Ajouter une intrigue dans votre langueThe star of "The Texas Chainsaw Massacre" returns in a story about frat boys lost in the big city while hunted by a violent leader and his elite gang of gun-happy guards.The star of "The Texas Chainsaw Massacre" returns in a story about frat boys lost in the big city while hunted by a violent leader and his elite gang of gun-happy guards.The star of "The Texas Chainsaw Massacre" returns in a story about frat boys lost in the big city while hunted by a violent leader and his elite gang of gun-happy guards.
Jeffrey Scott
- George
- (as Jeffry Scott)
Avis en vedette
The best part of this movie.... the cover art created by H.R Giger
I got sucked in by the cover when it first came out and I was to STOOOPID not to watch it!
Do spend time looking at Giger art if you aren't familiar with him.
I got sucked in by the cover when it first came out and I was to STOOOPID not to watch it!
Do spend time looking at Giger art if you aren't familiar with him.
I'm sure I saw FUTURE KILL for the same reason as most people: the awesome poster by HR Giger. And like everyone else, I was disappointed to find that the movie could not live up to the poster (Giger said that director Moore actually begged him to do it). When I first saw this, at the age of 14, I thought it was the worst movie ever made. I'd still think that if I hadn't seen certain movies on MST3K since then.
The plot has a bunch of annoying college boys driving into the "mutant city" to kidnap a gang-leader for their fraternity. That's when they meet Splatter (Ed Neal), a mutant/cyborg/psycho who kills the gang leader and blames it on the frats as an excuse to hunt them down and seize power. The rest of the movie consists mostly of chases. A hand-full of frats try to battle their way out of mutant city (which I think is supposed to be LA, even though it was made in Texas). There's some pseudo-political stuff about the frat boys' society being pro-nuclear weapons and the mutant-society being anti-nuke. There's talk of how Splatter became a freak due to radiation. Most people develop cancer from radiation, but splatter just shoots spikes and slaughters girls. Yeah, that makes tons of sense. At one point, our heroes rescue a mutant girl from two pro-nuke police, and she shows them "how the other half lives." The other half, it turns out, are all punk kids who dance around to a bad 80s pop-band. So our little epic is both dumb and dated. That's really all there is to it. Frat boys running around in messed up buildings while guys who look like bikers try to kill them... Oh, and it's the future.
I don't think you'll have any doubt about why Ron W. Moore never made another movie. This thing is a real stinker. If you like Giger, buy his books (they have the poster without the horrors of the movie), or just watch ALIEN again. FUTURE KILL is a waste of time that nobody needs.
If this description makes the picture sound good, there's another crappy movie that does the same thing, only bigger and better: AFTER THE FALL OF NEW YORK. It's crap, but it blows FUTURE KILL off the screen.
The plot has a bunch of annoying college boys driving into the "mutant city" to kidnap a gang-leader for their fraternity. That's when they meet Splatter (Ed Neal), a mutant/cyborg/psycho who kills the gang leader and blames it on the frats as an excuse to hunt them down and seize power. The rest of the movie consists mostly of chases. A hand-full of frats try to battle their way out of mutant city (which I think is supposed to be LA, even though it was made in Texas). There's some pseudo-political stuff about the frat boys' society being pro-nuclear weapons and the mutant-society being anti-nuke. There's talk of how Splatter became a freak due to radiation. Most people develop cancer from radiation, but splatter just shoots spikes and slaughters girls. Yeah, that makes tons of sense. At one point, our heroes rescue a mutant girl from two pro-nuke police, and she shows them "how the other half lives." The other half, it turns out, are all punk kids who dance around to a bad 80s pop-band. So our little epic is both dumb and dated. That's really all there is to it. Frat boys running around in messed up buildings while guys who look like bikers try to kill them... Oh, and it's the future.
I don't think you'll have any doubt about why Ron W. Moore never made another movie. This thing is a real stinker. If you like Giger, buy his books (they have the poster without the horrors of the movie), or just watch ALIEN again. FUTURE KILL is a waste of time that nobody needs.
If this description makes the picture sound good, there's another crappy movie that does the same thing, only bigger and better: AFTER THE FALL OF NEW YORK. It's crap, but it blows FUTURE KILL off the screen.
