Ajouter une intrigue dans votre langueIn 1994, a young couple enters the world of the music industry, and subsequently the world of drugs.In 1994, a young couple enters the world of the music industry, and subsequently the world of drugs.In 1994, a young couple enters the world of the music industry, and subsequently the world of drugs.
- Director
- Writers
- Stars
- Prix
- 2 victoires et 5 nominations au total
Allan Love
- Dandi
- (as Alan Love)
Günther Notthoff
- Fatdog
- (as Gunter Notthoff)
Kobi Recht
- Jean Louis
- (as Coby Recht)
Avis en vedette
Probably made as a "please God, let what happened to ROCKY HORROR
happen to us!", project, THE APPLE is so audacious, so over the top, so
totally awful that it is simply wonderful. The songs are cheesy, the
acting horrendous, the costumes nightmarish, the concept bizarre etc.,
etc., but when all those negatives are put together, the result is a
positively guilty pleasure to top all guilty pleasures. Please, someone,
release a letterboxed DVD of this film so that all its rocky horrors
squeezed onto the small screen can be seen in all their garish terrible/wonderfulness.......
happen to us!", project, THE APPLE is so audacious, so over the top, so
totally awful that it is simply wonderful. The songs are cheesy, the
acting horrendous, the costumes nightmarish, the concept bizarre etc.,
etc., but when all those negatives are put together, the result is a
positively guilty pleasure to top all guilty pleasures. Please, someone,
release a letterboxed DVD of this film so that all its rocky horrors
squeezed onto the small screen can be seen in all their garish terrible/wonderfulness.......
This is one of the most delicious fruits I've tasted in a long time.
Yes, it's cheesy, but you can't beat a whole musical number of
seduction that ends with a literal orgasm, the chanteuse singing
"I'm coming, I'm coming...." Hysterical!
From a pop anthropologic perspective it's also an interesting
image of the transition from disco to early 80s wave and pop. You
can see the seeds of fashion later made popular by the likes of
Madonna, MC Hammer, and many other somewhat unfortunate
style makers. This is the missing link between two distinct genres.
One of the best parts about this movie is its prophetic vision of the
massive corporate take-over of the entertainment industry. While
we are not forced to where little plastic icons on our foreheads,
there is no denying the stifling and destructive power that major
conglomerates have on what we see, hear, and read. So, if not
other reason, I love this movie for how eerily true it rings today.
Yes, it's cheesy, but you can't beat a whole musical number of
seduction that ends with a literal orgasm, the chanteuse singing
"I'm coming, I'm coming...." Hysterical!
From a pop anthropologic perspective it's also an interesting
image of the transition from disco to early 80s wave and pop. You
can see the seeds of fashion later made popular by the likes of
Madonna, MC Hammer, and many other somewhat unfortunate
style makers. This is the missing link between two distinct genres.
One of the best parts about this movie is its prophetic vision of the
massive corporate take-over of the entertainment industry. While
we are not forced to where little plastic icons on our foreheads,
there is no denying the stifling and destructive power that major
conglomerates have on what we see, hear, and read. So, if not
other reason, I love this movie for how eerily true it rings today.
If you are gay and of a certain age (as I am), you may remember a certain glossy "magazine of entertainment." This was AFTER DARK, which was the gayest non-porn magazine ever, and it was most popular during the 70's and 80's. People like Liza and Bette appeared on the cover, and lots of tasteful male nude and nearly-nude photos abounded. It was glitzy, heavily-mascared, skimpy underwear-clad, pre-AIDS fun.
That brings me to THE APPLE. Beyond the title number, set in Hell, which has to be one of my favorite bad rock movie free-for-alls (with horrid lyrics and extremely hard-working dancers), the "sex" number, with multiple beds full of women in slips and men in gold briefs, absolutely proves my point that this movie was merely a film transcription of the late, lamented AD.
If XANADU and GREASE 2 can be issued on DVD, why not a remastered and remixed wide-screen edition of THE APPLE? Call your local congressman or gay cult-film fan TODAY!
