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Living and working in Liverpool in the mid 1980s I first watched this cheeky rom-com just after its release. Yes, it was and still is hilarious and yes, it does portray life in the city at that time, hard, depressing and at times, strangely uplifting.

I've just watched it again and although somewhat dated - hairstyles, clothes (not Margi Clarke's magnificent, timeless red dress) and of course much of the city which is correctly shown as run-down, drab and frankly, awful during its '80s nadir; its the spirit of the Scousers that always gets them through, then and now.

That legendary resilience is personified by Elaine (Alexandra Pigg) a pretty, girl-next door dreamer who somehow has to escape her life and surroundings. Ably assisted by her friend Teresa (Margi Clarke) they embark on a night out in town where amongst other wild activities they meet two Russian sailors in a club. Elaine is completely smitten with Peter (Peter Firth) and Teresa goes along for the ride with Sergei (Alfred Molina) in a manner of speaking...

The humour is harsh, sarcastic and 100% Scouse. The scenes between Clarke and Molina are the stuff of legend - realistic just doesn't do them both justice. Meanwhile, Elaine and Peter are falling in love. After a night of passion and a certain amount of philosophy there is another memorable scene when Elaine and Peter depart at the dockside as the boys have to leave for the Soviet Union.

Desperately in love, tetchy and lonely she decides on what seems a ridiculous scheme to re-unite with Peter. I found myself rooting for her, as I did almost 40 years ago. It's the girl's sheer guts that I admire the most about the film. She has little going for her as she runs up against the objections of her family, friends and the establishment. But she still has Teresa to help her an achieve her dream. Wonderful.

Taking place during the 'Cold War' the film describes two people falling in love during a time of massive unemployment and recession in the U.K. The main characters are Elaine and Theresa, two friends who are very different from each other. Elaine is unemployed, bored of her own life and the people around her. Theresa works in a chicken factory and is the opposite of Elaine – she tries to enjoy life, in her own way which involves drinking, having casual sex and taking opportunities when they arise. Elaine and Theresa meet two Russian sailors in a nightclub and Elaine falls in love with the shyer one – Peter – and after he gets back on his ship she decides to go to Communist Russia to be with him, but it doesn't seem so easy to do. In the 1980's there was a big difference between the countries on either side of the 'Iron Curtain'. There was seen to be more freedom in the Capitalist West than the Communist East.

The film shows the negative side of the lives of independent, 'free' women in the West; it tries to show that life in the West at that time was not what we are led to believe. Although we do not see life in Russia in the film, we are told there is work for all people there. For Elaine, Russia represents a happy life, a new start and hope for a job and a family. The film also shows the attitudes of the British to Russia, where they say there is no freedom and that Elaine may lose the opportunity to come back to her country. In my opinion, this film is propaganda for Russia as the director shows us the way that the British government constructed their own propaganda against Russia. Throughout the film the director shows us why life in the U.K. is no better, or may be worse, than life in Russia. We don't know if Elaine will be happier in Russia but she will have followed her heart and dreams.

A multifaceted film about two English working class girls (Teresa and Elaine) and two Russian sailors (Peter and Sergei).

In the first half two couples spent a night together. Teresa and Sergei go for the plain vanilla one night stand. Elaine and Peter keep it Platonic, but in so doing get to know each other much better. After all it is Elaine who has the hardest time when the sailors have to get back on board again.

The second half revolves around the relationship of the two friends Elaine and Teresa. This relationship has much in common with the relationship between Elin and Agnes in "Show me love" (1998, Lukas Moodysson). Teresa (Elin) does have the bigger mouth, but Elaine (Agnes) is the one with more guts.

Between the lines the second half is also a little bit of a political satire. There are more films in which romances are disturbed by "big politics" ("The unbearable lightness of being", 1988, Philip Kaufman), but a romance resulting in a girl contemplating an emigration to the Soviet Union is quite new.

In this respect the film is very characteristic of the 80s. The Cold war was passed his prime, in fact (with hinsight) the Soviet Union was nearly dead. On the other hand in England it was the time of the Thatcher years with budget cuts that did hit the Northern part of England (the movie plays in Liverpool) disproportionately hard.

