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The Apple

  • 1980
  • PG
  • 1h 30m
ÉVALUATION IMDb
4,3/10
3 k
MA NOTE
Catherine Mary Stewart in The Apple (1980)
Trailer for The Apple
Liretrailer2 min 47 s
1 vidéo
99+ photos
Dystopian Sci-FiJukebox MusicalSteampunkMusicMusicalSci-Fi

Ajouter une intrigue dans votre langueIn 1994, a young couple enters the world of the music industry, and subsequently the world of drugs.In 1994, a young couple enters the world of the music industry, and subsequently the world of drugs.In 1994, a young couple enters the world of the music industry, and subsequently the world of drugs.

  • Director
    • Menahem Golan
  • Writers
    • Menahem Golan
    • Kobi Recht
    • Iris Recht
  • Stars
    • Catherine Mary Stewart
    • George Gilmour
    • Grace Kennedy
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    4,3/10
    3 k
    MA NOTE
    • Director
      • Menahem Golan
    • Writers
      • Menahem Golan
      • Kobi Recht
      • Iris Recht
    • Stars
      • Catherine Mary Stewart
      • George Gilmour
      • Grace Kennedy
    • 121Commentaires d'utilisateurs
    • 57Commentaires de critiques
    • 39Métascore
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 2 victoires et 5 nominations au total

    Vidéos1

    The Apple
    Trailer 2:47
    The Apple

    Photos355

    Voir l’affiche
    Voir l’affiche
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    Rôles principaux51

    Modifier
    Catherine Mary Stewart
    Catherine Mary Stewart
    • Bibi
    George Gilmour
    George Gilmour
    • Alphie
    Grace Kennedy
    Grace Kennedy
    • Pandi
    Allan Love
    Allan Love
    • Dandi
    • (as Alan Love)
    Joss Ackland
    Joss Ackland
    • Mr. Topps…
    Vladek Sheybal
    Vladek Sheybal
    • Boogalow
    Ray Shell
    Ray Shell
    • Shake
    Miriam Margolyes
    Miriam Margolyes
    • Landlady
    Derek Deadman
    Derek Deadman
    • Bulldog
    Michael Logan
    Michael Logan
    • James Clark
    George S. Clinton
    George S. Clinton
    • Joe Pittman
    Francesca Poston
    Francesca Poston
    • Vampire
    Leslie Meadows
    • Ashley…
    Günther Notthoff
    • Fatdog
    • (as Gunter Notthoff)
    Clem Davies
    Clem Davies
    • Clark James
    Kobi Recht
    Kobi Recht
    • Jean Louis
    • (as Coby Recht)
    Iris Recht
    Iris Recht
    • Dominique
    Lance Aston
    • Dancer
    • Director
      • Menahem Golan
    • Writers
      • Menahem Golan
      • Kobi Recht
      • Iris Recht
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs121

    4,32.9K
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    Avis en vedette

    derfnella

    ". . . Take a Bite, and Enjoy!!"

    I remember seeing this film on late night television back in the early 80's. I thought it was a strange yet intriguing piece of work and was constantly on the lookout for repeat showings. I did manage to catch it another time in the mid 80's but never again since. For years, I was the only person I knew of that had seen "The Apple," much less heard of it. I wondered if I had imagined the whole crazy thing until I came upon a copy of the soundtrack album in a local record store that specialized in hard to find and obscure music. Finally, some hard evidence that this film existed!! A friend of mine, with whom I co-produce a local public access film review program, prides himself on his ability to get copies of hard to find movies. So I presented him with the ultimate challenge: Get me a copy of "The Apple." His unrelenting persistance paid off and last Fall he presented me with my request. I got it home and popped into my VCR and WOW! The film was just as bizarre and entertaining as I remembered! The costumes! The music! The biblical parallels! Alfie and BeBe! Obviously, everyone who has seen it feels passionately positive or passionately negative. But as for me, everytime I see it, I get nothing but the guiltiest of pleasures. If you're lucky enough to get the opportunity to experience "The Apple" do not hesitate!! If you like shiny outlandish costumes and make-up . . . If you can't live without garish production numbers . . . If limited acting (or abundant overacting) ability enhances your enjoyment of a movie . . . "The Apple" is the one for you! Take a bite and enjoy!!
    5tavm

    The Apple was a fascinating Golan-Globus musical of the late '70s-early '80s

    It was only a few years ago that I even knew about this Golan-Globus Cannon musical production that came out the same year as similar flops like Can't Stop the Music and Xanadu or better received hits of the same genre like The Blues Brothers and the original Fame. I'll just say that while I was weireded out by the direction of some sequences and the way they were put together, I actually did like many of the musical numbers and the way they tied to both plot and characterization. And I also thought the actors that sang, with the exception of Catherine Mary Stewart who was nicely dubbed by Mary Hylan, also did a good job. So on that note, I'll just say that The Apple is neither one of the worst nor one of the best of the movie musicals. It's just simply a fascinating futuristic look at a time 14 years after this was made at what the music industry would be like if Disco, Glam Rock, and Folk/Adult Contemporary were the only musical trends (or non-trends) to go to as choices...
    rube2424

    Audaciously Wonderfully Bad!

