ÉVALUATION IMDb
4,4/10
26 k
MA NOTE
Après avoir perdu un orbe puissant, Kara Zor-El, la cousine de Superman, vient sur Terre pour le récupérer et se retrouve à la place face à une méchante sorcière.Après avoir perdu un orbe puissant, Kara Zor-El, la cousine de Superman, vient sur Terre pour le récupérer et se retrouve à la place face à une méchante sorcière.Après avoir perdu un orbe puissant, Kara Zor-El, la cousine de Superman, vient sur Terre pour le récupérer et se retrouve à la place face à une méchante sorcière.
- Prix
- 3 nominations au total
Lynsey Beauchamp
- Ali
- (as Linsey Beauchamp)
Avis en vedette
I guess I was 7 or 8 when my parents took me to the cinema for the first time. They picked Supergirl as something fun and unthreatening. I have been hooked on film ever since! Supergirl is a hugely under-rated movie, and while I can take on board some of the negative comments you read here, I also think they're a bit harsh. Come on people (you know who you are), it's a fantasy film! If it played the same as Superman (another great), there would be no point in making it in the first place. Sure the magic angle is slightly odd, but what the hell, it's a fun film which doesn't take itself too seriously, but doesn't go in for over the top slapstick either (take heed Richard Lester!!). And of course the effects are a little dated, it is 20 years old after all (though many still look great). Jerry Goldsmith's score it beautiful and lyrical, as it should be, becoming triumphantly heroic when it needs to (The main theme is tremendous, even with the eighties electronic whooshes and eagle squarks). Helen Slater is gorgeous in the lead role, and considering this was her first major role, she does a commendable job. Then there's Miss Dunaway: first rate as always-you can almost see the scenery going down her throat, but that's part of the charm of the character. All the actors come off well, and if you ignore some bits and pieces (there's still some huge plot holes even in the Directors Cut!) you should have a great time. It would be interesting to see a remake that perhaps didn't stray so far from the source mythology (was the omegahedron in the comics?), but on the other hand, the eighties was a different time, and perhaps today's climate (whether the world could use a super-hero or not) is not right to relaunch the poor girl to Earth. One of my all time favourites, and I'm glad to see so many other fans on the IMDB. Let's lobby Anchor Bay for an official Region 2 version. My TV can't broadcast NTSC signals, so have to watch it in black & white, or in jerky (but colour) vision on a slow laptop. Peace. Out.
I feel this movie was really given a bad first impression. I personally love the movie,I have always liked it and still continue to watch it. I recently bought the re-release that has the extra scenes. I am a fan of the Superman series and I feel if the creators of the Superman movie ( which I feel are the same people) had given Supergirl a better release date it would of had been a box office smash. I know there are certain scenes that could of had been fine tuned, but overall it is a great movie, I know people say Faye Dunnaway was overacting(melodramatic) I still think that she did great, after all she was a witch. I was though a little stunned with the coloring of the movie, yes it was back in 1984 however you still see movies that had great clear coloring.I wish the people who edited the movie had kept all the scenes in , because I feel it would of made a huge difference!
While not an epic like "Superman: The Movie", "Supergirl" is an enjoyable movie and it has a special place in my heart just like the first Superman movie.
The beautiful Helen Slater is fantastic in the title role of Supergirl and she easily carries the film. Like Reeve, Slater looks like she just popped out of the comic books and she gives a great performance as both Linda Lee and Supergirl. It's a shame she doesn't have a bigger career than the one she does now.
Faye Dunaway is miscast as Selena and is too campy in the role. The rest of the cast are fine in the movie, and I enjoyed Peter O'Toole's performance as Zaltar. Also, it was nice to see Marc McLure as Jimmy Olsen. However, my biggest disappointment with the film was that Christopher Reeve was not in it. It would have been fantastic to see Superman and Supergirl together.
The script, while good, should have been better and the campiness of Selena thrown out. I've read the original script and that one should have been used as it was slightly better and had some more characterisation in it.
The special effects are fantastic, especially in the flying scenes. I enjoy the Flying Ballet sequence a great deal, it's my favourite flying scene out of all the 'Super' films. This scene has always made me wish I could fly, a desire that was created when I saw the original Superman movie.
The music, which was composed and conducted by the great Jerry Goldsmith, is also one of the film's best aspects and I love it very much. The music is beautiful to listen to and are easy on the ears -- it's very poetic and lyrical which suits the film well.
Anchor Bay released "Supergirl" on DVD last year and they did a magnificent job, doing the film justice. The Director's Cut is the best version of the movie as it provides better characterisation and some explanations for plot holes that are present in the US theatrical and domestic cuts.
"Supergirl" is one of my favourite movies despite it's flaws and I find it to be a much better film than "Superman 3" and "Superman 4: The Quest For Peace".
The beautiful Helen Slater is fantastic in the title role of Supergirl and she easily carries the film. Like Reeve, Slater looks like she just popped out of the comic books and she gives a great performance as both Linda Lee and Supergirl. It's a shame she doesn't have a bigger career than the one she does now.
Faye Dunaway is miscast as Selena and is too campy in the role. The rest of the cast are fine in the movie, and I enjoyed Peter O'Toole's performance as Zaltar. Also, it was nice to see Marc McLure as Jimmy Olsen. However, my biggest disappointment with the film was that Christopher Reeve was not in it. It would have been fantastic to see Superman and Supergirl together.
The script, while good, should have been better and the campiness of Selena thrown out. I've read the original script and that one should have been used as it was slightly better and had some more characterisation in it.
The special effects are fantastic, especially in the flying scenes. I enjoy the Flying Ballet sequence a great deal, it's my favourite flying scene out of all the 'Super' films. This scene has always made me wish I could fly, a desire that was created when I saw the original Superman movie.
