage
- Dolby Stereo(original release)
- Rapport de forme
- 1.85 : 1
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