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The Apple

  • 1980
  • PG
  • 1h 30m
ÉVALUATION IMDb
4,3/10
3 k
MA NOTE
Catherine Mary Stewart in The Apple (1980)
Trailer for The Apple
Liretrailer2 min 47 s
1 vidéo
99+ photos
Comédie musicaleMusiqueScience-fictionJukebox MusicalScience-fiction dystopiqueSteampunk

Ajouter une intrigue dans votre langueIn 1994, a young couple enters the world of the music industry, and subsequently the world of drugs.In 1994, a young couple enters the world of the music industry, and subsequently the world of drugs.In 1994, a young couple enters the world of the music industry, and subsequently the world of drugs.

  • Director
    • Menahem Golan
  • Writers
    • Menahem Golan
    • Kobi Recht
    • Iris Recht
  • Stars
    • Catherine Mary Stewart
    • George Gilmour
    • Grace Kennedy
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    4,3/10
    3 k
    MA NOTE
    • Director
      • Menahem Golan
    • Writers
      • Menahem Golan
      • Kobi Recht
      • Iris Recht
    • Stars
      • Catherine Mary Stewart
      • George Gilmour
      • Grace Kennedy
    • 121Commentaires d'utilisateurs
    • 57Commentaires de critiques
    • 39Métascore
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 2 victoires et 5 nominations au total

    Vidéos1

    The Apple
    Trailer 2:47
    The Apple

    Photos355

    Voir l’affiche
    Voir l’affiche
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    Rôles principaux51

    Modifier
    Catherine Mary Stewart
    Catherine Mary Stewart
    • Bibi
    George Gilmour
    George Gilmour
    • Alphie
    Grace Kennedy
    Grace Kennedy
    • Pandi
    Allan Love
    Allan Love
    • Dandi
    • (as Alan Love)
    Joss Ackland
    Joss Ackland
    • Mr. Topps…
    Vladek Sheybal
    Vladek Sheybal
    • Boogalow
    Ray Shell
    Ray Shell
    • Shake
    Miriam Margolyes
    Miriam Margolyes
    • Landlady
    Derek Deadman
    Derek Deadman
    • Bulldog
    Michael Logan
    Michael Logan
    • James Clark
    George S. Clinton
    George S. Clinton
    • Joe Pittman
    Francesca Poston
    Francesca Poston
    • Vampire
    Leslie Meadows
    • Ashley…
    Günther Notthoff
    • Fatdog
    • (as Gunter Notthoff)
    Clem Davies
    Clem Davies
    • Clark James
    Kobi Recht
    Kobi Recht
    • Jean Louis
    • (as Coby Recht)
    Iris Recht
    Iris Recht
    • Dominique
    Lance Aston
    • Dancer
    • Director
      • Menahem Golan
    • Writers
      • Menahem Golan
      • Kobi Recht
      • Iris Recht
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs121

    4,32.9K
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    Avis en vedette

    rube2424

    Audaciously Wonderfully Bad!

    Probably made as a "please God, let what happened to ROCKY HORROR

    happen to us!", project, THE APPLE is so audacious, so over the top, so

    totally awful that it is simply wonderful. The songs are cheesy, the

    acting horrendous, the costumes nightmarish, the concept bizarre etc.,

    etc., but when all those negatives are put together, the result is a

    positively guilty pleasure to top all guilty pleasures. Please, someone,

    release a letterboxed DVD of this film so that all its rocky horrors

    squeezed onto the small screen can be seen in all their garish terrible/wonderfulness.......
    scarnz

    Bad, yes, but damn fun and oddly prophetic...

    This is one of the most delicious fruits I've tasted in a long time.

    Yes, it's cheesy, but you can't beat a whole musical number of

    seduction that ends with a literal orgasm, the chanteuse singing

    "I'm coming, I'm coming...." Hysterical!

    From a pop anthropologic perspective it's also an interesting

    image of the transition from disco to early 80s wave and pop. You

    can see the seeds of fashion later made popular by the likes of

    Madonna, MC Hammer, and many other somewhat unfortunate

    style makers. This is the missing link between two distinct genres.

    One of the best parts about this movie is its prophetic vision of the

    massive corporate take-over of the entertainment industry. While

    we are not forced to where little plastic icons on our foreheads,

    there is no denying the stifling and destructive power that major

    conglomerates have on what we see, hear, and read. So, if not

    other reason, I love this movie for how eerily true it rings today.
    Bob G.

    I think of it as AFTER DARK: THE MUSICAL

    If you are gay and of a certain age (as I am), you may remember a certain glossy "magazine of entertainment." This was AFTER DARK, which was the gayest non-porn magazine ever, and it was most popular during the 70's and 80's. People like Liza and Bette appeared on the cover, and lots of tasteful male nude and nearly-nude photos abounded. It was glitzy, heavily-mascared, skimpy underwear-clad, pre-AIDS fun.