The music, which was composed and conducted by the great Jerry Goldsmith, is also one of the film's best aspects and I love it very much. The music is beautiful to listen to and are easy on the ears -- it's very poetic and lyrical which suits the film well.
Anchor Bay released "Supergirl" on DVD last year and they did a magnificent job, doing the film justice. The Director's Cut is the best version of the movie as it provides better characterisation and some explanations for plot holes that are present in the US theatrical and domestic cuts.
"Supergirl" is one of my favourite movies despite it's flaws and I find it to be a much better film than "Superman 3" and "Superman 4: The Quest For Peace".
When this movie was released to audiences in the US and Canada, it was done a grave disservice because it was edited way too much. International audiences got extra scenes that added certain nuances, and subtly changed the overall enjoyment and understanding of the plot and characters.
Anchor Bay deserves kudos for the excellent DVD Special Edition release, which includes the International version, as well as an un-cut Director's Edition, which has footage that has never been seen. Comparing the 'crapped-up' domestic version which is often edited further for pan-and-scan television audiences, it is clear why this movie is thought of as being a stinker. (Anchor Bay prudently ignored releasing the domestic version.)
This movie was meant to be viewed in a widescreen format. I cannot emphasize this enough. One important scene is always lost due to pan-and-scan cropping, and it is a scene that establishes the diabolical forces that surround villainess Selena. This reviewer never before understood what Selena was referring to when shown a reflection of herself in a mirror stating: "What is that?" Widescreen reveals that there is something else being reflected next to her. Supergirl's 'Flying Ballet' scenes are sublime (and extended) in this format.
This movie, if anything for nostalgia's sake, ought to be revisited in all its un-cut widescreen glory. And let's not forget the top-notch score by soundtrack genius Jerry Goldsmith!
The unfair treatment this movie got has been redeemed by this DVD release. Yes, the movie is dated, and maybe still a little hokey. But the un-cut edition is far superior to what Tri Star Pictures tried to pass off as a feature film for a super-heroine back in 1984. (Someone give Helen Slater a prize for all her dedication to this project! She deserved more attention than she got for this role.)
Anchor Bay deserves kudos for the excellent DVD Special Edition release, which includes the International version, as well as an un-cut Director's Edition, which has footage that has never been seen. Comparing the 'crapped-up' domestic version which is often edited further for pan-and-scan television audiences, it is clear why this movie is thought of as being a stinker. (Anchor Bay prudently ignored releasing the domestic version.)
This movie was meant to be viewed in a widescreen format. I cannot emphasize this enough. One important scene is always lost due to pan-and-scan cropping, and it is a scene that establishes the diabolical forces that surround villainess Selena. This reviewer never before understood what Selena was referring to when shown a reflection of herself in a mirror stating: "What is that?" Widescreen reveals that there is something else being reflected next to her. Supergirl's 'Flying Ballet' scenes are sublime (and extended) in this format.
This movie, if anything for nostalgia's sake, ought to be revisited in all its un-cut widescreen glory. And let's not forget the top-notch score by soundtrack genius Jerry Goldsmith!
The unfair treatment this movie got has been redeemed by this DVD release. Yes, the movie is dated, and maybe still a little hokey. But the un-cut edition is far superior to what Tri Star Pictures tried to pass off as a feature film for a super-heroine back in 1984. (Someone give Helen Slater a prize for all her dedication to this project! She deserved more attention than she got for this role.)
I am surprised at the high percentage of very low votes for this movie, SUPERGIRL. While it is by no means a great movie, it IS a good film which makes a comic book story come to life. Helen Slater was only 19 when she played Supergirl and it is hard to imagine a better choice. She is pretty and innocent, but has a fine figure and very athletic legs, very believable as Superman's cousin, come to Earth to return the omegahedron to her society, while Superman is on self-imposed exile. For a 1984 film the production values are very high, not one wire is shown in the scenes where Supergirl flies, unlike Superman IV which is very poor in comparison. And, except for the drawn-out ending, is paced very nicely. I have the director's cut, which is 2 hours and 13 minutes of film, and another 5 or 6 minutes of credits.
Faye Dunnaway is also excellent as the archrival, evil sorceress. To me that is the best type of role for her. The DVD has a remarkably good video transfer and is an altogther fun movie, for fans of the Super series of comic book characters.
And, at 1:45 into the film, several newly-introduced Honda Sabre motorcycles were escorting Dunnaway's car.
Faye Dunnaway is also excellent as the archrival, evil sorceress. To me that is the best type of role for her. The DVD has a remarkably good video transfer and is an altogther fun movie, for fans of the Super series of comic book characters.
And, at 1:45 into the film, several newly-introduced Honda Sabre motorcycles were escorting Dunnaway's car.
Le saviez-vous
- Anecdotes(at around 35 mins) Christopher Reeve bowed out just before filming began. He was slated to make a cameo as Superman, but was unavailable. The film still features a picture of Reeve in costume in a brief cameo.
- Gaffes(at around 58 mins) During the "monster tractor" sequence, a boom operator is visible in the wrecked bar's mirror.
- Générique farfeluIn the beginning credits real silver is flashed at you.
- Autres versionsIn the US advanced screening version, there was more dialog between Selena and Supergirl. Selena tells Supergirl she will make her name known all over the world, and that she herself, should fear. Supergirl replies to this, saying she will only bow to truth and justice, and Selena shows some black magic.
- ConnexionsEdited into The Flash (2023)
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Détails
Box-office
- Budget
- 35 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 14 296 438 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 5 738 249 $ US
- 25 nov. 1984
- Brut – à l'échelle mondiale
- 14 296 438 $ US
- Durée
- 2h 4m(124 min)
- Rapport de forme
- 2.35 : 1
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