Shogun

Without a doubt, this is the best American movie about the Orient that has been ever made. Nothing we Americans will do will ever surpass this. Next to Akira Kurosawa's amazing works, there is Shogun. Shogun is in excellent company.

Do NOT see the shortened version, see all of it. The multi tape version is great; and the single tape mini version is a travesty.

Well like many others, Shogun fueled my first real interest in Japan. I watch it at least twice a year, and am always trying see something new, like a kid attempting to suck that one last drop from a soda pop. I inhaled the movie, as many did and I began studying it's language some time ago. When asked my interest in Japan in a Japanese course I once took, I said I watched shogun 36 times. I read the book too, and it was great. Every time I see the movie, I always get sad toward the end, cause I know it's coming and there's no more. I always wished Clavell had done a sequel, in the same time frame. Toshiri Mifune was wonderfull, and Orson Wells voice was perfect. The whole cast was great. The music was wonderful, but sadly I have never been able to find a soundtrack for it.

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There was a time in TV when the mini-series was king. They were great prestige products for the networks who, risking immense financial expenditure, hoped to create a cinematic masterpiece on a small screen.

SHOGUN may be the ultimate expression of this neglected TV format. Based on James Clavell's sweeping epic novel of the same name, it succeeds fully in transporting the viewer to another time and place. Through John Blackthorne's eyes (Richard Chamberlain in a now iconic performance, blending moments of delightful scenery chewing with moments of genuine emotion and subtlety), we become ever more involved in the political dealings of the Japanese nobility and the mixed motives of the Jesuits.

One of the great triumphs of SHOGUN is to ensnare the viewer despite long segments in Japanese with no subtitles. The filmmakers were trying to tell the story through Blackthorne's eyes and save for a few moments of narration explaining the dialog, we are left to slowly comprehend the action at the same pace as Blackthorne. It's a device which works wonderfully well, leaving the viewer to figure out what's going on through context and character.

In addition to Chamberlain, SHOGUN is replete with glorious performances. Toshiro Mifune's Toranaga, a Japanese nobleman with grand political designs, possesses great power and yet Mifune's performance is also very nuanced. Toranaga is a man who's mind is always trying to figure three steps ahead and we see this aspect of Toranaga's personality in Mifune's work- a considerable feat considering his dialog is exclusively in Japanese and without subtitles.

Yoko Shimada plays Mariko with a captivating beauty and ethereal grace. Becoming Blackthorne's interpreter and love interest, we cannot take our eyes off of her. Her performance is made doubly impressive by the fact that Ms. Shimada spoke no English and had to be told what her lines met with great care.

Additionally, John-Rhys Davies gives a wonderfully bravura turn as Rodrigues and Damien Thomas gives his Father Alvito real depth and dignity.

SHOGUN does show its age. The quality of the video image does have a bit of that TV glow to it and Maurice Jarre's score, seeming so lush back in 1980, sounds as if it were recorded by a very small third-rate band in a backwater recording studio- it reeks of TV. Still, these are comparatively minor quibbles to an otherwise completely engrossing epic. SHOGUN succeeds mightily in taking the viewer into a strange land filled with wonder and intrigue. By the end, it's a land you aren't ready to leave- perhaps the ultimate compliment for any film.

The MiniSeries Shogun is my all time favorite program. It is a romantisied account of the adventures of the first Englishman to reach Japan. The main character John Blackthorne is based on the real life person William Adams who was the only non Japanese ever to become a samurai. He was also a feudal lord in Japan ( called a Daimyo ) and the first Admiral of the Japanese Navy.

The acting is excellent and something which I found interesting and unusual about this series is that one of the ways that the movie uses to put you into the mind of the main character is that as he doesn't know any Japanese when he arrives there are no subtitles when the characters are speaking Japanese.

As I said earlier my all time favorite program and one I wish could be seen by more people more often. I did buy the series.

In 1976, James Clavell wrote an epic masterpiece: the story of Blackthorne, an English sailor lost in Feudal Japan. He gradually finds his place, oft the central pawn of political intrigues between various foreign powers and the local warlords. In 1980, this miniseries was unleashed on the world and created a whole new audience for the mammoth bestseller. No small feat considering the length and complexity of Clavell's 1200+ page door-stopper. Clocking in at almost 10 hours, this mega-budgeted series delivers the goods. People who have seen "The Last Samurai" might see a few plot similarities (even in certain smaller details: Tom Cruise sports exactly the same haircut as Richard Chamberlain). With all respect for the 2003 film, Shogun is far out of it's reach.

Richard Chamberlain embodies Blackthorne to perfection, successfully gaining our empathy through an ambiguous yet very human performance. Supporting him are Japanese icon Toshiro Mifune as the shrewd warlord and aspiring shogun Torunaga, who befriends/manipulates Blackthorne, and Yoko Shimada as Blackthorne's translator, confident and friend. Every actor gives life to Clavell's carefully drawn and layered characters (most of all a very bombastic John Rhys-Davies). For a television miniseries, the technical specs are quite surprisingly good. Indeed the budget must have been quite important (and set a record at the time) but never is the story or it's rhythm scarified to show-off. The direction and photography are quite tasteful, often reminiscent of early Kurosawa, only in color. Maurice Jarre's score might not reach the lofty heights of his work for David Lean but it serves it's purpose.

Many will tell you that the book is better. It is certainly more intimate and detailed, but a more faithful and excellent adaptation of such a rich book you are not likely to see anytime soon. For anyone with a taste for epics, Japan or just plain good entertainment, this is essential viewing.