    Probably made as a "please God, let what happened to ROCKY HORROR

    happen to us!", project, THE APPLE is so audacious, so over the top, so

    totally awful that it is simply wonderful. The songs are cheesy, the

    acting horrendous, the costumes nightmarish, the concept bizarre etc.,

    etc., but when all those negatives are put together, the result is a

    positively guilty pleasure to top all guilty pleasures. Please, someone,

    release a letterboxed DVD of this film so that all its rocky horrors

    squeezed onto the small screen can be seen in all their garish terrible/wonderfulness.......
    scarnz

    Bad, yes, but damn fun and oddly prophetic...

    This is one of the most delicious fruits I've tasted in a long time.

    Yes, it's cheesy, but you can't beat a whole musical number of

    seduction that ends with a literal orgasm, the chanteuse singing

    "I'm coming, I'm coming...." Hysterical!

    From a pop anthropologic perspective it's also an interesting

    image of the transition from disco to early 80s wave and pop. You

    can see the seeds of fashion later made popular by the likes of

    Madonna, MC Hammer, and many other somewhat unfortunate

    style makers. This is the missing link between two distinct genres.

    One of the best parts about this movie is its prophetic vision of the

    massive corporate take-over of the entertainment industry. While

    we are not forced to where little plastic icons on our foreheads,

    there is no denying the stifling and destructive power that major

    conglomerates have on what we see, hear, and read. So, if not

    other reason, I love this movie for how eerily true it rings today.
    chconnol

    Where has this movie been all my life!

    I was channel surfing a few weeks ago when this...this...this..THING showed up on Flix. I was mesmerized. I grew up in the late 70's, early 80's and this felt like I was zapped back in time to movies like "Little Darlings", "Over the Edge", and "Xanadu". The whole look was scary. It looked like it was shot in a shopping mall. When I checked out the title, I thought "Where has this GREAT BAD movie been all my life! How come I've never heard of it before?" This is one camp classic that truly deserves a full resurrection. VH-1 should do a whole "Where Are They Now" on this movie. I'd love to know what the "actors" in this movie think of it now. Truly bad in a classicly bad/great way.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Director Menahem Golan has said that when the picture was booed midway through at the 1980 Montreal Film Festival, he left the theater, went to his hotel and was preparing to commit suicide by jumping off the balcony when his business partner barged in and stopped him.
    • Gaffes
      Under the opening titles, there is a shot of a bank of flags that prominently includes one for the "ICC Berlin" (the actual filming location), not a likely location for the Worldvision 1994 if it takes place in the United States.
    • Citations

      Mr. Boogalow: [singing] Like a puppet on a string / Like a monkey on a swing / Man is clinging to the ropes / Of the fantasies and hopes / We are dangling / He's so eager to believe / And so easily deceived / Like a baby watching magic / He's so gullible, it's tragic / In a word, naïve.

    • Autres versions
      In 2008, MGM loaned out an uninspected print of the film for a midnight showing that was marked "Screening Print." This version of the film included the missing "Child of Love" and wedding scenes (which are present on the soundtrack album and glimpsed in the trailer) as well as other deleted footage, including differently edited musical numbers, unfinished visual effects in the finale, and a longer scene of Alphie searching for Bibi during the party/orgy. This print was screened at several midnight movie showings over the next several years. It was hoped that Kino Lorber's Blu-Ray release of the film in 2016 would be able to include this footage, but the print was stolen in the intervening years, and has not been found as of 2020.
    • Connexions
      Featured in Les cauchemars en cuisine de Ramsay: Ruby Tates (2007)
    • Bandes originales
      BIM
      Music by Kobi Recht

      Lyrics by Iris Recht and George S. Clinton (as George Clinton)

      Performed by Allan Love and Grace Kennedy

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    FAQ

    • How long is The Apple?
      Propulsé par Alexa

    Détails

    Modifier
    • Date de sortie
      • 21 novembre 1980 (Canada)
    • Pays d’origine
      • West Germany
    • Langues
      • English
      • French
      • German
      • Italian
    • Aussi connu sous le nom de
      • El poder del rock
    • Lieux de tournage
      • ICC Berlin, West Berlin, Berlin, Allemagne(Concert Hall)
    • société de production
      • NF Geria II Filmgesellschaft m.b.H.
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 5 000 000 $ US (estimation)
    • Brut – à l'échelle mondiale
      • 569 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 30 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby
    • Rapport de forme
      • 2.35 : 1

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