Breakfast Club

We all remember being a teenager. A crazy, intense time when your high were higher and your lows were lower, and every experience was that much more significant.

John Hughes movie brilliantly captures that environment, that era in our lives, and all the social rifts that we all helped to create for ourselves. I have heard it said that "The Breakfast Club" is melodramatic, overacted, and simplistic. If you subscribe to that flippant perspective you might as well join Vernon in his office because you are doing the same thing that he did. Seeing the movie as you want to see it, in the simplest terms and the most convenient definitions.

If you really want to understand this film, think back to your own high school days. Think about your last year there. Dig out your old diary or book of angstful poems and reaquaint yourself with who you were then, when you felt things more deeply. "The Breakfast Club" does not exist not for highschool kids, as some suggest. Why would they need it? They live there. It exists for all of us who have already been through there, who feel that they are above it now. It exists so that we can remember what it was like and better understand ourselves, and the next generation. Because you can't dismiss something you understand.

One of the best if not the best brat pack flick. John Hughes writes and directs this dramatic comedy about five Chicago high school kids that are from different circles and stations in life being forced to spend a Saturday together in detention. Before the day is over this group finds out that they have more in common than they thought and even some friendships are created. The very impressive cast includes:Emilio Estevez, Ally Sheedy, Judd Nelson, Anthony Michael Hall and Molly Ringwald. Paul Gleason plays the hapless teacher trying to contain the group and then there is John Kapelos as the custodian. This is a don't miss and is fun to watch over and over again. Spit that gum out and remember to ask for a hall pass.

I must admit that I was a true loner in high school, and essentially I'm now at 33 I'm still a loner who has become a bit more jaded with the passage of time. With that said, John Hughes "The Breakfast Club" seems to me to be a sort of love letter to all of us who just seemed to blend into the background during our high school years. Of course like everyone I also have a favorite character in the film, and my choice is Allison who is wonderfully played by Ally Sheedy. So, my advice to all who have read this far is to try and watch this film with your emotions rather than trying to analyze the film to death.

Depending on when you watched this first (or will watch it), it will determine how much impact this will have. Obviously if you've watched it back in the day, sentiment will kick in too. And while I wouldn't go as far as to say this hasn't aged well at all, there are some indicators that the impact today for some new viewers will not be the same as back then.

Having said that, the movie still holds up, as we get some missfits thrown in together and mixed up. All with different backgrounds, all with different issues and problems. All rebelling in their own way though. Against the "teacher" of course. But the authority figure here stands for more and the class struggle, the growing up struggle, the maturing struggle, the being in school struggle - all stand for something. So while you may not feel the biggest association with any of the characters, if you really dig into the movie, there is much to find here

This movie is one of the best, if not THE best, 80's film there is. The fact is, every teen character in this movie can be related to someone we knew in high-school. As a child of the 80's, I can honestly say that this is a representative cross-section of every high school in North America. The geek, the jock, the outcast, the rich pretty-girl snob, and the future criminal. They all exist, to some degree or another, in the classrooms of every high school on the continent.

What makes this film rise above the rest is the character development. Every character in this film is three-dimensional. They all change, in one way or another, by the end of the film. Whether or not things remain the way they are long after this film ends is unknown, and that adds to the rama. The most important scene in this film is when the characters, as a group, all open up to one-another and describe the hell that their daily school routines are in a personal fashion. Nobody likes the role they must inevitably portray in the high-school scene, but the fact is, it is often inescapable. This film gives the viewer some insight into how the other people around them might have felt during that particular time in their lives.

Each of the main characters in this film shines, but Judd Nelson (John Bender) and Emilio Estevez (Andrew Clark) rise above the rest. Simply put, these two actors each put their heart and soul into their respective characters, and it shows.

At the end of the film, the viewer is left to make their own conclusions as to how things will carry forth. And I'm sure that most people will do that. This is one movie that left me feeling both happy and sad for each of the characters, and it isn't easy to make me care about a film in that way. Even if you aren't a fan of the 80's genre, this isn't one you would want to miss.

My Rating: 10/10