    That brings me to THE APPLE. Beyond the title number, set in Hell, which has to be one of my favorite bad rock movie free-for-alls (with horrid lyrics and extremely hard-working dancers), the "sex" number, with multiple beds full of women in slips and men in gold briefs, absolutely proves my point that this movie was merely a film transcription of the late, lamented AD.

    If XANADU and GREASE 2 can be issued on DVD, why not a remastered and remixed wide-screen edition of THE APPLE? Call your local congressman or gay cult-film fan TODAY!
    5gridoon

    Something this bizarre cannot be dismissed so easily.

    Vapid (largely due to the male lead's inability to act - not surprisingly, this was his only film), bizarre fantasy-musical-allegory. It gets points for its sheer audacity and the effort that was put into it - it was probably made on a relatively low budget, yet it manages to create a world of its own; apparently it was filmed in Germany, but it seems to be taking place on another universe altogether. For some reason, it reminded me of "Zardoz" (yes, and "Logan's Run" too): these movies are so bizarre that they belong in a league of their own, beyond "good" and "bad". Best song: "If you know how to be a ma-ster". (**)
    lynnekjacobs

    I was there!

    I was stationed with the USAF in West Berlin when this was filmed. (There are W. Berlin landmarks in the film, even though it's supposed to be New York.) My husband was an aspiring actor and always showed up at auditions when something was being filmed. He got a part as a newspaper reporter and general all-round extra, and I got a part as an extra, too. In fact, many of the extras in this movie are service members stationed in Berlin (this was before the Wall fell, so there were Brit soldiers stationed there as well, thus explaining many of the Brit accents). We had an apartment, so some of the dancers came over to hang out and chat, to escape the hotel rooms, Finola Hughes being one of them, as well as Catherine Mary Stuart (my husband REALLY enjoyed escorting her around the base!). One of the dancers, named Dave, said the filming of the hell scene was just "magical." The costumes were pretty cheesey and poorly made; my husband probably still has the silver baseball cap he wore as a reporter and the silver epaulets... It was a lot of fun to be a part of and I'd love to have a copy of it (when I saw it on TV several years ago, I couldn't find myself in the crowd scenes!). It was great reading other comments about this movie -- I didn't think anyone else in the world knew about it!

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Director Menahem Golan has said that when the picture was booed midway through at the 1980 Montreal Film Festival, he left the theater, went to his hotel and was preparing to commit suicide by jumping off the balcony when his business partner barged in and stopped him.
    • Gaffes
      Under the opening titles, there is a shot of a bank of flags that prominently includes one for the "ICC Berlin" (the actual filming location), not a likely location for the Worldvision 1994 if it takes place in the United States.
    • Citations

      Mr. Boogalow: [singing] Like a puppet on a string / Like a monkey on a swing / Man is clinging to the ropes / Of the fantasies and hopes / We are dangling / He's so eager to believe / And so easily deceived / Like a baby watching magic / He's so gullible, it's tragic / In a word, naïve.

    • Autres versions
      In 2008, MGM loaned out an uninspected print of the film for a midnight showing that was marked "Screening Print." This version of the film included the missing "Child of Love" and wedding scenes (which are present on the soundtrack album and glimpsed in the trailer) as well as other deleted footage, including differently edited musical numbers, unfinished visual effects in the finale, and a longer scene of Alphie searching for Bibi during the party/orgy. This print was screened at several midnight movie showings over the next several years. It was hoped that Kino Lorber's Blu-Ray release of the film in 2016 would be able to include this footage, but the print was stolen in the intervening years, and has not been found as of 2020.
    • Connexions
      Featured in Les cauchemars en cuisine de Ramsay: Ruby Tates (2007)
    • Bandes originales
      BIM
      Music by Kobi Recht

      Lyrics by Iris Recht and George S. Clinton (as George Clinton)

      Performed by Allan Love and Grace Kennedy

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    FAQ

    • How long is The Apple?Propulsé par Alexa

    Détails

    Modifier
    • Date de sortie
      • 21 novembre 1980 (Canada)
    • Pays d’origine
      • West Germany
    • Langues
      • English
      • French
      • German
      • Italian
    • Aussi connu sous le nom de
      • El poder del rock
    • Lieux de tournage
      • ICC Berlin, West Berlin, Berlin, Allemagne(Concert Hall)
    • société de production
      • NF Geria II Filmgesellschaft m.b.H.
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 5 000 000 $ US (estimation)
    • Brut – à l'échelle mondiale
      • 602 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 30 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby
    • Rapport de forme
      • 2.35 : 1

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