Just like in "Show me love" there is one scene in "Letter to Brezhnev" that is very characteristic of the relation between the two friends. In "Show me love" the relation between Elin and Agnes is defined in the "toilet scene". In "Letter to Brezhnev" the bar scene is equally important. On a given moment Elaine is captivated by doubt if she should go to Russia. She goes outside to make up her mind. When she comes back she orders two wodka's for Teresa and herself. She has made a decision!

Frank Clarke is my favourite writer of British Films (Letter To Brezhnev, Blonde Fist, and I have just found out The Fruit Machine.) The film is set in Modern day working class Liverpool, where two friends Teresa (the one and only Margi Clarke) and Elaine (Alexandra Pigg) hit the town one night and meet two Russian Sailors. Elaine falls head over heels in love and when the sailors set sail Elaine writes a letter to president Brezhnev of Russia regarding her love and the need to see him again as she believes she is being prevented by the British authorities. It is not however a soppy love story, fast paced and again quite true to working class life in Britain in the 1980's. A Film Four production again, who have made the best low budget British Films of the last twenty years.

Margi Clarke is on smashing form here as the gobby Liverpudlian lass ("Teresa") who, together with her pal "Elaine" (a strong performance from Alexandra Pigg), is out on the town hoping to fleece some well heeled punters. They are doing ok on that front - even if they have to do quite a bit of running - when they encounter "Peter" (Peter Firth) and his mate "Andrei" (Alfred Molina) who have a night of shore leave from their Soviet ship. "Teresa" and "Peter" immediately click and after their few hours together, sans sex, they declare their undying love and determination to meet again. How might this happen, though? They are thousands of miles apart and she hasn't tuppence to rub together. Her plan: write to President Brezhnev. His reply: an invitation to visit and a plane ticket. Can she go, will she go, is it all just a daft pipe dream? Whether they do or not is actually quite incidental to the story. It's a whirlwind romance presented to us in a whirlwind fashion that just oozes character. Firth isn't the most versatile of actors, he is a bit one-gear I think, but here that serves as the perfect foil for the brassy, sassy Clarke who provides for an entertaining persona that us Celts can appreciate easily. It's dated, sure, but somehow this love story with a bottle of vodka thrown in still works fine.

Letter to Brezhnev is an escapist romantic fantasy which got critical acclaim when released back in 1985.

Set in economically deprived Liverpool. Two girls from Kirkby go for a night out.

Teresa (Margi Clarke) works in a chicken processing factory. Elaine (Alexandra Pigg) is unemployed. At the disco they meet two Russian sailors on a day stop at the port.

Elaine falls for the sensitive Peter (Peter Firth) who can speak English. Teresa gets it on with Sergei (Alfred Molina) who is more physical.

Elaine and Peter talk all night and figure that there is more that unites them across the Iron curtain divide.

As the boys have sailed away. Elaine writes a letter to the Soviet President who sends her a plane ticket to Russia.

By which time many people want to stop Elaine from visiting a country few westerners went to.

This was a low budget movie but beautifully photographed. The story is simplistic and naive. Essentially falling in love with a stranger from abroad story in the era of the cold war.

Theresa and Elaine are out on the town, they bump into two Soviet sailors Sergei and Peter. After spending the night together, Teresa spends a wild night with Sergei, whereas Elaine and Peter form a much deeper attachment. Unfortunately for Peter and Elaine, their ship is only docked in Liverpool for one night.

I have to start by saying I utterly love this film, it is totally enchanting, it's moving, funny, wonderfully poignant, and gives a window to 1985, culturally and politically.

The music is fabulous, very eighties, but wonderfully in keeping with the tone and emotion of the film. The acting is glorious, Margi Clarke and Alexandra Pigg are sensational.

Liverpool makes a fabulous backdrop, it looks amazing, particularly on the ferry crossing. It does help that I love the place. This film deserves to be a lot bigger and hold cult status.

Superb 10/10

Two girls in the town in Liverpool meet 2 sailors from Russia, about as good as the story gets

A dull story starting the ever annoying Margi Clark set in Liverpool one girl after a night with a sailor decides she wants to move to Russia to be with him

Neither character is likeable and the story not interesting enough to keep you entertained in a thin, unbelievable plot

One of those watched, soon forgotten films of the era that found an audience at the time but soon forgotten for obvious reasons. Alfred Molina in an early role as interesting as this remains, the rest, well nothing else to see here.