The idea for this film must have looked good on paper. No wait. On second thought, there's no way it could have. Let's see what we have here: In an unspecified future, after some sort of non-descript social collapse has left the inner cities inhabited only by freaks, a group of frat boy jerks decides to play a hazing prank that involves them driving into the heart of the city where they are stranded and under attack by post-nuclear punks. Can they make it back to the suburbs? Who cares?
An intriguing, although unsuccessful, meshing of different ideas, "Future-Kill"'s biggest problem is that its various concepts don't gel. In fact the Troma-esque frat-boy comedy at the very beginning of the movie is so jarring (and gross) that it almost seems like part of a different film altogether. The rest of the flick follows suit.
Only high points: Seeing how many times you can spot the microphone boom in the camera shot, And the cool H.R. Giger cover art on the box, which incidently gives the illusion that this film has some class. It doesn't.
An intriguing, although unsuccessful, meshing of different ideas, "Future-Kill"'s biggest problem is that its various concepts don't gel. In fact the Troma-esque frat-boy comedy at the very beginning of the movie is so jarring (and gross) that it almost seems like part of a different film altogether. The rest of the flick follows suit.
Only high points: Seeing how many times you can spot the microphone boom in the camera shot, And the cool H.R. Giger cover art on the box, which incidently gives the illusion that this film has some class. It doesn't.
I picked up Future Kill because of the Giger artwork on the box and the Texas Chainsaw Massacre alumni in hopes that it would be good crappy film (you know, like Ghoulies 3). What I got was a hybrid of genres, and something that I had already seen when I was younger. Look at the storyline: A group of teens running from a gang in the city because they have been framed for murder. It wanted to be a futuristic version of the Warriors so bad (it even starred someone who was featured in The Warriors). It's certainly no Warriors or anything to write home about, but it's not as bad as you'd think. With no budget whatsoever the filmmakers actually made a credible feature. It never once gets boring and the characters are fun to laugh at. What was up with the beginning though? It's like they were trying to make the next Porky's and then realized that the movie was titled "Future Kill." It doesn't really fit with the rest of the flick. I couldn't really decide whether the movie was sci-fi, horror, or comedy, but it does star Edwin Neal and Marilyn Burns from the original Texas Chainsaw Massacre and features Bill Johnson who played Leatherface in TCM 2. With that cast, how could it not be a horror movie? But the real question is, why is one of the alternate title Night of the Alien?
The only thing good about this movie is the artwork on the promotion poster by H. R. Geiger. Anti-nuke protesters who all looked like punk rockers of the late 1970s, and somehow became non-violent, (except for their leader, "Splatter") occupy the cities. Fraternity boys descend on the punkers to do some violence on them and turn them into victims. Bad acting and bad plot then descends on the real victim, you, the viewer. I gave this a "2" because a few sexual scenes at least give it MST3K potential.
Le saviez-vous
- AnecdotesA couple of different stories exist as to how H.R. Giger was persuaded to design the poster art for this low-budget film. Edwin Neal, who spent the 1980s traveling extensively to science fiction and movie conventions selling movie memorabilia, always claimed that he was the one responsible for getting Giger involved. However, in Giger's book "Necronomicon II," Giger says that director Ronald W. Moore was who he dealt with. Giger goes on to say that he felt manipulated by Moore, who told him in tears that the film would lose its financing without the Giger poster. Whatever the case, the original art did eventually end up in Neal's possession, along with numerous other prints and portfolios by Giger, lending credence to Neal's claims of involvement.
- GaffesWhen Splatter's head guard bursts in on the group near the end of the movie, he yells, "No, it's not over!" The next shot, you can hear him say, "...over," but his lips aren't moving.
- Générique farfeluSplatter's evil laughter can be heard after the end credits.
- Autres versionsUK cinema and video versions (released as "Night Of The Alien") were cut by 2 mins 39 secs with edits to a neck break, the killing of Clint, bloody closeups during the stabbing of Splatter, a woman's body being caressed by Splatter, and the entire sequence between Splatter and the street girl.
- ConnexionsFeatured in Trailer Trauma 3: 80s Horrorthon (2017)
- Bandes originalesDanger Of Love
Performed by Robert Renfrow
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Future Kill - Die Herausforderung
- Lieux de tournage
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 250 000 $ US (estimation)
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
By what name was Future-Kill (1984) officially released in India in English?
Répondre