That brings me to THE APPLE. Beyond the title number, set in Hell, which has to be one of my favorite bad rock movie free-for-alls (with horrid lyrics and extremely hard-working dancers), the "sex" number, with multiple beds full of women in slips and men in gold briefs, absolutely proves my point that this movie was merely a film transcription of the late, lamented AD.
If XANADU and GREASE 2 can be issued on DVD, why not a remastered and remixed wide-screen edition of THE APPLE? Call your local congressman or gay cult-film fan TODAY!
Vapid (largely due to the male lead's inability to act - not surprisingly, this was his only film), bizarre fantasy-musical-allegory. It gets points for its sheer audacity and the effort that was put into it - it was probably made on a relatively low budget, yet it manages to create a world of its own; apparently it was filmed in Germany, but it seems to be taking place on another universe altogether. For some reason, it reminded me of "Zardoz" (yes, and "Logan's Run" too): these movies are so bizarre that they belong in a league of their own, beyond "good" and "bad". Best song: "If you know how to be a ma-ster". (**)
I was stationed with the USAF in West Berlin when this was filmed. (There are W. Berlin landmarks in the film, even though it's supposed to be New York.) My husband was an aspiring actor and always showed up at auditions when something was being filmed. He got a part as a newspaper reporter and general all-round extra, and I got a part as an extra, too. In fact, many of the extras in this movie are service members stationed in Berlin (this was before the Wall fell, so there were Brit soldiers stationed there as well, thus explaining many of the Brit accents). We had an apartment, so some of the dancers came over to hang out and chat, to escape the hotel rooms, Finola Hughes being one of them, as well as Catherine Mary Stuart (my husband REALLY enjoyed escorting her around the base!). One of the dancers, named Dave, said the filming of the hell scene was just "magical." The costumes were pretty cheesey and poorly made; my husband probably still has the silver baseball cap he wore as a reporter and the silver epaulets... It was a lot of fun to be a part of and I'd love to have a copy of it (when I saw it on TV several years ago, I couldn't find myself in the crowd scenes!). It was great reading other comments about this movie -- I didn't think anyone else in the world knew about it!
Le saviez-vous
- AnecdotesDirector Menahem Golan has said that when the picture was booed midway through at the 1980 Montreal Film Festival, he left the theater, went to his hotel and was preparing to commit suicide by jumping off the balcony when his business partner barged in and stopped him.
- GaffesUnder the opening titles, there is a shot of a bank of flags that prominently includes one for the "ICC Berlin" (the actual filming location), not a likely location for the Worldvision 1994 if it takes place in the United States.
- Citations
Mr. Boogalow: [singing] Like a puppet on a string / Like a monkey on a swing / Man is clinging to the ropes / Of the fantasies and hopes / We are dangling / He's so eager to believe / And so easily deceived / Like a baby watching magic / He's so gullible, it's tragic / In a word, naïve.
- Autres versionsIn 2008, MGM loaned out an uninspected print of the film for a midnight showing that was marked "Screening Print." This version of the film included the missing "Child of Love" and wedding scenes (which are present on the soundtrack album and glimpsed in the trailer) as well as other deleted footage, including differently edited musical numbers, unfinished visual effects in the finale, and a longer scene of Alphie searching for Bibi during the party/orgy. This print was screened at several midnight movie showings over the next several years. It was hoped that Kino Lorber's Blu-Ray release of the film in 2016 would be able to include this footage, but the print was stolen in the intervening years, and has not been found as of 2020.
- ConnexionsFeatured in Les cauchemars en cuisine de Ramsay: Ruby Tates (2007)
- Bandes originalesBIM
Music by Kobi Recht
Lyrics by Iris Recht and George S. Clinton (as George Clinton)
Performed by Allan Love and Grace Kennedy
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- El poder del rock
- Lieux de tournage
- ICC Berlin, West Berlin, Berlin, Allemagne(Concert Hall)
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 5 000 000 $ US (estimation)
- Brut – à l'échelle mondiale
- 602 $ US
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