I first saw this film when it came out and just fell in love with it. I cannot say why either, it just has a magical quality that draws you in. The setting obviously helps, Liverpool is a beautiful city, architecturally and spiritually and you get lavish helpings of both. The performances from the four lead actors are flawless to me, just the right balance of comedy and pathos, with special mention to Margi Clarke, whose brassy exterior hides a tenderness which she allows to shine through every so often.(As an aside I saw her do stand up once at Band on the Wall in Manchester, and boy was she rude!) I've seen comments on the boards saying people enjoyed it when it first came out, but now find it a bit ridiculous, and I can only totally disagree with them. I still watch this film at least a couple of times a year and never tire of it. If you haven't seen this gem, I can only suggest you get the DVD as soon as possible, and enjoy a film that exudes true human warmth.

This film was not met his character of Leonid Brezhnev because has missed interesting features that included enlarged eyes bow and big shoulders and noted letter written by Elaine was dated 1985 but really an error, Soviet Embassy or Consulate are the expertise but Foreign Office do not, not sure about requirement for this.

Atmospheric, un-slick, and utterly unique, Letter to Brezhnev captures a slice of the 1980s which seems all the more extraordinary in 1999. Graced by realistic acting, deft camera work, and a superb soundtrack, one is successfully transformed to a period and a place, in this case wonderfully dreary Liverpool in the early 80s - New Wave music and the Cold War are in full swing. Such a movie is hip today but rarely achieved. The story may seem a little far-fetched - Liverpool girl (Pigg) gets Russian guy (Firth) with a little help from no less than the Soviet Premier - but some of us who grew up in the 80s like to think that it could. The 80s were like that. Now, we just have awful, cynical, formulaic pap - Reality Bites and Boys on the Side...whine, whine, whine. Why can't more movies like Letter to Brezhnev be made?

Ah, but if only it were realistic. Because if anyone knows anything about the way the Soviet Union dealt with sailors in those days, the regime would never have let these two guys go off by themselves on shore, not even for a short while. I hope no one has to explain to you why. And even if this sweet young thing did get her chance to get a letter through to Brezhnev, he would surely be wondering how this sailor was able to free himself long enough to get into this situation in the first place, and I can tell you he wouldn't like it — even if the propaganda value might otherwise be useful.

But of course, romantic notions of life in the Soviet Union were not exactly rare at the time — especially, perhaps, in a very depressed place like Liverpool in the '80's. I wished Elaine luck, but it's kind of like watching one of those old Science Fiction movies and hoping the aliens and the earthlings can learn how to get along, because you know that in real life you don't really have to or get to.

set in 80`s Liverpool...the best love story since Romeo and Juliet,far from being sloppy,more in-your-face,honest truth from two Scouse lasses on a night out...they run into a couple of Russian sailors on a one-night pass and two fall in love during that night.. but he has to leave on his ship the next day....she encounter red tape by the mile in her attempts to visit him in Russia...so she goes straight to Mr.Brezhnev himself for help......hilarious,gritty,sad...and you will be smiling by the time the credits roll....

The opening scene in "Letter to Brezhnev" shows Soviet sailors Sergei (Alfred Molina) and Peter (Peter Firth) sighting Liverpool and recognizing it as the Beatles' hometown. When this happens, you know that you're in for something neat, and your assumptions get confirmed with what happens in Liverpool. Sergei and Peter have a brief fling with working-class Liverpudlian women Elaine (Alexandra Pigg) and Teresa (Margi Clarke).

But, since this is the Cold War, the Russian guys obviously can't stay in England very long, and so they quickly have to return home. But Elaine can't forget them, and goes so far as to write Leonid Brezhnev a letter asking if she can come to the USSR to meet them. Needless to say, this isn't too popular with the British authorities, who decide to question Elaine about it.

This is a most interesting look not only at working-class England, but also at the human aspects of the Cold War. Everyone in the movie does a very good job, especially Molina. I'm eager to see how he does in "The Da Vinci Code".

great acting by Alexandra Pigg, reminded me of 1980's the days of the iron curtain and the USSR being the scary country that she was. A love story that made me cry. The music was great, the fashions very bad but all in all a good film for girlies who want to feel nostalgic for the 1980's period in time.